Showing posts with label sanur. Show all posts
Showing posts with label sanur. Show all posts

Friday 5 June 2020

1992 Indonesia I: Lombok, Bali

13.6.92 Gatwick airport

Here again – but all is so different.  Up in the Village – less plastic than it looks, waiting for the flight to Jakarta.  Flight not full – so hopefully we will have good seats.  Outside, a brilliant summer's day; if the weather is like this en route, then the view could be great.  Flying via Zurich and Abu Dhabi.  Delayed take-off – weight of air traffic…

The sensation of a Jumbo lifting off has to be one of the late 20th-century's peak experiences.  That sheer mass of metal apparently defying the laws of physics.  Flying into Abu Dhabi. Dotted on the right tiny candles of bright orange flames – gas burning off the wells, I presume.  

14.6.92 Jakarta

Overnight non-stop flying.  With so few people we were able to move and stretch out along four seats.  We slept well.  Bodies completely out of kilter (seven hours difference) but relatively refreshed.  Another meal.  Over Sumatra: huge, roadless, great masses of clouds, blinding white.

Now in the Sate Khas Senayan, the most upmarket place on Jalan Jaksa – which is a bit third world, as is the hotel, alas.  Here we have standard food with muzak in the background, and aircon blasting out.  Room is not bad – clean, bath (cold water only).  Just a bit tatty.  Jakarta is a typical mix of skyscrapers with hovels.  Not very appealing as a whole, and certainly not the best intro to Indonesia.  We shall see.

15.6.92 Jakarta

What a 24 hours.  We came to Sate Khas Senayan last night; food was good, so I ate too much.  Passed the night OK – mended the WC ballcock, but it soon broke again.  Up late – 9ish, and I soon felt diabolical.  Later on, we stagger down to the Garuda office – the events of last night focusing my mind somewhat.  The road we are on typically third world: stinking sewer with all its usual smells, odd colours, dubious object – by a roaring main road full of New Delhi-like mini taxis and fully-fledged versions, plus flash BMWs and Japanese cars.

Along to the main street, full of cars and motorcycles.  Very like India.  Up to Garuda, who helpfully send us to a travel agent nearby.  Very helpful, if slightly officious young lady.  We book a flight to Lombok tomorrow, one week at Sengiggi Beach Hotel, a flight to Bali, one week there, then on to Yogyakarta, plus a reservation at a hotel for one week.  

16.6.92 Lombok

Another crazy night, though for different reasons.  After eating at the same place – a huge, perfect dusky moon hovering over the detritus of Jakarta – we went to bed mind-blowingly early - about 8pm.  This was an attempt to be up at 4am, taxi at 4.30am to the airport.  Such a long, slow, sweating night, the body utterly at a loss.  The hours crawling by: 9, 10, 11 – surely later than 11pm?  Finally, release at 4am, the ayam jago aying outside, but still dark – you forget how short the days are here, assuming somehow that at the Equator the days will be long.

Strange, characteristic journey to the airport. The right one?  Broken conversations with the driver. Like any other early morning journey through a sprawling third-world metropolis – New Delhi etc.  People strangely going about their business: the warungs open, the street sweepers pointlessly sweeping.  Nearly dark – few street lamps lit.  Our taxi barely avoids running over somnolent wanderers in the dawn.

Boeing 737 – hazy day.  We fly underneath the topmost veil, below a misty landscape.  Alas, not much to be seen on our left-hand side except wispy views of the sea.  To the right, just visible ranges of mountains.  In to Surabaya (everyone together for the chorus…).  A small airport where we are now stuck, outbound flight delayed.  A little box of tea and cakes given to us.  Such a civilised people.  Two and a half hours late out of Surabaya, flying high, north of Bali, Lake Batur looking strangely small.  Lombok far lusher than I expected – hills thickly wooded.

Lombok, Sengiggi Beach Hotel (Room 107), by the pool, the sun beginning to sink down towards Mount Agung.  In the background, the pentatonic bamboo instrument – reminds me of something…  Now the waves shimmer calmly behind the ten or dozen palm trees; Agung has a delicate necklace of clouds.  Dinner, in the open, in the restaurant.  Nearby, yes – a gamelan, a rebab squeaking, fast and furious metallophones.  Smells of food wafting up, lights of the distant Bali twinkling across the water.  Not a rebab, some wind instrument – but too rough for a suling.  The moon incredibly bright – you forget that this is what the ancients saw – and just as with the stars, it is a shock to rediscover it.

18.6.92 Lombok

On the veranda, 50 feet from the beach, the rain falling pleasantly and quite heavily.  Up at 7.30am this morning, then to the beach. But I notice – belatedly – that yesterday did not exist.  So, as ever, to backtrack somewhat.

Long, long sleep Tuesday evening – after all, we are still only three or four days into Indonesia, and our bodies were smashed sideways by the journey, and then mine by the food – now almost fully recovered, and eating like a pig again – and drinking the water, which makes life easier.  So yesterday, to breakfast at about 8am.  Buffet, lots of fruits, sweetmeats etc. - good start.  Then we changed rooms: from 134 to 107.  A good move indeed.  This is more or less the nearest to the pool/bar/restaurant.  Noisy neighbours alas.  But to tell the truth, there are few people here.  40, 50 at the most.  In the height of the season, probably gets pretty crowded, but paradisaical at the moment.

Took the sun sensibly yesterday, breaking for two hours at noon.  Clouds came in at 3pm-ish, as they have now.  Probably a blessing, really.  Certainly as island paradises go, Lombok, or this part of it, is pretty fine.  The beach shelves steeply, and the currents are strong, but the view across to Gunung Agung (hi, remember me?) is great.  The sunsets too have been chocolate box spectacular, framing Gunung Agung.  The flowers here brilliant, huge bursts of colour.  The smell of kretek cigarettes everywhere, the characteristic smell of Indonesia.  And last night – salaks, a little dry and bitter, but good to find again.

Out on the road at last, paying 45K Rp. for a two- to three-hour trip round the local temples.  Now at Mayura.  Basically, a large artificial pond, with a water palace in the middle.  Cocks crowing, pop music playing noisily.  Sun is back, a lovely warm liquid.  After Mayura, we unconscionably miss out Pura Meru, but go straight on to Sweta market by the bus terminal.  This is rather refreshing – the biggest in Lombok, and very lively.  We buy one kilo of salaks – 1500 Rp., about 40p.  Flies on the dried fish, bright piles of seeds and fruits – but not quite Egypt.  A crippled child – we give 100 Rp.  Then to Narmada, a small temple complex – where we buy two hard-boiled eggs for the eels.  Who refuse to come out – probably sated, judging by the egg whites everywhere.  On the way back, we glimpse one – a huge grey, slug-like thing. 

Finally, after a further bone-crunching ride in the back of the Suzuki jeep, to Lingsar – the best, because living.  Nearly dusk, a great red wash spreading over the sky.  Mount Rinjani clear of the clouds.  A longish walk down to the river, then left into the compound after donning the sash.  Two areas.  The first, lower, dedicated to the fascinating Wetu Telu religion – everything in threes.  Inside, people praying, to strange wrapped figures – animistic, offerings, incense burning.  Full of kids, playing.  Women bathing near the river.  Islamic wailings in the background.  

Then up to the Hindu part, very serene, minimalist, a man planting a new tree there.  Coconuts burning on the ground, part of the offerings, with circles of water around them.  The mountains in the background like the Annapurnas (ah, those other memories).  Later, back with the gamelan, a familiar diminished fifth sounding during a martial dance ostinato.  Evening cooler after the rain, which happily held off for our rattle round some of the sights of Lombok.  From Lingsar, the high point of the day, back here in a long dark twisty drive.  I found my little Indonesian useful – and genuinely appreciated.  

20.6.92 Lombok

On the terrace, bats flying, frogs hopping, rum and cokes being downed, the melting sun behind  Gunung Agung, the sea a ruddy mirror, a perfect day, hot in the sun, cool in the room…  The volcano almost a perfect cone from here, falling down into the sea (Singaraja).  Thick reds low down, lighter pinks higher.  Today, on the beach, the sea caught us out, flooding us – and soaking Penrose's "Emperor's New Mind" – symbolic or what?  Such a peaceful afternoon, the sun low, a breeze, the sea receding…

21.6.92 Lombok

We stopped off at Kediri to see the market – pretty much the same as at Sweta: lots of tiny stalls, flies crawling over dead fish, disturbing legs of cows – sans meat, various fruits etc.  The melange of smells, some good, some bad.  Then on to the turning for Sukarara.  Big mistake.  Market day, it took 30 minutes to get through, destroying a few warung in the process – and knocking out the bus, whose air conditioning was so bad that we opened the windows to let in cooler air. Weaving at Sukarara.  Pretty enough, but nothing so special. Most interesting was the loom: the weaver sat in it, with the back braced against part of it. 

Giving Praya a miss, on to Sengkol (ditto), then to Rembitan – first seen from the road as a clump of grey-brown forms, like shaggy mammoths, gathered on the side of the hill.  We stop to photograph and then approach, leaving the bus on the main road.   As we approached Rembitan village, we could hear the unmistakable sound of the gamelan.  The village band practising in the shade – a real, living gamelan.  Mostly young men, the leaders older.  Right by the village gate – which is a real gate, a thing in a real village, a cluster of thatched huts on a hill, set amidst hilly countryside.  Here is very Lombokian in feel. All the kids gathered around, listening, the women on a veranda.  All the players dressed in blue.  A recording being made...if only they were selling copies.

Walking round the village, amazingly intact.  The paths well beaten, mud.  The houses have two rooms: the living/cooking room, and above it, the bedroom.  A talkative boy takes us to his.  Inside, his old crone of a grandmother (?) chewing betel nuts.  We are offered the same, but decline.  Past the thatched mosque, and the great rice drying stores with their characteristic high thatched roofs.  Back down to the gamelan, still thundering away.  The boy explains that it is a visiting gamelan, from a nearby village.  Yesterday had been a nice harvest, he said, and today's gamelan was presumably in its honour.  The best rice around, they say, is from Lombok. He points out a particularly beautiful young woman, under a veranda, also from the village.  He wants her for his girlfriend he says… 

Down to Kuta, a beautiful beach with white sand, a ring of coves as far as the eye could see, and emerald-turquoise water.  Plus a natty market and a couple of warung.  A few bungalows popping up – I was offered one for 7K Rp.  There, our bus finally broke down, and a little man tried another – rather better, but we couldn't stop where we wanted, and so I docked him money: 80K → 50K Rp.  Still plenty, but I feel bad playing the petty imperialist. After lunch, to the beach, but by now, as so often, the intermittent clouds were gathering – but probably better for us.

Through the market, which is set up on the beach once the sun loses its force.  Practise my haggling ("what's your best price? - Too much…").  Eventually down to 3K Rp. For a t-shirt – initially 6K Rp.  50% discount seems about right.  A quick dip in the sea – currents and coral the main threats, then rum and coke – life can be a beach, as they say...

At dinner this evening, Nalayan music – voices, flute, "guitar" – very Lombok, the men all dressed in black, no gamelan influence, very drum driven, nasal male and female voices.  Reminds me a little of Nepal, but the drumming is very Indian in its tremendous complexity and cross rhythms.  Before dinner, rum and coke (I'm afraid), watching the huge bats, the slow, diffuse sunset framed by coconut trees, the shattered mirror of the sea.  Incredibly peaceful.  Looking at the hills from the curve of the beach you see bungalows creeping up one: I wonder if in 5 years the whole place will be developed?  Interesting the change in Kuta beach (where we went this noon) between my old Bali book (c. 1988) and the new Indonesian one (1991.92).  Kuta has moved on, but is still pretty quiet.

A strange day – one week after we arrived in Jakarta.  Glad there are still three weeks to go – I couldn't bear to be going back now, but glad to be moving on.  Here is stunningly beautiful – but alas a trifle too touristy, and getting around the island is a bit of a pain.

22.6.92 Lombok

A long, lazy day on the beach, reading, sunning, soaking, eating…  Then a final dinner (after a double rum and coke) – fried spinach/water cress and meats, nice.  Followed by fermented rice – black, sweet, delicious.  This place is very well ordered.  Early in the morning, we eat breakfast (for us, buffet – fruit and Danish pastries), the pool is cleaned, the reclining chairs wiped, new towels fetched.  The whole place bristles with attendants, and yet the price – about $60 a night for 2, is nothing really.  We have been lucky that the place has been so quiet.  Today a big group of Dutch arrived – curious the old empires – and gave a glimpse of the horrors that could be here…

Bought our first pineapple on the beach – 1000 Rp. - expertly carved by a 15-year-old girl.  Bought two t-shirts for 6000 Rp. (haggled), ignored a tiresome little man who was still trying to sell us visits to the monkeys…

23.6.92 Denpasar

An hour or two to kill before leaving, that strange in-between time that is so often full of melancholy.  And should be: it should be sad to leave a place you have enjoyed – and you must leave it then, not later, when it has begun to pall.  We, at least, have the prospect of Bali literally and metaphorically before us, so this loss should be a gain too.  

Seeing the manager – in his distinctive black suit – I stopped to thank and congratulate him.  He seemed genuinely pleased.  I know from my own experiences that it is always pleasant to have praise given explicitly and personally in that way.  To the airport.  Clearest day so far.  Rinjani totally proud of its clouds.  Fierce heat.  All sorts of extras to pay: tickets miscalculated, 5000 Rp. insurance etc.  At least the plane has arrived already – turbo prop.  Above us a fan beats with the uneven rattle so beloved of Deep South films...

Here I am then, by the beach at Sanur, at what I find is the "La Taverna" beach bungalows – with the banners cracking in the wind as before, as have remained in my memory for four years, with  Gunung Agung as ever misty in the distance, the island in front of us.

Ajit's Beach Bungalows – well, a little run-down, but amazingly, the prices identical: $37/single, $40/double.  Lots of renovations underway, but I still find its situation pleasing, at the end of the tourist beach, by the fishing boats.  Java tea, we are drinking, my preferred beverage at this hour, as the shadows lengthen on the beach, and the world packs up its wares.  And the kites, of course, lunging in a wind even stronger than I remembered.  Great swooping (did someone say "skirling"?) birds of prey.

24.6.92 Denpasar

A long "hard" day at the beach.  Which remained almost empty for the entire day – even emptier than when I was last here.  (A lovely silver light in the air now, 6.20pm, I've tried to photograph it…)  Clouds hung mysteriously in the sky so as to block the sun just for us (really).  Helicopters came and went, throwing sound everywhere (that strange circular platform in front of the Hotel Bali – so that's what it is for…). We just lay there, soaking in the sun.  The wind tremendous – far stronger than before – but perfectly cooling.  As the heat few stronger, so did the wind.  The water provided little respite – very shallow, with rocks close in.  But pleasant in temperature.

Parenthetically, the day began with a fine sunrise, perfectly visible from our room (#20).  We took breakfast on the open air veranda – bread and tea, nothing much – perhaps we should try the Sunrise Restaurant, where we ate yesterday evening – for about £4 – well, and almost the only ones there.  Everything is so quiet.  What have I missed?  Some party elsewhere?

Lunch under the sign of the lobster – even better than I remembered – big portions of good food.  Under the shade of the trees, the wind tremendous.  Some new trees planted in front of the Bali Hotel, I notice.  We managed to confirm our flights to Yogyakarta today, in a freezing cold Garuda office in the Bali Hotel.  Then we blag some loungers, and bask and bask.

Then, perversely, we walk to the road.  I want to (a) check on the prices for a Suzuki jeep and (b) try to find Wayan Pater, who is said to hang out at one of the hotels further along.  We tried phoning his old office number this morning: it worked, but nobody answered.  It feels strange pursuing this dalang in this way.  Who knows what has happened to him in the intervening four years?  The heat on the road was hell's furnace to the beach's cool balm of heaven.  

We walk through La Taverna hotel – beautifully kept – pity about the $120 price – to "our" table, and I take tea under my banners.  A tremendous cracking like rippling water.  The usual beautiful end – Agung mighty in the distance – to a perfect, lazy day.  Off tonight to the Legong dance at the lobster – better than nothing.  Out on the road we passed a school or something: sounds of a gamelan inside...tantalising.

25.6.92 Ubud

We sit under the stars at Peliatan, awaiting the start of "Semara Madya" kecak dance.  We arrived here in a bemo (our first), from the well-organised arts centre in Ubud.  What looks like a netball court – and probably is – in front of a great gate – very fine example, the clothed demons/gods in front.

We arrived here after a long day.  Up early, in to central Denpasar after breakfast – alone at the Sunrise Restaurant – the sea breaking on the sands below us.  Denpasar very large – the road in long, straight, hot.  The tourist centre – empty, people lounging around, waiting for business.  A helpful chap – laughing gently when I ask for a programme for the current Balinese Festival – they had one for themselves, and that was all – but a more useful guide to the dances in Bali – when and where.  We also raised the vexed subject of hiring cars.

He of course knew someone.  We got embroiled.  His mate brought the car round – not the newest, we somehow went off, but gradually fell out of love with it – bad tyres etc.  Said "no" – and they proceeded to take mortal offence, and demanded money to drive us back to the tourist centre.  Pity really.  Especially because the chap there knew of Wayan Pater – confirmed he was still around, but a little elusive now.

We passed a little time at the Denpasar Museum.  Rather good really, well laid-out, interesting exhibits.  Then a taxi to a place we encountered yesterday.  Seemed more professional – but inevitably the nice white ones – new etc. - were gone, and we were left with a rather battered black one, but the tyres seemed quite good, test drive threw up only a dodgy hand-brake (great), so force majeure, we took it – very cheap, about $80 for three days including insurance – another reason I was unhappy with others.  Ah well, we shall see.

Back to Alit's, where everyone proceeded to sulk because we didn't use their suppliers for the car.  To Sunrise for lunch – alone – then on the road.  Petrol first – at the station I'd used before, four years ago.  I must say that I'm not overly happy driving here – they are such maniacs that you never know what will happen.  The sense of responsibility…

We stop off at Celuk, and see huge rooms – warehouses – full of silver, intricately wrought, very cheap – and there are hundreds of such shops.   A Borgesian vision of hell.  Gradually, the road climbed, the fields grew more lush, more Balinese.  And before we knew it, we were in Ubud.  A long, long, main drag, lots of shops, very busy – lots of Westerners, lots of hire cars – shown by their "Rc" – Rental Car – on the number plate.  You learn something every day.

We drive through Ubud, descend to the river, then across the bridge up the other side – straight past the Hotel Tjampuhan we were looking for.  U-turn, and back.  No wonder: it is a facade, a shell.  Uniquely, in my experience, it hangs down a gorge, the bungalow rooms found down steep steps.  As is a beautiful pool, tennis courts etc. – an old palace this, where the artist Walter Spies stayed for years.  Our room is newish, but huge, with a high roof, wire netting instead of walls, and a huge rotary fan in the ceiling – no air conditioning.  A separate bedroom, veranda overlooking the gorge, trees and flowers everywhere.  Only $52. 

Waiting for the bus here, dancing practice in Ubud opposite the palace.  The teacher shouting out commands, the gamelan muted, then surging forward.  Everyone in t-shirts.  

Now at the Lotus Café – very swish, very cosmopolitan, very nice – for dinner after the performance.  Lovely pond.  

26.6.92 Ubud

Sitting on our veranda, the sun directly before us, as we wait for breakfast.  Surprisingly cold last night – the difference a little altitude makes.  

So, the performance last night.  The lights dimmed, and at least a hundred men, naked to the waist, entered from the right-hand temple door, shrieking and screaming and generally making monkey noises.  Impressive sight.  Then they formed into a circle around the lit shrine.  A priest entered, blessing the players with holy water.  The kecak itself began – a huge minimalist pulsing, led, I notice, by one Charles Bronson lookalike who gave a high note repeatedly as the marker – with considerable force, and exhaustingly, it seemed.  They swayed, raised their arms, shook their fingers, a huge sea of bodies, shouting and waving.

Gradually, the other characters entered: the princess, the prince, the baddie.  All were of a consistently high standard, the women supple and delicate – the princess an absolute stunner, the prince a semi-comic character, all tics and hunched shoulders, flicking fingers.  I have never before felt that I could read the gestures and actions so clearly; it was also so wonderfully explicit.  The kecak sometimes subsided to low chants or a voice narrating the story.  Wonderful unison notes, a perfect fourth apart, very strong.  The only annoying thing was the constant barrage of flashes – blinding, distracting.  But under the Balinese sky, before the temple, magic, basically, my first kecak dance.

Then back to Ubud in a confusion of bemos (is that the collective noun?), then to the Lotus Cafe for dinner.  Very swish, the lotus pond outside exquisite, the food very upmarket.  More expensive, but very good.  Gamelan music as background, but rather too many world-weary Americans for my liking… After, to the Bridge Café – almost alone – interesting contrast to Lotus Café.  This is much more traditional in architecture – beautiful portal, lovely traditional stonework, similar open roof. Fine view of the river gorge.  Coconut tree outside the window – including smaller ones growing – bright orange.

Anyway, back to today.  Up late-ish, because we thought breakfast only served late.  Worth waiting for: two pancakes – one ratatouille, one banana (a green pancake), the fruit salad, toast, tea etc.  To Ubud, to buy tickets for tonight's performance – alas, it turns out that the Barang had been cancelled – because there is a special performance of a grand new work – with 120 performers – to be entered in a national competition in Denpasar on the 29th.  This will take place at 8pm in the academy next to the palace, where we saw a rehearsal last night.

Then we went to the market – and it was market day to make things worse – to buy some nuts to give to the monkeys in the monkey forest nearby.  This took a while, since mostly on sale were sensible things, like vegetables.  But we found some.  So, staggering through the temporary one-way system, we made our way down to the marshy forest.  No monkeys at first, then one.  We feed him/her.  It wants more, grabbing hold of my trousers.  I give more.  It still wants more – and then starts biting.

I have antiseptic wipes with me, and we use those.  We ask the guard at the entrance if the monkeys are dangerous; he rushes off for some antiseptic – I hope not more dangerous than the wound.  Then back to the hotel where I ask for a doctor to be called.  But today the doctor appears not to be around – so there is the clinic.  The address is complicated, so I luckily get to take a taxi.  Luckily, because it turns out the town's doctor is at the clinic – and about to leave.  We just catch him.  He reassures somewhat: not serious – he's had to suture cuts before – the monkeys aren't rabid.  More dubious-looking antiseptic from a crusty bottle – I hope these are OK – and then sent home.  A really worrying episode.

This is a wonderful hotel – I set now on the shaded veranda, looking down on the river gorge, a couple of temples visible (this is Room "Bukit 2up"), and thatched roofs of other rooms.  The place is a maze of pools and rooms and huge trees.  The view from the bar, a split-level affair, is stunning, with one particularly huge tree notable.

27.6.92 Ubud

In Klungkung, in the judgment hall by the crossroads.  A gamelan – yes, another - plays nearby.  I recognise Klungkung – lovely name – but seem not to have been here before.  Strange.  Called in at Goa Gajah, nice enough coming to the cave, huge fingers in the rock.  Inside, suffocating, lack of oxygen – and the smell of paraffin.  Deep in a river gorge, down to the pool, lily-covered – with a frog.  Small headless Buddha… Then to here, traffic busy, survived so far.  Main drag of Klungkung really attractive; again, familiar…

Back at base. So, last night.  After eating again at Lotus Café ("our place"), still full of Americans and chain smokers – along to the performance area opposite the tourist office and palace.  Fifteen minutes before, already filling up.  Glass of water and cake handed to us as we went in.  Hard metal chairs.  People bundling in around us; tourists, but hundreds of locals – notably grannies and mums with tots – some less than a year old.  Complete with squeakers to amuse themselves. The band arrives – forty-odd, gorgeous purple costumes, bright golden headgear.  More audience pile in, onlookers climb walls, pillars, temples etc. - this is the event.  It starts late – 8.15pm, and will go on for a long time.

The story seemed to be the usual good versus evil stuff – and wayang wong, with the dalang doing all the funny voices.  Plenty of slapstick, plenty of noble pathos, lots of attractive young women – very good dancers, lovely fingers.  The music: very loud, very energetic, very Balinese.  And impressive in keeping up a 2.5 hour Wagnerian backdrop of sound – now fast and furious, now gentle and sad, now minimalist, now thunderous.  Lovely syncopation, triplets even – adventurous.  The plot long and seemingly never-ending – this must be the end, I thought, but again and again, always one more scene.  Some nice touches: the field of plants hiding the baddies: men with leaves; the river of blood bled by the same, a long silk train.  Brilliant use of twirled umbrellas for chariot wheels, gods raised up on shoulders, supported by spears as the third prop.  Great stuff, utterly quintessential.  

Two things: on a bend in the road, high above rice fields: a beautiful temple, simple, and two oxen ploughing the field.  Also, in Klungkung, next to the palace, a museum.  In it, the most touching thing I've seen: old Dutch newspapers from the beginning of the century, when the colony was still strange and new.  To the Lotus Cafe, after buying two books with promise: Sumatra, Irian Jaya… Outside, the lotus leaves sway hypnotically.

28.6.92 Denpasar

Well, back in Ajit's Beach Bungalows, on the veranda by the the sea – Sunday in full swing, despite the absence of sun.  The sea full of bobbing dark heads.  Good to be back, for all its faults – that curious sense of home from home, when you can go back to a hotel you have used as a base for an extended excursion.

A procession passes by, out on the beach, a long snaking, singing file of people.  A Sunday procession, almost.  (For some reason, my thoughts keep turning to Aldeburgh – the Festival is on now, and it's the first year for many that I've not been there.  Perhaps it's "Prince of the Pagodas" that is doing it…")  Amazing the building going on here.  We are now in room #69, but many more are being built.  Does it really get that busy in July/August?  Perhaps the capital outlay is low.

Up early today, a final breakfast on our Ubud balcony with its splendid view.  Then the laundry back – about 18 items for £4 – we pay our bill and leave.  Traffic surprisingly busy for Sunday.  Stop at Celu, for some haggling over silver – basically to 50%: 80K Rp. for three pieces, quite nice.  Then to Alit, change, round to Laghawa Beach Inn.  I had been told that Wayang Pater gave wayang kulit performances here.  And miracle of miracles, so it proved.  The place seemed deserted except for the receptionist, but he was helpful – probably bored - and had a number for Wayang.  We rang it and there he was.  He remembered me when I reminded him of the trip to the hills.  Unfortunately he was rather ill at the moment – diabetes – and so would not be performing Monday, as normal.  But he kindly said he would try to meet us beforehand at 6.30.  So it will be interesting to see if we can meet up.

Then to the beach – driven there by a man from the car hire, who tried first to demand an extra day, the cheek.  By the lobster again, soaking up the sun.  Curious thing though: the tide was out, and kept on going out further.  Until it was impossible even to dip in the water.  The wind got up even more, and the kites came out, until finally one about 20 feet across and 40 feet long was hoisted aloft – very impressive as its cords drummed in the wind.  Then back here for tea.

29.6.92 Denpasar

Near the puppet show, hoping that Wayan will make it despite his illness.  Gamelan (recorded) thundering away behind us...

1992 Indonesia II: Yogyakarta, Solo, Jakarta
1988 Hong Kong, Bali

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Moody's Black Notebook Travels

Tuesday 8 January 2019

1988 Hong Kong, Bali

26.5.88 Hong Kong

I write this sitting on the Star Ferry.  The humidity is 98%.  Opposite, Hong Kong island lays wreathed in low cloud, obscuring the new tall skyscrapers.  I cannot believe that I am really here.

The flight was marred by the fact that I was unable to secure a window seat, so I couldn't watch the world go by.  I cannot understand the mental dwarfs who can pass up the chance.  They seem happy enough to sit in a metal tube for 24 hours, watching movies. While outside, Asia slips by.  Morons.

The landing was one of the bumpiest I have had – it took two approaches because of the heavy rain.  Hong Kong was hidden in very low clouds; it looked like a miserable English winter's afternoon.  But stepping outside the airport terminal showed me my error.  It was a huge, hot, enveloping bath.

The taxi drive from the airport to my hotel was fascinating.  The flats near the airport looked like something out of Bladerunner: old, decayed, sinister.  Great ribbons of roads cut through them: the car was very much king here.  Surprisingly, the Hong Kong drivers were very restrained – little honking of the horn, with only the taxi drivers really aggressive.  The interior of the car struck very chill – the ubiquitous air conditioning was on full blast.

The driver spoke little English.  He had his radio on, which was Hong Kong pop music, noticeable for the refrains in English.  The Chinese language used for the continuity sounded musical: I wondered how they managed the pitch variation when singing.  The traffic was bad, but it all seemed of a piece with the thick rain, the dense air, and the drab surroundings.

Nearer the harbour, things changed.  We started winding down narrow streets festooned everywhere with huge signs and neons, mostly in Chinese ideograms.  Then we arrived at the hotel, near the harbour facing Hong Kong island, quite flash – roughly three star.

Then on to the Star Ferry – the wrong one, as it turns out, heading across to Wan Chai, not Central, which I see rear away from me.  It all looks very spectral: the skyscrapers, far more varied than in New York, with this heavy veil of mist hanging over them, and just visible behind them a hill of surprising greenness.

I walk back along to Central – through another boring part of Hong Kong, mostly building sites, then take the metro at Admiralty back across to Kowloon.  I pass beyond my stop and get out at Jordan Street.  The Rapid Transit system is impressive.  Fully automated with credit card type tickets, the trains are built in Britain – Metro-Cammell or some such – are spanking new, clean, etc.  Also reasonable prices.  Up by Jordan I get lost wandering west instead of south.  Things get less and less Western and more and more intimidating.  I felt very alien there, as in Harlem, though it was nowhere near so bad as there.

On the way back to the hotel I stumble across the Beijing restaurant in Granville Road.  A slap-up meal, and far more than I can cope with.  The waiters rather supercilious; I get this feeling from the Hong Kongers generally.  There seems to be no enormous amount of love lost between them and Brits.  Shadow of '97 perhaps…? I pass Mody Road on the way home.  Back to the hotel for a kip.  My body still thinks it's 8 in the morning.  The room is freezing thanks to the air conditioning.

Out in the afternoon on the right Star Ferry.  The skyscrapers really are very appealing - unusual shapes, surfaces, all crowding down to the shore.  Perhaps it is the latter fact which makes them aesthetically more pleasing than in New York. (Believe it or not, Vivaldi's "Four seasons" is playing.  O culture clash…)  It is ironic that the best view is from Kowloon: the view from these grand buildings is rather dull.

The ferries are very cheap: about HK$1.  There are actually two classes: upper and lower deck.  The seats tip forwards and backwards, saving the boat from needing to turn around.  What a job going back and forth tens of times a day.  This ferry takes me straight to my goal: the Hong Kong and Shanghai Bank headquarters, designed by Mr Foster.  It is rather grand, but a rather surprising dull grey colour.  Vague forms move inside.  Walking under it reveals a secret: it is hollow to the roof.  For all its differences, it does remind me of the Lloyds building – here other buildings cluster around it, as with Boston's financial district.

I sit in Statue Square, and watch the big double deckers – again, built in Britain – as well as the dinky trams.  I take the Rapid Transit system to Wan Chai, then walk east.  It feels very alien, with the buildings getting tackier, the shops poorer.  I saw one block of flats about 20 stories high – but only one dwelling wide – crazy.  Cars, mostly Japanese, zoom everywhere; they seem fairly tolerant of pedestrians.  It is queer walking along all these pukka-named streets.  A schizophrenic place.

I walk out along Hennessy Road, and back along Lockhart Road – the "girlie bar" district.  But it is all very mild.  I get the impression that Hong Kong is quite repressed, though I expect there are some rougher areas if you know where to look.  Then back on the Wan Chai ferry, the air cooling (slightly), and the evening growing surprisingly dark for only 7pm.  It is quite a contrast to Skye last week which remained equally light until 10pm.  It just goes to emphasise the old latitude thing.  And also the fact that I have got about in the last two weeks.  All in all, the humidity – up to 99% according to the news – was quite bearable.  I was conscious of a thin film of sweat on my face, but nothing pouring off.  The strangest part is breathing: you cannot quite catch your breath as you can with clean, cold air; it is like inhaling foam rubber.

27.5.88 Hong Kong

I take up my pen for the first time today, which otherwise has been spent wandering with two free hands.  But now I am moved to write by the sight before me.  I am sitting on the brushed steel rail which runs along the promenade on Kowloon, just south of Chatham Road.  Behind me is a great hulking block, but in front lies a totally magical Hong Kong.  The air is now marvellously clear – a gibbous moon and a few stars visible – so the Christmas tree lights opposite shine with a hard brilliance.

To the left, the upmarket blocks of flats of Causeway Bay.  Their lights orange compared to the harsh white strip lighting of the office blocks.  Then the huge neon signs blaze: Toshiba, Salem, Excelsior, Sing-a-ling Club, Citizen, YKK, NEC, Ricoh, Fuji, Polaroid, Hitachi, Goldstar, C&W, Canon – a galaxy of multinationals in their reds, greens, whites and blues.  Then on to Central and the financial district, quiet now except, perhaps, for the cleaners.  Further west, more neons.  Above is the peak, with pearls of lights marking the hill.

Ferries, pleasure boats, tugs and crazy-looking junks sail past.  A huge air conditioning unit blasts behind me.  As my eyes grow used to the light, the few clouds glow in the moon's rays.  A tug is pulling a massive floating structure (a crane?) towards me, slowly, almost imperceptibly.

I have cheated by coming back to the Beijing restaurant in Granville Road.  The food was so good, and the place so obviously patronised by the Chinese, that it seemed wilful to go elsewhere.  Everyone just as surly, but an iota more helpful.

The day began with difficulty: I slept well considering I am seven hours out of kilter, but my body was reluctant to rise.  After breakfast I booked a trip to Guangzhou in mainland China tomorrow: there is only a limited amount of wandering I can do in Hong Kong.

Then I walked up Nathan Road, taking the Rapid Transit to reach up to Sham Shui Po.  Just outside the entrance is the Golden Arcade – where all the famed software copies come from.  It was rather disappointing from the outside – and inside was pretty quiet too.  As well as computer equipment, there were plenty of other trinkets.  I was confused at first, since all the top software appeared to be there are manuals – but paperbacks.  Eventually, I twigged: these were pirated printed copies; discs were either in the back of the book, or given out later.  So far as I could tell, prices translated to around £1-2 per disc.  All the latest stuff was there, all copy protection removed.  I watched in amazement as an urchin sat there copying further discs.

Back to the hotel, across on the Star Ferry to Central.  I went into the Hong Kong and Shanghai Bank headquarters.  Not as impressive inside as out – almost too successfully subtle.  But neat.  Then on the Peak tram to the top.  Implausible ride at a very steep angle.  Mostly seems to be drawn up by counterbalancing tram on the way down.  At the top, plenty of tacky shops.  The view from the observation platform was pretty impressive, though.  I ate upstairs in the restaurant where the sight was even better.  I watched plane after plane take off and land. The hills behind Kowloon were still shrouded in mist – an apt metaphor for what lay behind.

Down via the Peak tram again – it's too humid for heroics, even going downhill - and then on to a normal tram.  I went along to Causeway Bay, and the park there.  The latter is pretty impressive, mostly given over to football pitches and idiots with toy boats, engines squealing all the while.  A wander though the Mayfair of Hong Kong, into one of the big Japanese department stores – nought special.  Then back to the hotel.

27.5.88 Shekou, China

Shekou, at the museum of the terracotta warriors from Shaanxi, but only a few are there.  The shop at the museum has that empty forlorn air, like those in Moscow.  Lots of bikes everywhere, plus Japanese cars.  It all looks like a showcase city – new and gleaming, with surprisingly modern architecture.  The museum itself is rather poor – just emblematic.  The vegetation is lush.  On the way here, the coastline reminded me of the odd mountain in a Chinese scroll painting.  To the kindergarten.  Fairly obvious propaganda visit – smiling kids, gleaming buildings.  Shekou is an artificial town, drawing in people from all over China.  Could it be a privilege?  Kindergarten hours 7.15am – 6pm.  There are beds, naturally. 

Outside, traffic lights are ignored.  They are horizontal in design, not vertical. Then to the market.  I love the smell of markets – the fish, the meat.  The food looks relatively good here.  The presentation is very good – especially the vegetables.  Noticeable the use of Roman alphabet for cachet – even Western goods.  It will be interested to see how this all compares with further in.

Canton centre.  Special bicycle lanes here – there are two million bikes for four million people in Canton.  Tree lined streets, building sites everywhere.  Far more skirts here – even miniskirts, frilly petticoats etc.  No guns.  More old buildings.  No private cars, but big articulated buses with women drivers.  No air conditioning.  More traditional architecture.  All police and officials very young.  Girls in shorts.  Ads on hoardings. Arcades as in Turin.  Also like India.  TV aerials pointing towards Hong Kong.

To the top of Liurong Temple (nine stories – I sweat at last).  The view shows a fairly nondescript but very large city of tower blocks – and yet more construction sites.  A few patches of very green trees; this is a fertile land.  The Pearl river is bright yellow, from the rains presumably.  Earth around here is bright red.

China Hotel, near the station is very large and very bustling.  Marble everywhere, over the top chandeliers.  There is even a palm court orchestra – which immediately makes me aware of the actual distance I have travelled.  And it makes me homesick.  Army officers in reflective shades and trainers.  Water buffaloes – but not in the street, as in India.  The queerest vehicles: engine open to the winds, monoptic, like a tractor with steering pole.  An old design apparently.  BP, Volvo here.  Coke everywhere.  Smoking not as widespread as in The Gambia, say.  Everyone so young.

Guangzhou station – once upon a time, I imagine this could have been sinister. Now it just feels third world à la New Delhi.  Again, all the functionaries look like teenagers.  At the door of each carriage, a young lady to check our tickets.  Inside, quite civilised – all pale colours – and the omnipresent Marlborough ads.  As ever, the magic of trains wafts over me: I feel this is the real way to enter Hong Kong.

After the meal at Dong Guang Hotel – good but not as good as my Hong Kong meals – we went to Canton zoo.  I dislike zoos: the sense of animals imprisoned, their lost natural dignity.  Seeing big cats pace, "als ob es tausend Stäbe gäbe", mad with their incarceration.  Seeing monkeys, such clear relations to us; seeing pandas, like great, heavy, sad people.  What was ironic was that as Westerners, we were scrutinised even more closely by the Chinese.  Curious beasts indeed.  To the Liurong Temple again.  The smell of incense – brings back memories of the mosques.  Behind the tower, three enormous and impressive Buddhas, gilt and impassive.

China will be good when they finish it.

30.5.88 Sanur, Bali

I have stood on the seashore of many lands, but never before here in Bali.  Writing the word feels strange: as even I am assailed by utter disbelief that I am really here.  Somewhere, deep inside me, I feel I am still in London, that this is some amazing backdrop, complete with huge humidity, and that if I wanted to, I could turn the corner and find myself back home.

Standing by the pounding sea, I am reminded again of "Dover Beach", and those perennial questions.  I think of memory, and my Walks with Lorenzetti.  It seems to be one of my central problems: how can we hold experiences – that is, hold on to life itself?  Same thoughts on the plane from Hong Kong: perhaps one reason why divorce is so disturbing is that it represents a fragmentation of shared memories, a deracination.  Lose your other half – significant words – and lose your life.  But what about death? How can we face death, holding all these memories – or not? Particularly since death so often seems to be a process of degradation of selfhood.  I would maintain (currently) that the only hope is to preserve memories in some (semi-)permanent form.  And I think Proust is wrong: involuntary memories are not enough, simply because they are involuntary, and so cannot be called up at will – when you need them.

Bali smells different.

31.5.88 Sanur

I rise at 6.15am – the day starts early.  A wander along the beach, the sun already warm.  Alit's Beach Bungalows are surprisingly attractive: lots of native touches, the bungalows arranged randomly here and there, greenery everywhere, lovingly tended by armies of men in neat sarongs.  After breakfast, to the beach in front of the Hotel Bali Beach – a monstrosity, but by the best sand. The rest of the beach is tastefully developed: the other hotels mostly bungalow types, all surrounded by neat lawns and trees.  The weather is quite strange.  The sky is full of large clouds which tend to vaporise as they go along.  There is a very pleasant breeze which mitigates but does not entirely hide the fierce heat of the sun.  The sea is warm, with some quite big breakers.

I sit now in the Mango bar and restaurant.  For some reason, early Beatles blares over some hefty speakers; it seems oddly appropriate.  There are very few people around, despite what my taxi driver said – he clearly thought that any tourists were too many.  Ditto the restaurant, which is quite forlorn with the music.

I have begun to appreciate the terrible power – and prison – that is money.  Everything here is so cheap for me, it is almost not worth haggling.  But to pay so easily is almost an insult to the people.  Little girls come along offering postcards and model prahus, with their characteristic outriggers – the latter for a dollar.  It seems churlish to refuse them what is for me so little, for them so much.  Money isolates you; it is a prison for the vast mass of humanity.

5pm.  Because the sun sets so early, the late afternoon in Bali is tinged with a gentle, rather English melancholy.  To match this melancholy, I am drinking tea – without milk or sugar – at La Taverna bar.  Above me, nine long curved banners crack in the wind on their bamboo poles; reminds me of the battle scenes in "Potop", my favourite epic Polish film.  Kites are flying too: the strong sea breeze is perfect for them.

Looking out east, I see the islands to the south, and north I am shocked to see a huge peak rising up out of the clouds.  At first I think it is Lombok, but then I realise it is Agung, the great volcano which erupted violently 25 years ago.  It looks pretty damn impressive in the clear blue – but hazy – sky.  The sea, now far out, roars distantly.

Leaving my chill air-con room to walk into the great warm wet blanket of the night is a crazy experience.  It is now just gone 10pm.  The cicadas, inevitably, whirr.  I am sitting outside on the veranda of my bungalow – mercifully, there seem to be few mosquitoes (famous last words).  I have spent the last two hours down on the beach, which is a total, and unutterably wonderful cliché.  After eating in a restaurant on the beach with a baby gamelan (too few gongs), I wandered out on to the beach.  The moon was full (it was a festival last night), and scattered its light like aluminium foil on the sea.  It was so bright you could have read by it.  The wind shook the palm trees, the pennants I had sat under earlier shivered in the breeze. Magic.

Even though Sanur is Bali's second tourist centre, it is relatively unspoilt.  Sure, people try to sell you stuff, but are quite good humoured when you say "no".  The gaily coloured prahus are functional, not just decorative.  If this is developed Bali, it augurs well for the undeveloped parts.

2.6.88 Tintagangga

It is probably entirely appropriate that I should visit Tenganan first on my trip round Bali, driving in an air-con jeep.  This is supposedly the real, old Bali.  It is a village built on the side of one of the lush forested hills – the road up was pretty murderous.  Inside the walled town there are four or so rows of houses, interspersed with long open halls, familiar from other cultures.  Bamboo gamelans play, hundreds of cocks shriek, swarms of dragonflies flash by.  There are curious wooden Ferris wheels, the like of which I have never seen.  Four single or double hanging seats, whirled around by hand.  Kites are flown by kids, mangy dogs snooze in the shade.  It feels pretty real, despite the signs of English, the café and the TV aerial.  Two girls carry huge piles of coconuts on their heads – many, many pounds.  The village street moves up in broad steps, in terraces.  Most houses are thatched, with wood, stone and brickwork.

The palace at Amlapura.  Ruins mostly, but noble ruins.  Great cracks in the brickwork, plants growing up everywhere.  But it looks like the backdrop to some enchanted tale.  Opposite, a huge tree – bigger than an oak, with dead creepers falling from its branches.

More ruins at Ujung – the water gardens.  These too have an unearthly air about them, like Mayan temples.  The forest seems to be gradually claiming the land back.  Agung lies shrouded in a heavy cloud; out to sea I can just make out Lombok.  There are tiny clumps of people toiling here; why?  Growing rice? Hopelessly trying to stem the rot?

I sit now in the balcony bar of my hotel in Tirtagangga (sounds strangely aboriginal).  A refreshing breeze blows.  Before me, the water palace, around lush rice fields and coconut trees; further, the sea.  Everywhere the tinkling of water – a Balinese Villa d'Este.  The hotel is the Kusuma Jaya Inn, brilliantly situated right on top of the water gardens.  7000 Rp., including breakfast – about £2.40.

"Driving in Bali" – hardly a best-seller title.  The traffic near Denpasar was pretty bad, many lorries, narrow roads.  Further out, things are quieter, but the road gets dodgier.  The air-con is a boon.  I switch it off occasionally when it gets too cold, but soon break into a sweat.  The jeep handles rather oddly, and has practically bald back tyres.   I passed several temples on the way but restrained myself in the knowledge that there were many more.  I did miss the bat cave, but can probably survive it.

Klungkung was interesting.  Its main street had a kind of two-tier arcading, wood-faced.  Then into Candi Dasa for lunch.  Quiet but cheerful, with relatively tasteful losmen (hostels) along the road.  At the splendidly-named Bugbug, a tiny village past Candi Dasa, a spectacular view down a river valley to the sea hemmed in by abrupt hills.  (Also a good view east of Klungkung: a big girder bridge over the river Yeh Unda).  A huge fish blinks darkly in the pool to my left; beyond, there are lily pads.  After Tenganan and Amlapura, down to Ujung, then to here.

3.6.88  Tirtagangga

Definitely different here.  First, the room.  Obviously once had a mandi (a large tank of water used for washing yourself), now there is a WC, but the tank is still there. Cold water only – great for the shower.  Electricity only came on at 6pm, a thin wavering light.  Mosquito wire netting, then shutters.  The room is very bare: A low wooden bed, no real mattress – rather like the takhta of Uzbekistan.  Tiled floor.  During the night, a mad chorus of frogs.  Their regular beat overlapped, producing a surreal kind of Steve Reich-like phasing music.  The sound itself was like a wood block.  Also the inevitable cicadas – and the bleedin' howling dogs.

Before supper, a long walk down to the next village.  The rush of water from rice field to rice field, luxuriant.  The next village regarding me suspiciously, people sitting around in the evening; I wonder what they do day in, day out? Everywhere, stalls selling Coca Cola: if anything remains of Western civilisation after Armageddon, it will be a Coke bottle.

On the road, first to Candi Dasa, in the hope of a sunbathe, but the tide was in.  So to Bebandem, Silietan, then Sibetan, Selat, Bangbang, Rendang to Besakih.  These felt very off the beaten track. And yet the houses were all very solid – there seems no grinding poverty here.  And even the smallest children in the smallest village know "hello".  On the lonely steep road to Besakih, the jeep's engine starts cutting out.  My heart thumps.  I get there, but my confidence has been shaken.  I sit in the restaurant very near to the Besakih temple, with a stunning view over a simple bridge in a deep valley, trees rising up the steps.

The temple at Besakih itself was inscrutable.  Only followers of the faith were allowed into the innermost courts; from the outside everything seemed thatched pagodas and covered areas.  Hardly Westminster Abbey stuff.  Ridiculous though it may sound, my main discovery there was the salak fruit.  This has a mottled external appearance, cracked open to reveal white segments like a garlic clove.  The texture is hard and crunchy – and the taste something like a pineapple, but milder.  Totally addictive.  Also tried mangosteen, not so impressed.  Fruit is very cheap and plentiful here – no surprise.

Turning up from Peleluan after Klungkung – I went the long way since I no longer trusted the car
I hit a traffic jam of a kind.  It was a cremation procession.  Earlier in the day I had passed several other funerals, but this one looked bigger.  At first I tried to get past, but hearing the siren call of the gamelan, I got out and started recording.

After the traditional fooling of the spirits by charging hither and thither, the long procession was led off by a huge palanquin with the body.  It was around 20 feet high, and decked out in the brightest, gaudiest colours.  It was carried shoulder-high on stout bamboo poles.  Behind came other objects on poles.  At the back were the gamelan players, striking as they moved their cymbals, gongs and metallophones.  They played more or less the same piece all the time, pausing slightly only to allow traffic past. 

The procession moved up around 1.5 miles, until it finally cleared the village boundary.  These are marked, as is the entrance, by a pair of stately pillars, ornamented in the characteristic Balinese fashion.  Then the cortège turned into a field.  There two bamboo structures stood.  The gamelan stopped playing, and like bands the the world over, the players had a drink and a fag.  Meanwhile preparations were being made to transfer the body from the palanquin to a Pegasus-like dragon, which had been carried up and now stood under one of the bamboo structures.  A bamboo ladder was placed against the palanquin, and the body carried across to the compartment in the Pegasus.  The gamelan had by now decamped.  Preparations continued in wrapping up the body, making offerings, breaking pots and much more.

Then another group arrives, bearing a black bull, plus another huge palanquin.  Rather dramatically this nearly topples and falls several times – it requires a good 30 men to carry it and right it when it starts to wobble.  The same process is then gone through with the body conveyed on this palanquin.  There seems to be a new gamelan, which has arrived with this – or it is maybe the old one, I wasn't sure: they all look the same to me...  Anyhow they did not stop once they got here, but played on and on, the piece repeated hypnotically over and over again.  Finally, the great moment arrived.  First one pyre, and then the other, was set ablaze.  The air danced around them, and soon all the finery was charred tatters.

During all this, the increasing number of tourists, drawn like vultures to carrion, behaved abominably.   Apart from treating the whole thing as if were a display for them, sitting on the pyres and generally photographing everything, their persons were offensive enough.  Men with huge paunches perched precariously atop ugly, ill-fitting shorts; fat women with white varicose-veined legs.  The Balinese must despise us – and rightly so. 

Then on to Penelokan.

4.6.88  Penelokan

Penelokan is reached by a long, long road which is up all the way.  On either side it is green and fertile. Nothing prepares you for the top: happily there are no glimpses to spoil the effect.  You drive into Penelokan, swing round on to the main drive, and there before you is the most spectacular view in the world.

Penelokan sits on the rim of a volcano which exploded and collapsed in ancient times, leaving a huge caldera several miles across.  A new core has formed – still active
– and there is a huge shimmering lake to one side, which forms a blue crescent.  On the face of the volcano stump, solidified lava flows can be seen – one has cut into a hill of vegetation.  The ridge of peaks stands out like a sawtooth – it reminds me of Sligachan on Skye. The whole effect also recalls Dal lake and the surrounding mountains.  It is totally breathtaking. 

I write this on the very top of Mount Batur, in the middle of the caldera.  The view is stupendous: the lake curves away in front of me, Lombok is visible mightily in the distance, the lava flows glower around me – and disconcertingly steam issues from the rocks of the inner core.  From my central position, I get a feeling for the massive nature of the eruption.  Terrifying…

Ascent was bad enough: much of the ground was what looked like cinders – which is what it was – but razor sharp.  Nearer the top, the path grew vertiginously steeper and dustier.  But the descent was worse, with the land shifting under the feet. 

After the descent, I drove on to Air Panas, the hot springs.  These were rather disappointing, so after some prevarication, I decided to drive further along this road to the caldera's opposite rim.  Apparently from here there was a fine view down to the east coast.  Alas, despite trying two roads, I could not find it.  Perhaps this is as it should be: every such visit should leave loose ends for next time.  Then back along the road past Kedisan, and up the steep road to Penelokan.  Here my poor jeep really laboured; I had visions of being trapped in the caldera – perhaps not such a terrible fate.  But finally up to Penelokan, where I ate in the same losmen where I had stayed.  Then on the road.

As I ascended even higher along the rim, the weather drew in.  Descending the long winding road the other side, I found the weather unimproved.  It was quite cold – as it had been during the night, and on the exposed summit of Mount Batur.  Everywhere naturally very green; but more than that, everywhere looked very, well, suburban.  Partly this is because Bali is quite densely populated in certain areas: village gives on to village.  The houses are well-built for the most part, of bricks and stone, with panes in the windows.  But more than that, their gardens are alive with colour.  If I knew more about gardening, I  might recognise them as varieties from Surrey gardens.  In any case, they are all well-tended - or seem to be: perhaps the climate does it all.  But it is the flowers that make Bali look so comfortable compared, say, to rural India.

5.6.88 Singaraja

Up at dawn and down to the beach at Singaraja, near where I am staying.  An overcast sky covering the sea with a silver sheen.  Because of the reef there are no waves; on this calm, mill-pond surface the prahus hovered like pond-skaters.

After dinner, back to the beach.  Again the prahus are out on the water, visible by their lamps.  They look like Chinese lamps strung out on a line.  Lightning flashes far out to sea, huge silent illuminations of clouds.  Overhead the night so clear you can see deep into our galaxy, which always terrifies me.  Two shooting stars.

6.6.88 Singaraja

In to Singaraja early.  A local policeman very understanding when I drove down a one-way street the wrong way.  On the beach all day, with hazy sky and clouds but the same deadly rays.

At the end of the day, tea on my balcony.  It is amusing how soon we impose little structures on the day in faraway places.  Afterwards I watch the sunset from the beach.  Spectacular: although the sun is obscured, its glorious reds and pinks are picked up by high clouds all around me.  As the sun sets, the boats with their lamps set out.  One interesting thing about this coast: fisher people live on the beach in huts, and ply their trade directly with nets and prahus


North lies Borneo, and I think I see Java to the East: this is the end of the world.

7.6.88 Singaraja

The morning overcast, with high cloud.  I decide to drive back a day early.  The stay here has been a perfect antidote to easy Sanur, and the rigours of Penelokan.  The drive up into the hills is interminable; second gear most of the way.  Lush landscape around me.  I drove through the quaintly-named Gitgit, then on, past a sight of Lake Buyan.  Finally down to Lake Bratan.  The temple Ulun Danu at Candikuning was serenely beautiful.  Constructed down to the lake in the characteristic pagoda style, two of the temple's courtyards were actually islands.  Very peaceful here – until a school-party of kids turn up.  These seem much more Westernised and street-wise – from Denpasar?

I decided to go out on the lake.  I hired a canoe with a paddler, and we pushed off.  Lake Bratan turns out to be much bigger than it looks.  The sun went in and the boat's seat grew harder.  Over the other side, the vegetation is extraordinary: the sheer walls are thickly covered with greenery, even though they seem almost vertical.  Very rich land around.

Then on the road, all the way down to Denpasar.  Again struck by the lack of outright poverty everywhere.  On the outskirts of Denpasar, I hit traffic in the built-up areas.  But even this looks nothing like Jaipur, say.  So to Alit's again.  Homecoming. 

In the evening I decide to see the Wayang Kulit puppet show at the Mars hotel just down the road.  Alas, there were only two of us, so the dalang – puppeteer
is reluctant to perform for such poor takings.  But talking to him, he invites me to a birthday ceremony he is conducting tomorrow in a nearby village for a baby girl.  Normally I am chary, but this seemed genuine.  I will give it a go.

8.6.88 Denpasar

A trip into the depths of the country.  First down main roads, then side roads, then stone tracks, finally mud tracks – paths I wouldn't have taken a Chieftan tank down, let alone an aging Suzuki minibus.  The village of 10 huts is small, but very neat and tidy.  I meet the puppeteer's grandmother, and his great-grandfather – in his 90s, and pretty hale.  The child, a girl, is six months (210 days) old, and going through the second of her birthday ceremonies.  A gamelan is playing – on a tape – and a cock crows interminably.  Theoretically, there should be a daytime puppet show, but apparently the villagers can't afford it.

The shrine area is raised up six steps.  Within, there are about seven shrines, five thatched, one of which is shrouded with a white cloth.  There are typical palm-leaf boats.  The purification ceremony begins with the poor child doused in holy water by the dalang; she only cried a little.  Then up to the shrine.  The sky is now rather ominously covered in grey clouds: this morning there was a tremendous downpour at dawn.  Mangy dogs, a dead duck strung up, incense.  I am offered a kind of ginger beer, plus "Marie Special Biscuits".  To the constant ringing of a tiny bell, the priest intones: dominant, sub-dominant, with a few leading notes and tonics at moments of heightened excitement.

Eventually, the ceremony was finished with caterwauling from the much put-upon child.  Then there was the obligatory food for the dalang (and me as guest).  This is after we have given the child her prezzies – six glasses from me, so she'll probably turn out an alcoholic.  I wonder what she'll think in years to come when she looks at the glasses.  I ate gingerly.  As on Dal Lake in Kashmir, I was conscious that not to eat would be a terrible slight; but I did wonder about the effects on my digestive health.  Luckily we were in a hurry: it had started to rain in spots, and the plucky little Suzuki would not get up the seemingly vertical hills with wet mud under its wheels.

We made it – just, as the rain came bucketing down.  But then the puppeteer wanted to show me his village – only a few minutes away if walking, but miles of non-roads.  Again, I would have liked to say no, but… There was the inevitable coffee and weird rice cakes.  His home consisted of around seven small buildings around a courtyard, each building with three or so rooms.  There was also a central meeting room where most people gathered. 

On the hectic drive back to Denpasar in the glooming, we stopped off to buy some gamelan cassettes, first in Tabanan, then in Denpasar itself.  Certainly a fine selection, but will they last?  Tape quality is not a priority here, I fear.  An exhausting but fascinating day.

9.6.88 Sanur

After all the culture yesterday, I allowed myself a sunsoak today.  Water very low all day – neap tide or some such.  To cap my visit here, I went out on a water scooter.  It was about 4.30pm, and the tide was coming in with the wind from the south.  It seemed very choppy – although it probably wasn't – and it beat the hell out of me on the machine.  Quite a frightening sensation – because its dynamics were so new.  Turning the handle at first did nothing, and then as the craft responded, it felt as if it would overturn.  Cutting across the waves over the reef, the machine proved hard to turn: with the result that I thought several times I'd hit the reef.  It became better towards the end, as I gained practice.  And then, down to the Hyatt for a spot of paragliding – i.e. dragged after a speedboat under a parachute at about 50 feet.  Rather dull really, but a nice view of the coastline and further south.  Still, one more experience ticked off the list.  Pity about the water skiing, which I didn't get around to…

In the evening to the Mars hotel where the dalang had his Wayang Kulit show.  I arrived there about 6.45pm, and was greeted by the puppeteer.  The gamelan (two players) tinkled away inside; through the little theatre's gauze screen, an electric light bulb could be seen.  But when the performance began, this was replaced by a much more attractive spirit lamp which lurched about atmospherically, if alarmingly close to the gauze.  The dalang sat under the lamp, and manipulated the puppets, struck the gedag puppet box as he punctuated and emphasised the action, and spoke the words – impressive stuff.

First the Kayon tree of life puppet floated around.  By moving parts of it away from the screen strange blurred effects were created.  Later, the heroes Indra and Arjuna were introduced.  They shimmered wonderfully as the lamp shook.  These characters spoke in Kawi, a standardised form of old Javanese, and the whole effect was rather like Japanese Noh drama: very hieratic, with extreme vocalisations, sobbing notes etc.  Watching the performance, I found that I forgot the dalang was there, and really believed in all his characters.  Some moments – like the battles with arrows flying everywhere, or the refined discourse of Arjuna, were really gripping.  I could see how this art-form could exert such a hold on an audience which better understood the stories and gestures.  This was part 100 or something: evidently the story advances at each performance.  It will be interesting to compare the human shadow show – wayang wong
tomorrow night.

10.6.88 Sanur

A totally perfect day as far as the weather was concerned: Mount Agung clear as never before – even Mount Rinjani on Lombok visible in the morning.

In the evening, to the Hotel Pura Bali, to see the wayang wong performance.  A big gamelangamelan gong, what I normally associate with gamelans – the other, smaller kind is called angklung.  About 24 players in the
gamelan gong, all from the dalang's village – including his dad, the blacksmith.  The puppeteer narrated as usual, but this time humans mimed his words.  Beautiful movements and costumes – the leading lady around 15, tall, with her black hair to her knees, possessed a real grace.

11.6.88 Denpasar

To the airport, stopping off for some salaks.  A cloudy day.  Taking off and wheeling north, the clouds looked like pairs of dancing snowmen.  Agung stands out proud above the clouds; Batur in all its magic is clearly visible; Rinjani in the hazy distance.

Now I am in Hong Kong, stretching my legs during a ten-hour wait for my flight back to the UK.  I am eating at – where else?
the Beijing…


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