Showing posts with label pompidou centre. Show all posts
Showing posts with label pompidou centre. Show all posts

Tuesday, 21 November 2023

1993 Paris

13.4.93

Théâtre des Bouffes du Nord – finally.  Great interior, rather like Almeida Theatre and then some.  Crumbling, red/ochre plaster on walls, the palimpsest of stucco, the dubious pillars holding it up.  “L’Homme Qui” – Sacks, of course.  Nice café next door, chaotique ticket sales at the contrôle.  Managed to phone and pre-book.  Useful habit this is getting to be.  Above, a fine, obscured oval.  The stage a deep, high space behind the proscenium.  Must be fun working here.

This morning to FNAC, near Wagram – but Matisse advance tickets sold out, alas.  Have to queue.  Prices of CDs outrageous - £17 to £20.  Book selection disappointing too. To Gare/Musée d'Orsay– we queued for 20 minutes – tiresome.  As is the arrangement of galleries, it has to be said.  I think the spell of  Musée d'Orsay has been broken for me – I love the jeu d’esprit of using a station – but after that the details don’t repay constant visits. Perhaps this is one consequence of having seen London through the proverbial fresh eyes of some guests last weekend – and really liking it.  It looked remarkably clean, well-ordered and often free (museums etc.)  Well done, UK.  

Very Almeida sort of sound here.

14.4.93

Pompidou Centre.  Two hours queuing to get in here, and I realise that this, too, is all facade: the toilets by the café terrible.  Food OK – unlike the Louvre, whose café is an insult.  Is this the terrible secret of Paris?

Huge queues still, will take hours to clear.  Why didn’t this show come to London?  Shame.


Thursday, 26 January 2023

2023 Barcelona

21.1.23

Sitting in the splendid cathedral in the Gothic Quarter.  The wild, interlocking arches look like something out of Piranesi.  Lots of chapels filled with gilded polyptychs.  The Gothic area looks like Venice without the canals.  Lots of high buildings squeezing narrow alleyways beneath.  Glorious day, cold but sunny.  Cloisters complete with geese.  Bells boom.

In the Plaça del Rei.  Strange construction in one corner with rows of empty arches, the Mirador del Rei Martí – reminds me of the 
Palazzo della Civiltà Italiana in Rome, as used in Greenaway's “Belly of an Architect”.  Already a few guided tour groups.  Must be hell in summer.

Good to be back in this civilised city.  The third time for me – once, 40 years ago, when I came here on my Interrailing.  Don’t remember much of that, except the then rather run-down Gothic area.  Now it is all splendidly restored, like everywhere in the city.  The second time was just before Covid struck, when I gave a talk to LIBER, the library association, in the Maritime Museum.  Managed to see the great Picasso Museum – still remember his amazing variations on “Las Meninas”.

Flew in yesterday evening – just one hour 40 minutes from Gatwick.  Picked up by taxi, efficiently, to our flat near Entença.  Strange design in what were probably warehouses, nicely converted with lots of exposed brickwork.  Went out for a meal in C
afé Bassy, very near.  Felt almost exactly the same as the little café in Rue Dauphine.  Big portions, good Rioja, from a freshly opened bottle.  Neither of us could remember the Spanish word for “glass” (copa).  Very interesting to see Catalan signs everywhere, but more Spanish spoken, I think.  (The service in the cathedral was in Catalan).  On the way back, bought fab strawberries, grapes and apples from a fruttivendola – local produce, presumably.  Good quality.

This morning, by metro to here.  Modern, clean, efficient – and very extensive.  Unlike London or Paris, the metro is more of a mesh.  Very good value – paid 11 euros for 10 trips – less than a quid each.  Eating churros, decent coffee.

Now in Els Quatre Gats.  Rather nice, even if a famous tourist hotspot.  Quiet, only half the tables occupied, suitably cool jazz playing.  Lovely tiles, ceramics, paintings, photos (black and white).  Strange bowls on the wall with chunks missing of the rim: not broken, because the pattern stops.  Clearly functional… Food OK, nothing special, but ambience good.

At the airport yesterday, and a first for me.  Seeking to avoid the usual queue, we went to one side as directed, to scan our passports automatically.  So far, so normal.  But the scanning unit also wanted our fingerprints.  Needless to say, this failed abysmally, and took two or three minutes to sort.  So much for automation…

Sitting on the steps by the port, the sun low in the sky in front of us.  Obscenely big motor cruisers before us, a monstrous cruise liner in the distance.  The thin wires of the Telefèric del Port visible with the cars passing now and then.  Wind strong, quite cold.  Lots of people out, taking their passeggiata.  

Before, went along to MACBA, the big white museum of modern art.  Looks like Centre Pompidou, but with only its white underwear on.  Didn’t go in, because I have Bilbao and the Guggenheim in a month or so.

Waiting for the  Telefèric lift – queue not too bad.  Reminds me of Bratislava…  Slow and beautiful slide across the harbour, Barcelona laid out like a map.  Reminds me of Hong Kong, although much less elevation in the buildings.  Sagrada Familia dominates the scene.

When we arrive at the other station, on Montjuic, the wind had risen, and the temperature fell as a result.  But the view great – almost identical to that from Bratislava castle, although the details were obviously different.  The problem was how to get down to the nearby metro Paral·lel.  After wandering around for a while, we came across a taxi, and took it down to the metro, which proved further away than it seemed on the map.  On the way back, got on the train going the wrong way – I claim the signage was misleading…

Barcelona confirms itself as a great, flourishing city.  Lots to see and do, and everything working well.  London is obviously a greater city, but it is far more unequal, with evident dysfunctions.  Still, Barcelona is clearly a fab place to visit, as it has been for many years.

22.1.23

Sitting in Santa Maria del Mar: fabulous. Soaring columns, raw stone, very spacious.  Mottled rock makes the view incredibly varied, adds to sense of something built, block by block.

Up to another glorious day, then on the metro to Diagonal.  Streets quiet, even more impressive because Passeig de Gràcia is pedestrianised in the middle, with traffic creeping by shamefacedly.  To La Pedrera, first of an intensely Gaudiesque day for us.  Fairly restrained for Gaudí, only the ironwork of the balconies out of control.  Unlike Casa Batlló – totally bonkers, with frightening Venetian masks on the balconies, weird alien eyes behind.  The roof even more insane. The other buildings in this fine boulevard are inventive with their crowns and pepperpots.  The street feels like Champs-Élysées with better architecture.  Down past Plaça de Catalunya, then walking towards here through the Gothic quarter.  The amazing Antic Theatre – equally crazy.  Clearly something in the air here.  The backstreets remind me strongly of Venice again…

Amazing the columns by the altar of Santa Maria del Mar: eight thin pillars holding up the roof.  Bare for two thirds, then fluting up to the centre.  All sturdy octagonal pillars, with tiny, barely pointed arches between them at the top.

On the metro, to La Sagrada.  Already booked ticket for 2.30pm, plus trip up Passion tower.  So until then, along to Granier café nearby. Honest little place, basic fare.  Better than nearby La Sagrada, with its huge heaving crowds.  Madness.  Dread to think how it is in peak season.  Looked in estate agents, prices here very cheap (compared to London…).  But more generally, things are cheap here – food etc.  Very liveable as a city.

On the  Telefèric yesterday, the curve of the beach emerged clearly.  Another remarkable aspect of Barcelona – it has a good beach nearby.  I can’t think of another major city that has all the facilities of Barcelona, and a beach, plus the ancient quarter.  San Francisco has the first two, but not the last.  And here, the mountains are not far away, either…  A city that has everything…

Back past La Sagrada – you forget just how massive it is, how it looms over everything.  And the main tower is still unfinished – it will be so tall…. Up along the Avenida de Gaudí – lovely pedestrianised area, full of people out in the sun.  Strangely, reminds me of Armenia, Vazgan Sargsyan Street leading to the main Republic Square in Yerevan.  Up to Sant Pau – not quite Gaudi, but extravagant.  The old hospital being converted to galleries – even more of them, in a city already well endowed.  Another reason to return.

In La Sagrada.  Insane levels of security – full airport scans of clothes and person.  Inside, impressively high nave, with jagged angels on high, tree-like branches on top of the columns.  Gaudy (sic) colours stream through the stained glass windows – oranges, reds, greens, blues, geometric shapes that probably represent something.  The altar unimpressive – the canopy over the crucifix looks like a circus big top.  Indeed, the whole place is close to tipping over into the vulgar.  Perhaps the external view is best to dwell on…

Up the tower.  Views OK, nice to see the other towers being built.  But the overall feel is still that it is the view from outside that will impress, not the interior, once everything is finished.  Even the outside is spoilt (IMHO) by the words built on the surface of the building – they look like ads.  Descending inside the tower was a good reminder of the reality of heights, all-too hidden by lifts.  The 400 steps down the spiral staircase went on for ever; the central void that went from top to bottom – no guard rail – was quite stunning.

Perhaps the most telling moment was at 3pm, when the bells struck: four times for on the hour, three for the time itself.  At least the bells were good.  Nope: as we moved through the tower, we saw there were no bells, only loudspeakers.  It was all recorded…

A long walk along Passeig de Sant Joan to the Arc de Triomf – which looked rather Indian to my eyes.  Then on the metro to here, the Plaça Reial, for a drink in perhaps the most civilised square here.  The sun still visible on the eastern side, illuminating the tops of the palm trees...

Sunday, 30 October 2022

1992 Paris

11.1.92 Pompidou Centre

Well, here we are again.  What a city; what a day.  First, basic info: arrived Thursday evening, Friday at Confortec because of my new Confortique contacts.  Yesterday a washout (= work).  Today I'm taking off.  Up early for a walk in the grey coldish (= good) dawn.  Through Les Halles, through Marais, to Place des Vosges. First time in  Place des Vosges – stunning.  Typical French obsession with order and regularity.  Lovely colonnades, very intimate in feel – perhaps because of the low roofs.  To Hugo's house – bare inside, mostly pix.

From Bastille to Louvre (I have a Paris five-day pass).  To Comédie-Française, where I buy a ticket for "Iphigénie" tomorrow at 8.30pm.  I already have a ticket for 6.30pm tonight: "Charlus", based on the man himself.  My French is probably good enough to cope.  Then to Denon wing, a small exhibition of Lully stuff, OK.  Up to Musée d'Art Moderne.  Nice Matisse, rest rather ropey.  To Palais de Tokyo – huge photo exhibition on sculpture.  Quite interesting, if exhausting.

Then to here, Beaubourg.  Which I have not been to for probably 15 years.  Much better than I remember it.  Busy, bustling, lots to see.  But before I walk around, a few important things.  This place (Paris) is so wonderful that I feel I will have to do something really corny: live here for a few months – to write "Doing The Business" (DTB).  It all fits.  DTB is emotionally Racine-based.  I bought Iphigénie today and had the idea of incorporating it and four other Racines = 25 acts in DTB (Iphigénie - the choice about whether to fire someone, Phèdre – the editor and her cub reporter). 

Anyway, it looks plausible living here for, say, three months – allow £3/4000 for it, should be possible.  End of this year might be good timing, not too many tourists etc.  Sounds good to me...It is becoming clear to me that Glanglish II, III etc will follow occasionally.  My main task is DTB etc.  The other thing is Paris is probably the best place to learn Arabic for a trip in 1993.  Also (here, for example) there seems to be facilities, libraries etc.  Provided Is till have my NUJ card, Paris is cheap – especially cinema (I'm tempted by Dingo…)

But to the pix.  First, though: note, there was a real competitive market in plays in seventeenth-century France - people producing spoilers etc (see Racine book).  Exactly like magazines, exactly like business…  Racine lost too… But "A comedy".

Why are the analytic cubist pix nearly monochrome: because colour would destroy the planes = the whole point.  I want to produce black and white pix like these synthetic cubist works.  Purest form of their art.  Brilliant stuff – especially the Picasso – I must read the new biography.  Up now in the cafe. Last time I was here it was really tacky.  Not bad now – full of young trendies – far younger than me… Grey day out there.  Paris still at its best.

I am now in a Japanese restaurant about ten yards from my hotel – for many reasons perhaps: because I'm pretty sure that I ate here some five of six years ago.  Though it seems to have changed menus since then.  Full of japs though...probably a good sign.  

Certainly was.  Absolutely yummy – and very cheap (about £5) for tea, soup, salad and huge rice and chicken "omelette" thing.  Hearing Japanese spoken: makes me want to learn it.  When, though?  And how?  I wonder if there are any bursaries for writers…?

"Charlus" was all that I could have wished.  I understood about half and remembered nearly all of that.  The narrator was good – not quite feeble enough; Charlus was, well, Charlus to a T.  Ultimately quite moving too, the loneliness despite/because of all his power and accomplishments.  Hm.  Intimate theatre, below the main one.
[DTB: "can't get this mag launched until you fire him" – cf.  Iphigenie…]

12.1.92 Musée Picasso

Here again again.  Everything I wanted.  Analytic cubism the peak for me, really – so intelligent.  Practically all of his pix have a woman in it.  As if trying to understand them by re-stating the problem.  Also minotaurs – at the heart of the labyrinth – Daedalus, patron saint of the new… (and Theseus in Phèdre…).  Some thoughts on beauty – towards a Darwinian Aesthetic.  Perhaps beauty is simplicity – compare "elegant" theorems in maths.  Even in apparent complexity – a Bach fugue -  you seek harmony = simplicity, all parts being of the whole.  Also: the power of analogy.  Analogy is about finding a structure pre-existing in the brain => saves brain cells – saves new learning.  Similarly perhaps beauty is about minimisation of brain cells: a smooth "simple" curve is more easily stored than a jagged one => feels nice, because the brain finds it easier to grasp.  Well, it's a start…

Back in the Japanese restaurant – weak, yeah, but saves faffing before the Racine (very Noh almost…?  Nearest equivalent…)  - also I have a strange lingering qualm about this trip – after all, I done little real work – very little today – and I've gained so much otherwise.  After Picasso, to the other side of Paris: La Défense finally.  Emerging from the RER, to be greeted by this huge primitive/modern arch, climb the great tsunami of steps – immediately made me think of Boullée.  Up to the roof – crazy lift.  Dull exhibition up there, crazy too – and very modern.  Almost like a space ship – very flash, very French – compare the World Trade Centre – dull, commercial – and in the UK, nothing equivalent.  The sheer effrontery of the French planning.

To Iphigénie, Comédie-Française.  Round corner for a quick cafe crème before, then unable to find toilets – and no break.   Comédie-Française sumptuous, acoustics not too good (I was on 4me).  Very lush inside.  Acting good: Iphigénie and Achille particularly so.  Even with the lousy acoustics I could understand most of it: am I there?  

NB: DTB – boyfriend is nearly killed in a car crash in Brighton (cf. Hippolyte) – driving because miserable, because neglected.

13.1.92

Strange day – work, first – consuming microcomputer magazines, then out to RBP France to convince them to launch Windows User...hard work, but at least not completely rejected.  Strangely torn today… I felt I was living a Racine play – that flip-flop, that 0/1 of the binary digit, yes/no, the indecision.  How so we decide (compare most important job of boss in DTB: to be decisive – because anything can be justified, any story sold – but not a changing one.)

Then for a long walk around Place des Vosges – which I really like.  Most closed.  Across to the Île Saint-Louis – which looks very touristy without the touristy (paradoxical, moi?).  Saw place – studio – for rent there: £100 a week...nothing… I must come here – I could live here for years at that rate.  Walking, walking – and back to here, which is a place I passed just south of Place des Vosges.  Whereas everywhere else just felt wrong, this place, though grubby, felt right.  Turns out to have Basque specialities...we shall see.

I was overcome by an intense fatigue when talking to the RBP bloke – I really don't care.  Only a sense of duty – and a rather interesting possibility – kept me going.  Vegetable soup no "tres chaud".  One thing:  somebody told me yesterday of a Linguatheque at the Pompidou Centre – practically every language in the lab...could be convenient.  ["Truc" – the word on everyone's lips.]  Soup – simple, good, hot, copious.  Paris, obviously, is a walker's city.  Perfect for the poor.  It is also the quintessential city of exile.  Perfect for me….

Tuna à la basquaise– everything I could have hoped.  Délicieux.  A long, narrow room, bare-ish walls, except for the bullfighting posters – and on the ceiling.  Music – French – in the background.  Only me except for two ladies (young) who seem to be friends of the patron.  Life is good (could this be the half litre of win speaking…?) [Garbure – the soup].  On the wall, weird ball catcher – some Basque game, clearly.  I must go there…  Basque cake to follow – very strange, very nice.  This, with plums inside.  Yummy.  

Interesting effect in the Métro: sitting opposite two women on the other track, I can almost hear what they are saying – 
à la St Paul's Whispering Gallery...

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