Showing posts with label heathrow. Show all posts
Showing posts with label heathrow. Show all posts

Monday, 25 October 2021

2021 Gibraltar

19.10.21

On the 9th floor of the Eliott 
Hotel, looking out across the Bay of Gibraltar from the near-empty hotel restaurant.  Spain in the hazy distance, tankers moored or moving.  Cloudy but pleasantly warm in this Mediterranean outpost of the UK.  The tell-tale sign that all is not as it should be: they drive on the right here…

Gibraltar seemed the perfect post-Brexit/Covid trip.  Short – just three nights here – but enough time to see more or less everything.  Safe – Gibraltar has one of the lowest incidences of Covid.  And weird: a little chunk of limestone that will be forever England (well, not if the Spaniards have anything to do with it). An alienated piece of the EU, just a few kilometres from Africa…

The flight was good but horribly early: 7.10am take-off meant getting up at 3am.  At least it was Terminal 5, Heathrow, one of my favourites.  Swooping from the east of the Rock, its gaunt vertical face, around to Gibraltar Bay, where the improbable runway sticks out into the sea.  No room for error.

Then the inevitable checks.  Mostly done before leaving, online.  Very efficient: after you have submitted your Passenger Location Form, you are taken straight to the test booking site.  On the ground, less impressive.  First, you queue at passport control; then you queue for your lateral flow test; then you find there are no taxis left to take you into town.  So you walk.  It's not far, but there's a unique obstacle holding up vehicles and people.  Planes are taking off, and the runway cuts across the road.  So the road is closed while the planes take off – rather close.

Finally, the barrier lifts, and off we go.  Strange to see UK road signs, but cars on the right.  Also many signs in Spanish, not unreasonably.  We walk through the Landport Tunnel, once the only land route in.  then along Main Street.  Which turns out to be a perfect distillation of English seaside towns like Blackpool or Bournemouth.  Small, tacky, full of horrible "souvenirs" – and people who look as if they would buy them.  Mostly old.

In Grand Casemates Square – the Piazza San Marco of Gibraltar.  Here via the dock area – not just ugly, but oppressively chaotic – no plan, no style.  Huge blocks of buildings closing off the way – no road through.  Here vaguely attractive, open at least.  Moorish Castle just visible, Main Street ahead of us.  Huge building to the right, looks like the abandoned concrete hulks of Chișinău.  This place is weird.

20.10.21

Out to the cable car base.  Following Main Street, I was surprised to see its character change once it became for cars – vastly better.  Where the pedestrianised part is twee and naff, the part to the south has some good buildings.  Passing by St. Jago's Arch, things fall apart – hard to find the sense of roads, with the paucity of street names hardly a help.  But we finally made it to the cable car to find zero queue and just a couple of people waiting inside the cabin.  £30 each for the full works, but Moody's Second Law of Tourism applies…

The ride up quick and smooth, though I am not totally convinced by this technology.  The upper cable station nothing special, aside from its location, which is stunning.  The views from the two platforms just fantastic, with the harbour and runway laid out clearly, Spain in the distance, and Morocco looming out of the haze.

Three apes nearby, picking over carrots, apples and watermelon.  Magnificent beasts, with a golden-brown fur.  Pretty indifferent to humans, more interested in food or finding fleas on each other.  The biggest (alpha?) males were superbly disdainful as we walked past them.  A Spanish family foolishly had a plastic bag, and the apes were keen to inspect it.  The bloke shooed them away, but was unwise to bring it.

Along to the Skywalk – pretty dull, but some nice views south.  The eastern side of the Rock is pretty impressively precipitous.  Further south to St. Michael's Cave.  Better than I expected – really majestic forms, rather spoilt by the lighting's garish effects.  A dozen minibuses outside disgorging people.  We moved off down to the Apes' Den – where there were sadly no apes.  But we had seen plenty elsewhere.

We decide to descend to the town, rather than ascend to take the cable car.  A long way, but shielded from the sun by the Rock, with great views.  I saw a couple of planes swinging round from the south to land – tiny dots moving over the sea and Spanish mainland.  The tankers and container ships playing to and fro.  The filthy pollution they create is evident.  Yesterday, we saw an obscenely large P&O cruise ship pull out – a ridiculous floating hotel, with hotel and cold running Covid: I wouldn't go one even if you paid me.

Finally down to the town, and to The Angry Friar, opposite The Convent – the Governor's Residence.  Just as we were about to order, the power went off – something that happens here apparently.  After salad and sandwiches, back here to the hotel to rest.

In Jury's, nice atmosphere. In the afternoon, to the botanic gardens by the cable car station.  Lots of interesting plants and trees, but a strange feeling of chaos, of things not hanging together, which seems to be the dominant theme here.  Then to the harbour – the new one – and the Harbour View restaurant.  Next to flash catamaran.  Gibraltar should be more like this, although I noted with disapproval that the marina was "private" – enclosing the commons.  Tut.

21.10.21

Up on the Rock again, staring across at the mountains of Morocco.  Brilliant sunshine, fresh breeze, nobody else up here.  Wonderful – surely one of the greatest views on earth.  We were so near to Morocco that our phones switched from Gibtel to a Moroccan provider… 

Exploring the northern part of the Rock.  Along to the Great Siege Tunnels.  Amazing achievement, with great views of airport where planes take off infrequently, but impressively.  Before each take-off, a police car clears the road, with siren blaring.  

Two things seem more common here than I expected: people speaking Spanish, and people smoking...it's like going back in time to the UK in the 1970s.  Which seems appropriate.

Back in the Water Front, where we had a drink yesterday, but now for supper.  Busy, lots of people who look as if they belong with the very swish boats in the marina.  But getting here from the hotel was madness.  This town seems designed to stop easy access anywhere.  There are long physical obstacles – bastions from the past, blocks of offices or flats from the present – that require huge detours to pass around.  This is the worst-designed place I have every visited.

22.10.21

In Grand Casemates Square, sitting in the sun as it rises from behind the Rock.  The fact that the city is in the shade for several hours lends it a very particular quality.  As does the number of old people hobbling along with walking sticks. 

Yesterday, I forgot to mention that on the way down from the Great Siege tunnels, we visited the Moorish Castle.  Just a bare shell now, but impressive enough in its own way.  A useful reminder of the Moorish heritage here – even down to its name [according to Wikipedia, the name is derived from Arabic: جبل طارق‎, romanized: Jabal Ṭāriq, lit. 'Mount of Tariq' (named after the 8th-century Moorish military leader Tariq ibn Ziyad)].

Now in the ultra-swish, rather empty airport building.  But its main feature is the north side of the Rock in all its gleaming limestone glory.  Certainly a memorable sight – the White Cliffs of Dover packed into a single, soaring spire – rather like the similarly shaped church in Reyjavik – but much bigger.  Rather let down by the dull and stumpy flats and hotels at its base, dwarfed by Nature.

This morning, we walked around the city.  I always want to call it a town – city sounds too grand, but it has not one, but two cathedrals.  The Roman Catholic one (very dull) and the Anglican one, which has an appropriately Moorish cut to its ecclesiastical job (sic).  Inevitably, it reminds me of Mezquita in Cordoba, but a pale, genteel version.

The thing is, there really isn't that much to see in Gibraltar.  Except the Rock, of course, and its delightful apes.  And indeed, the view from the top in clear weather is certainly one of my top sights – along with that from Gergeti Church in Georgia, from the Sugarloaf Mountain in Rio, and from the top of Mount Batur in Bali.

Monday, 11 October 2021

1989 New York

8.11.89 Heathrow

Heathrow airport, on board flight BA 175.  Well, dull it isn't.  After my burglary (my burglary?  Well, more of that later on), a real, live (ha!) aborted take-off.  I was dozing at the time, as is my increasing wont.  We accelerated, then the brakes were slammed on – not hard, but hard enough.  Later, the captain explained that strong winds were blowing us skew off the runway.  We were already one hour late; now we are waiting for the brakes to cool.  I bet the hijackers on board are annoyed…

Read my first Paul Auster; it begins to fall into place: the New Metaphysicals: too clever by three-quarters.  Fun, but Auster rather empty.  Unlike some on this plane, I am calm.  I think the burglary taught me something: that I am essentially untouched by these events – because it does not matter.  Nothing really does.  If life is meaningless, so are delays and inconveniences.  The robbery of my flat was also a delicious experience in serenity; my heart moved not a jot.  Messy, perhaps, but interesting too: you need excrescences on the surface of life; a totally aerodynamic world is boring.  I definitely need to get married and have kids – now there's excrescences…

Room 1502, Hotel Dorset.  Amazing view from my room.  AT&T Building to the right, and the strange light-haze from the nearby Citicorp.  Flash room. $190/night.  NYC ground to a halt because of the rain.  Opposite me great chess boards of light.  West 54th Street below, together with the dwarfed rooftops of the apartments.  The hiss of tyres in the wet; aureoles of rain around the lights; car and truck horns.  I really like New York.

9.11.89 New York

An interesting day.  Up early (late body time), hashed beef breakfast – yum – then out to walk in the wet rush hour.  I find a CD hoard, then to the Frick.  A lady cab-driver tells me about her sushi-eating habits – but insists she is "not anal-retentive".  I find the Frick familiar.  Gob-smacked by the Bellini.  Again.  Great Vermeers (3), "Polish Rider" et al.  To the Guggenheim – disappointing again.  Lunch in the Met – where I see they have Canaletto….

To work.  Back in a cab driven by an Albanian: World War III is imminent, Gorby is a cunning commie.  He (the driver) escaped from Albania in '53, came to London to see an Albanian hit-man – killer of three KGB agents (?!).  Totally paranoid, bent by his past.

Then to the Met, an orgy of Canaletto.  Many early pix I've never seen.  And so close up, the paint almost tactile.  Bought the catalogue – and see that Constable is back in print - $260 – but I must get it.  I still feel strangely free of material possessions, even in buying them.  Writing now in MOMA – shades of Auckland, I don't think.

10.11.89

A bad, bad day.  Walked out of Ziff meeting.  Anyway.  Back at Met after stroll through beautiful Central Park.  Coffee and bread pudding in candle-lit cafe (K284 playing live) then – to the Canaletto, inevitably.

The Liechtenstein pix are a revelation.  The light and colours radiate, yet the skies are so moody.  Rio dei Mendicanti: contrast of white walls on the left, ragged, lived-in chaos to the right.  Figures very vague.  Physicality of brush-strokes in the sky.  A boatyard to the right.  Washing on roofs looks like festival pennants.  No dogs.  Is the building next to the church religious?  If so, why the flower boxes?  A tree in the centre.  

The first, famous (to Walks with Lorenzetti) Piazza San Marco.  It manages to be grand and provincial – a ragged Nowheresville that happens to be Venice.  Birds (aargh).  The stalls' shades like beach umbrellas.  Dogs.  Notice often greenery growing from buildings – desuetude.  The crowds by the clock.  Unlike Canaletto's later pix, these look even better further back – like the Impressionists.  San Giacomo di Rialto – this and a later one remind me of Kathmandu – Durbar Square, or between it an Freak Street.  The market.  The strange pictures like huge playing cards.

Some just don't work – that of SS. Giovanni e Paolo.  Rialto Bridge from the north: lovely light and shade: deep, dark colours, a slash of crimson.  The thing about the Grand Canal is that often you get extreme compression, which with the windows articulates the surface.  La Carità: something I've not seen before: a fire.  Venice is so watery – the embodiment of this element, it seems antithetical, the fire.

To the copperplates – and the world is suddenly full of light – no dark scumbling.  The clouds are thick.  The lines in the windows etc. are ruled – adds to the sense of certainty of the pic.  Sky not blue, but pale grey-blue.  The figure pissing against the Rialto bridge.  Very Levantine – the boats, the hats.  In this context, the Stonemason's Yard looks even more extraordinary.  The broken stones look out of place in this city of smoothness.

West end of Molo – very light in technique, like Guardi, lacks detail.  Pic of Orologio – beautiful bustle – a very people-centred pic – at eye-level for a change.  Scratching dog, lounging man.  Very thick paint on buildings.  Strange to see completely new pic – and viewpoint.  For example, San Cristoforo, Michele and Murano.  Square format – very thin paint – almost a sketch.  Odd angles – impossible view.  Mainland is disconcerting.  Pentimenti on Queen's Entrance to the Grand Canal are like ghosts, hovering beneath the surface.  Piazzetta looking north: brilliant red of figure; extreme perspective of loggia; very theatrical. 

The pen and ink drawings are ecstasy close up – like intricate Bach chorale preludes.  Studies are fierce – full of energy.  

The Fonteghetto della Farina – a shock to see images no longer there.  It is fun to see – and recognise – the Houston pix.  The shops in Canaletto are also like Kathmandu: small caves, huddled away – San Geminiano is deeply disturbing in Piazza San Marco, disruptive.  North-east corner of Piazza San Marco – big, bold treatment.  Messy details – planks, dogs, stalls, shades, very urban.  Shades look like bauta masks and hoods.  

Beautiful peaceful capriccio of house, church, tower and bridge by the Lagoon, delicate washes, free brushwork.  His Accademica pic is very theatrical, lovely diagonals, stage stairs, entrances and exits, unusual upward view – normally filled in by the sky.  The late pic of the Rialto – very busy (like Kathmandu) – the greenery, pots and pans.  

Perhaps the most surprising pic in the whole exhibition is Night Festival at San Pietro in Castello.  Night?? In Canaletto???  Reminds me of my Night Movement II – lanterns at night.  Here there are spots of light – especially intriguing inside the building.  Beautiful clouds with moon behind.  The confused bunches of people, the dark water, rich reds, the campanile.  I suppose in part the effect is helped by my ignorance of the scene.  Where are we?  Is it realistic?  Palladian facade.  The cloaked figures – a chill in the air.  The wooden bridge.  The dog in the boat; the Punch and Judy show (you can see Mr Punch's stick).  I have realised that I have regarded this as an island – not part of Venice…

Aha! - as I thought: it is an island – but also part of Venice – see map.  Its orientation is completely unexpected – a typically Canaletto re-ordering.

11.11.89

Remembrance/Veteran's Day.  I was roused by my early morning call at 5 – an attempt to return to GMT.  A strange feeling for the day, rootless, almost.  Glorious walking weather: 50°F, brilliant New York sunshine – reminded me of 5 years ago….

I sit now in The Saloon, opposite the Met (opera), nice bustly place – very Village Voice.  Failing to achieve figs and prosciutto, I am forced to make do with medallions of tuna, followed by marinated duck in aubergine.  A fairly strong Sauvignon accompanies the meal.

Yesterday at the Canaletto exhibition was really good.  Looking very hard at these pix, close up, some of which I knew, some not, was like an intellectual/pictorial work-out.  I kept on seeing more but forced myself to go yet deeper.  A paradigm of all seeing – and understanding.  I can see that Canaletto will be an obsession for the rest of my life – Walks with Lorenzetti has not exorcised him.

Down by the subway to Canal Street – partly after seeing an early Channel 13 (PBS) on Laurie Anderson – what a brilliant, spiky woman – who lives here.  Then around Broadway, West Broadway, Tribeca, Soho, Greenwich Village.  All vaguely familiar, but not exactly.  I could see myself living here, very bustling, young (ish).  Failed to eat at a Polish and Yugoslav restaurant – they took no credit cards, I was low on cash – thanks to my burglar (what fine word).  Back to the hotel, then to here.

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