Showing posts sorted by date for query danube. Sort by relevance Show all posts
Showing posts sorted by date for query danube. Sort by relevance Show all posts

Thursday, 3 October 2024

Introduction to Moody's Black Notebook Travels

I have two great regrets in my life.  One is eating a chicken sandwich in Varanasi, shortly before flying to Kathmandu.  This gave me the worst food poisoning I have ever experienced, nearly killed me, and meant that I missed a unique opportunity to visit Lhasa before it was turned into a Chinese Disneyland.  The other regret involves three Inter-rail trips that I made in 1979, 1980 and 1981.  They were extraordinarily rich in sights and experiences.  Stupidly, though, I did not keep a travel diary at that time, so all I have are vague, if important, memories of what I saw, thought and felt.

At least I was able to learn from these two huge blunders.  Afterwards, I no longer ate chicken sandwiches in exotic lands, and I kept travel diaries for all my major trips.  The latter took the form of black notebooks, bought from Ryman's, in two formats: one small enough to fit in a pocket, and another, slightly larger, that I kept in the travel bag I used for longer journeys. 

I now have dozens of these notebooks sitting behind me, filled with my illegible scrawl.  I have been meaning to turn them into digital texts for some years, and to bring them into the 21st century, but have never got around to it until now.  I am not transcribing them in any set order, but will place links to them below, as they go online, ordered chronologically.  There is no overall plan, no overall significance.  They are just what they are: quick thoughts jotted down in black notebooks, captured moments of a specific time and place.


1986 India I: Delhi, Agra, Fatehpur Sikri
1986 India II: Kashmir
1986 India III: Jaipur, Udaipur
1987 Italy
2023 Bilbao - with photos
2023 Shetland - with photos
2024 Ravenna - with photos
2024 Georgia - with photos new post 

Monday, 25 September 2023

1993 Germany, Austria, Venice

1.9.93 London Victoria

On the train.  That same small fear in the pit of the stomach – I remember sitting on the train at Ewell East, about to set off for a month of Interrail.  Now it’s only two weeks.  And how things have changed since 1979 – the first of three years I did it (March to April, as I recall – but pity I never kept a travel diary then…)  Interesting the young people with their backpacks – these images of spotty youths – as I was, and smelly too – one shirt a week, I fear.  Now I am overloaded with stuff – socks, pants and god knows what.

France visible today… A rather undignified scrabble at Dover: on to the bus then to the boat.  It’s a pity that the Channel Tunnel is such an obviously dangerous way of going – it ought to be much simpler… Very smooth crossing – very few people on board – great, hope it continues.

Belgium.  Ages since I’ve been here.  One of those betwixt and between places – that only really exist theoretically.  But as someone said recently, asking for great Belgians is almost the wrong question: it’s more about the Flemish…  Outside, pure Cuyp: cows grazing in the twilight, rich tones of the sunset – pinks, purples, violets, mauves, oranges etc.  Strange to be pushing into Europe.  Real travel.

2.9.93 Stuttgart

Lots of lights in Germany – you get the impression everyone is working… Trains just the same – pull-down seats for sleeping – and I nearly buggered up the sliding door (as I did in one memorably long and cold journey).  Stuttgart Hauptbahnhof – frighteningly clean and efficient: 5am and everything waking up.  No litter anywhere.  Interesting collection of the usual ne’er do wells at this hour – me included.  If only Italian style could be married to German efficiency.

The train journey was a little more wearying than I recall it – old age.  Lots of PC mags to buy.  Even as I sit here, more people arrive: almost like time-lapse photography.  Since the bloody information office ain’t open until 9.30am, I have dumped my bags – too heavy – and gone for a walk.

Today cold, but crisp.  Sun out in main square, grass being cut.  Behind, by the very vertical church, the first of two flower markets.  The second reminds me of Verona – a kind of clean, updated Verona.  For some reason there are four brass players on top of the church tower, playing… 8.45am.

Well, having weighed up the pros and cons of sleeping a second night on the train, I have taken a room (without WC etc.) in Hotel Mack – 80DM – reasonable, I suppose.  I do feel better after the shower...Now in ‘Fresko’ outside Mr Stirling’s rather wonderful Neue Staatsgalerie – the use of the different marbles is simply joyous – you really feel the Platonic essence of its rockness… Parenthetically, I see that Mr S. is designing a music academy to go next door – certainly a lot of dosh here… and yet walking around this morning I couldn’t help feeling this was some shopping precinct (Milton Keynes?) writ large.  I’d say American except that there’s little evident poverty here.  In fact, in general the place stinks of money.

Very quiet generally, I’m pleased to say – hope it continues.  Lovely – and huge – park here – miles of it.  Splendid fountains.  Interesting exhibition of Hungarian photographers in a pavilion there.  That strange toggle between having somewhere to stay and not.  And yet at least I have the option to move on…

Food required.  Inside the Staatsgalerie – nice Burne-Jones’ Perseus cycle – especially the killing of the dragon – lovely bum of Andromeda.  Room 16 cool David Friedrich landscapes – 20 years ago I first saw them (?).  12: moody Böcklin.  14: fine Rembrandt self-portrait – old, thick impasto…. Not so defeated as in others.  Also very early Rembrandt – Saint Paul in prison – funny little piggy eyes.  As ever, the old German stuff does nothing for me.  Room 29: frightening Chagall in blood scarlet.  Modern collection not bad – but the setting is better. 

Back to Bahnhof – booking seats for tomorrow and changing old DM for new. To the City Gallery, using my Press card, bless its cotton socks.  To the Keith Haring, which the first time I’ve seem them in the flesh – or rather in colour, since it is the dayglo colours that strike.  What’s instantly impressive is that he evolved an iconography – the featureless babies, the cross, the space ships – and a style that is instantly recognisable, striking but not trivial.  Few can do this.  You can also see that the lines are very self assured – no fudging.  The second room even more impactful than the first – explosions of colour, striking images.  The white cross series – lovely texture – and the images are made for it.  Only the more Grosz-type “realistic” drawings do I find forced: the others are magisterial

To the Stiftkirche, inside this time.  Wonderful carvings of princes - they really leap out of the wall. (A yummy Quarktasche eaten).  As well as the extraordinary ties and coloured shirts they wear, the men are also distinguished by their little Schubert glasses.  The women, on the other hand, tend to adopt the Dame Edna approach…  And now...busking Siberians – complete with bass balalaika – not  bad either.  Also, I’ve seen people reading Russian newspapers…

3.9.93  Linz

Stuttgart station.  Typical: the plan shows almost exactly where my wagon should be.  So bloody organised.  Good brekkers this morning – pretty good value overall.  It is raining – will it always rain in Vienna…?  Very impressive the old ICE – makes British Rail look pretty sick.  Very flash, toilets five star.  Raining, but so green and wooded outside.  I find it hard to like Germans, but you have to admire them…

After the Siberians yesterday, I saw a group with a cimbalom.  Hungarian I thought: nope, Czech the name looked.  But it could have been Slovak – the world in flux.  Berge (Oberbayern) – rather fine rolling countryside here...worth returning to.  Amazing feature in Der Spiegel on an autistic man, through a PC has written a book.  He explains – partially – his situation: too much input, overload of stimulation.  As a child (5) he taught himself to read – leafing through books with a photographic memory…

Linz is as I expected: neat, tidy, prosperous – complete with busking Albanian/Rumanian? - and wet.  I’m in Hofmann Backerei, 27 Landstrasse, eating quark (again) and coffee.  Hotel very cheap – 310 Schillings (about £18) including Frühstück.  Goethestrasse, near station.  Very plain.

Too late to see anything, but I’m only really here for the river – and as part of my European update.  Again I noticed amazing variety of East European newspapers.  To the Alte Dom, awash in gilt and rococo curlicues.  But nice, very light and refreshing, partly because white is everywhere.  Outside, the main square feels positively Mozartian (remember K.425?).  In the Hauptplatz, a crazed carillon plays weird harmonics; two men play chess on a ten-foot square board… A tram passes.

I stand in the middle of the Nibelungen Bridge; under me a serious piece of water: the Danube, already as broad as the Thames, but barely begun on its journey… (hi, Claudio).  The earth/bridge moves...huge grey clouds father.  I’m off.

In a local café – having bought Oberösterreichische Nachrichten – largely because it used the honour system – you take it, putting money in.  Says something about the place.  Which I like – it’s very “carina” – bit too nice.  On the bridge again, looking back.

4.9.93 Vienna

Linz station.  Hotel had that youth hostel smell.  Opposite, a train from Skopje (? - which is…?).  Interesting magazine – News – glossy, but so parochial.  You get the impression that everyone knows everyone – and they probably do. 

Vienna.  The station a madhouse, as is outside – I discover later that today is the opening of an important section of the U-bahn.  A woman stamps about 50 tickets – for a competition, I guess.  Hotel “West End” – not over-clean, but I like the attitude of the man on the desk – and it costs just £21 including breakfast.  First place I go – Kunsthistorisches – to the café on the mezzanine.  Rather grand. 

Room VII – amazing series by Bellotto of Wien.  Interesting pic of Gluck: you get the impression he was a bit of a git.  V – unusual Caravaggio – an orgy of hands… Madonna of the Rosary. Nice Bronzino.  I almost walk past the Cellini salt wotsit… Unusual Dosso Dossi: Jupiter painting (sic) butterflies while Mercury shushes… A roomful of Giorgione – the Three Philosophers best…  Stunning painting by Vincenzo Catena (who he?).  TitianGypsy Madonna – lovely delicacy.

It has to be said that there is no room quite like X: full of Breughels.  I don’t know if its true or not, but the room feels exactly as it was 15 years ago…  Paul’s conversion - such a tiny figure amidst the tumult.  And the sea so far away.  Early Spring – what atmosphere – you can almost feel the chill in the air.  The wrecked ship, the icy mountains, the warm tones of the town.  And those distant, distant horizons: what happens there?  Winter: did he see this – or just invent it? The details – like the broken inn sign.  Tower of Babel – amazing sense that Breughel knew what the middle of the tower looked like…  and the way a mountain has been pressed into service – an obviously sensible way to build such a tower.  Even Portakabins – well, equivalents…

Strange man, Arcimboldo: the Four Seasons - Summer, Winter, Fire, Water – all faces… Too many bloody Rubens: but Das Pelzchen, the erotic pic of Frau Helene Rubens is stunning.  The Rembrandts: there is no doubt, he is king – the three self portraits here, blige…  And to end today – cultural overload – the Vermeer Allegory of Painting (hi, P. Greenaway…).

A long, long and delightful aimless walk round the centre (OK, so I was looking for an Apothek – shaving cream, if you must know).  Vienna could well be one of the most successful pedestrianised cities I have ever seen.  Thousands of people milling around, lots of cafes – but none of the artificiality you often find.

In St Stephen’s now – and here too many people – but many seem Viennese.  Sun came out as I walked from Kunsthistorisches Museum to Kärntner Strasse (to buy a ticket for Nozze tomorrow – around £20 – not bad for opera, in Schönbrunn...an allowable luxury.  Even the opera seemed vaguely reasonable: I get the feeling that the Schilling has depreciated greatly against the pound since I was last here.  Or perhaps my terms of reference have changed. 

Amazing number of tall women here: what do they put in the food?
Kärntner reminds me of the main drag in Istanbul – though rather different.  (A man is locking the gates around me: a primitive desire to flee takes hold.)  This sums it up really: eating a Viennese pizza (large but tasteless – cheap at 25 Schillings) listening to the usual Peruvian (?) pan pipes.  Back in Kärntner.

5.9.93

Down in the hotel’s little dining room.  Three serving – Russian? Czech? - East European, anyway.  Coffee surprisingly good.  My room has an outer, padded door: I can sport the oak.  In the U-bahn.  New weather forecasting method: by consensus – I look at what everyone else is wearing.  It is raining (slightly).  

In the Karlskirche.  Wow.  Amazing exterior – quite unlike any other I’ve seen – and glorious interior – huge swirls of marble – even the pews are inlaid.  Mahler and Alma married here.  This has just become one of my favourite churches – it reminds me of San Biagio outside Montepulciano. Beautiful ellipse – and only this morning, I was thinking about a schoolmate’s insight into the moment of inertia of an ellipse about a point on its edge… Happy days.

Wandering looking for a café.  To Josefplatz. Strange day: sun/rain/wind.  Not bad for walking, though I’m getting tired.  Sundays in particular are lonely in these places, when the world seems at home – and you are not.  As ever, being here, I think of Bolivia, Patagonia…

Ethnological Museum.  Good stuff on Americas – including a fabulous Aztec feather headdress – imagine what their civilisation at its height must have looked like… [A stupid git has just photographed it – with flash... "e un fatto scientifico che la luce danneggia I quadri" as someone once said…]  Back in the Kunsthistorisches Museum – bucketing down outside (thank god I went back for brolly.) 

Exhausting – the Völkerkunde Museum – but American stuff good – the sense of loss, the hundreds (thousands) of tribes whose individual wisdom has been lost.  Also an amazing map of south-east Asia showing the linguistic interpenetration.  Nation?  What nation? - and when to go there?  In the Egyptian section – and they have one of the bulls from the Serapeum – enormous.  Wonderful.  I’m really glad I wrote Egyptian Romance; I must read it one day.  Treasure of Nagyszentmiklós, 10 kilos of gold – beautifully worked, eighth century.

Looking at the Rembrandts again: when did self-portraits become common?  Bit cheeky, really, painting yourself…  With the Breughels (Mr and Mrs).  A man wearing two pairs of glasses at once.  Japs the most evident tourists here – the only ones with dosh (and a rising Yen).  Breughel’s winters seem real winters – not the namby-pamby stuff we know.

To the Upper Belvedere – whose entrance and view over the garden I remember vividly.  And the bloody rain (but at least by tram the journey was a doddle).  Wonderful Schiele – that I last saw in Zurich, I believe.  Also the Klimts good, especially Oberösterreichisches Bauernhaus where the wood cabin seems to grow into the landscape.  Schiele shows how evolving your style is crucial.  He had it; others don’t.  Giovanni Segantini did – weird, but his.  The Bad Mothers– very odd, a hellish (=cold) vision of naughty nuns, rows of them into the snowy landscape.  Klimt: Portrait of Sonja Knips – where her pink dress is a waterfall, a flower, a motion.

To the centre, and into a real café (= smoking, full of “young” people): Café Hawelka, Dorotheeergasse.  Free papers to read (some rather old), general aim of “total relax” as the Italians say.  Seat booked to Budapest (almost too early).  Nearby, a man reads a Rumanian newspaper...

Outside Schönbrunn – conkers. Autumn is here.  In the theatre – rather fine – very intimate – probably very much the kind of space Mozart would have known– and probably also the level of playing/singing (we shall see).  Lots of gilt and plush – but hard seats.  Number of Japs here too – including one bloke who got press tickets.  Humph (at least I’ve got into everything free with my press card so far – helps pay for it….). As the orchestra “warms up” I get the impression once more that there is a special warming up music written purely to impress the audience… The entrance to the right of the house, beautiful at night.

Figaro and Susanna – Japs
Cherubino – Agniezka Gertner (very good)
Conte – Kurt Schober (not bad)

For some reason the pierced cupola with the cracked plaster underneath reminds of of Istanbul, the Turkish baths… Lovely acoustic – especially for the winds – bassoons lovingly outlined.  Small string band helps.  Conducting solid – conductor plays cembalo.  Big cuts in recitatives.  Makes Wagner seem so bombastic.  Mozart is just pure lines.  The details, the bassoons.  Set quite lavish, and orchestra much better than expected – only the poor horns broke a couple of times.  The Figaro had a good voice, but lisped…

Wien is pretty clean – not as clean as Stuttgart – no dog poohs – compare Italy.  Also in various places Zettel literature – free bits to tear off and keep.  

6.9.93

The Danube.  Still a very serious piece of water.  But I can’t quite mesh this view (near the U-bahn Donauinsel) with my memories – I seem to recall clambering over railway lines (?) to get to it.  The map shows some, but the landscape looks very different.  Perhaps the flats in front of me are all new – they look less than 15 years.  Fine hills to the north – the map again shows that Vienna is really rather small, and soon passes to countryside.

To the Prater (hi, Arthur).  Interesting watching the Ferris wheel – held up by wires, I note.  The Hauptallee of the Prater – reminds me of a road we saw in Ouarzazate, long and tree lined (?), leading into the desert.

To KunstHausWien – wonderful exterior – uneven floor: “The uneven floor becomes a symphony, a melody for the feet...it is good to walk on uneven floors and regain our human balance.”  Leibovitz show interesting – though the early works indicate that she’s not that great a photographer – shrewdly by choosing famous subjects and then work with/against their grain, she is guaranteed an audience.  Nice one of Laurie A.: NMR brain scan…

Hundertwasser – clearly a loony, but an amiable one (redesigning the Australian and New Zealand flags…).  His ideas are sound, but the result very 60s and flower power.  Yuk.  Reading his biography, which is utterly extraordinary, it sounds like a parody – perhaps of what I wish my life to be.  And yet his art is so wishy-washy, so feel-good…  On the first floor, a tree grows out of the windows, as in Gormenghast.  In the café – which is rather expensive, so I’ve opted for the Tagesmenu – who knows…?  Visited Hundertwasserhaus – amazing – and a real nightmare.  Literally: the kind of thing you’d imagine in a feverish state.  Old Hundertwasser’s style is very reminiscent of Schiele and Klee – small, brightly coloured elements.  But his images are just pretty: compared to Schiele, he has nothing to say – for all his good intentions.

Drorygasse – of course, in my day, it was much tougher… found the old belfry youth hostel – but now there’s the U-bahn.  There were two lines 14 years ago.  In Kardinal-Nagl Platz – full of immigrants – Turks (Kurds?), very ethnic.  Streets as drab as I remember them.  But amazing how little I recall of them – just odd images: no travel diary, the fool…

Prunksaal – very impressive.  Strange that the steps leading up to the library remind me of another – Trinity College Dublin – though this is much more bombastic, but not more moving.  Particularly impressive the double-decker design, and the two pairs of great marble chairs – reminds me of Karlskirche.  Among the otherwise ho-hum manuscripts, amazing crossword – the cross in the centre of a running text that spells the same OROTERAMUSARAM – clever.  Hrabanus Maurus.

On the way out, copy of Mozart’s dedication: “Patience and  Tranquillity of mind contribute more to cure our distempers as the whole are of Medicine” IN ENGLISH.  Why?  Wherefrom?  (Masonic text?) (30.3.1787).  Spooky, too, to see that Ludwig’s handwriting was almost identical to this book’s scrawl…

In another coffee house – OK, but smoky again.  Topfenstrudel – cheesecake to you and me – nice.  Very civilised – foreign newspapers and books and mags to hand.  Walking, walking (Ephesos Museum closed…).  The Graben shows well what Regent Street could be without the traffic [a young man passes with his new toy: an HP calculator; is this a very male thing, gadgets.  A lot of quite attractive women here – often in the Anne-Sophie Mutter variety, with a tendency to girlish puppy fat.  A couple walking down the Graben, the steps completely synchronised, even down to the mid-air rhythm and angle.  Says it all really.

Been here for an hour or so, watching the world go by.  Opposite, an oldish bloke strumming a guitar and singing – but not busking.  Sky almost clear blue, air cold but lovely.  And so along to Trześniewski's – which I couldn’t find before, simply because it was closed.  Polish, obviously – great chopped herring, sardines, gherkins, egg, ham on small bread slices – 8 Schillings each, about 50p.  Now drinking slightly odd red wine.  This is obviously an institution (also in Dorotheergasse).  Wien really is very civilised.  I really like it here (= Trześniewski) and here (= Wien).

7.9.93

Ah well, Venice and Peter Greenaway call.  The Sezession building: yuk.  Lovely day though, cool air, bright sun.  22.22pm to Venice.  Tonight. Going to be a lazy day… Coffee at the Kunsthistorisches Museum – closed, but café open. Read newspapers.  Then sat by Karlskirche.  Then to Stephansplatz – pass Trześniewski – thinking it’s closed, but it ain’t...so here I am, eating this ambrosial stuff.

To Stephansplatz – very strange experience: because of reflected light from Haas Haus, there is sun from two directions – very disconcerting.  Schönbrunn, by the Gloriette – which reminds a lot of the Veronese Feast in the House of Levi, in the Accademia, Venice (hi).  Very peaceful here, despite the tourists.  I don’t remember this steep ramp up and the monument. Schönbrunn is a very good example of what is wrong with many palaces: it’s like a modern block of flats, lacking human scale.  Moreover, you know that most of the room are unnecessary, and merely there for scale.  

As I watch the world go by, I think of the millions of patterns there must be – and have been.  Now sitting nearby the theatre, a eating a rather nice cherry cake (the latter exactly as I imagined it – always a nice sensation).  Ich glaube dass I this cake in East Berlin eaten have – so zu sagen.

Amazing cloud formation: huge waves – not small ripples, but great strokes in high, thin clouds…

8.9.93 Venice

Strange now to be hurtling towards Venice.  Had compartment to myself – slept well, apart from the stream of passport/customs officers.  Going to Venice for the Peter Greenaway exhibition; seems a suitably apt expression of my current madcap life.  Wien Südbahnhof was rather nice – computer controlled lockers – as well as the orange and blue ones and a garderobe – Rosenkavalier restaurant etc. all very well organised.

Just arrived at Pordenone.  About to cross the bridge out to Venice: I remember the first time…  In Vivaldi’s church – the first time.  Palazzo Grassi closed – a bloody technical fault…  Very unspecial here – except for the grille – for the girls?  Vivaldi died near Karlskirche… lived in Riva del Carbon.

In Museo Fortuny – Peter Greenaway up to his usual tricks – water around everywhere – but otherwise Fortuny as it was… Intervals – Peter Greenaway film of 1969 – filmed in Venice – music is Vivaldi.  Drawings – Hangman’s Cricket.  Walk through H type stuff.  Drawing by numbers – “the relentless clicking away…”  Prospero’s books – the preparations make mine look thin – huge collections of background stuff – reference to Tulse Luper (Tulse Luper’s Suitcases – a future film).  The pages – scribbled on, painted over, with collage – remind me of Tom Phillips.  All this Dog/God stuff is very undergraduate.  

Pity the one film I haven’t seen is not working in the first room. A Walk through Prospero’s Library – very strange: uses Glass’s music at the end.  I have to say, that the female nude at the end – stunning.  “Wreck his revenge…”? I think not.  Two wonderful books about Peter Greenaway £40 and £50… I resist.  After all, I probably prefer not to know too much about his thinking – which is pretty weird.  Better to enjoy what I do.  I buy a poster instead (£5.)

23.9.93 Italy

On the train again.  North from Verona, soon amidst stunning mountain scenery and river.  Must come back.  Gray rainy day.  Have just passed Peri (and a church high among the hills).  My (German?) colleague in this compartment (couldn’t reserve anything else) is also writing – perhaps that his colleague is writing, and wondering – as I am – what he is writing.  Autostrada alongside us.  Thickly wooded hills – above Garda I would guess.

24.9.93 
Köln

Ages since I’ve taken a couchette.  I love the paraphernalia, the ordering.  One worrying thing: the guard took my tickets and passport yesterday – gave them back this morning.  Logical, but I felt very naked without the passport.  Slightly broken sleep, but pleasantly so: half awaking to hear “Gleis 1” – or some other  Bahnhof voice.  Awoken fully at 7.30 by the guard.  Outside, the Rhine.  A large but rather dull river – too tame and tamed.  Danube much more impressive.  Outside, black and white houses, stone-faced churches. Very German.  I’ve rather neglected this country – something I’ll have to remedy in the future.

In the Dom – which is certainly big...but it does not take the breath away as so many others do.  It is just big.  Even from the outside it looks rather like a small church blown up.  Spent most of today in the Ludwig Museum.  Good modern stuff – though, boy, are these 20th century Germans depressing. Other stuff more ho-hum.  Sondersusstellung – German photos – dreadful.  You can really see the pernicious effects of there being too much money for art. - 99% is disposable.

Arrived here to find a bloody Messe: obvious, really, but I’d not taken it into account.  Luckily the Tourist Office is very efficient, and found a room for m, DM115, near the station (“6 Domgasse).  Tiny but clean, central, reasonably cheap.  

Raining again.  Ate prepared rolls for dinner – I rather like this exiguous existence – for a while.  To the Westdeutscher Rundfunk concert hall, for a choral concert – and why not.  Programme nothing special.  Hall rather fine: light wood, silver glistening organ.  Quite large.  Choir rather heavy in 17th and 18th century music, better in the later stuff.  Petrassi “Nonsense Poems” rather fine – real use of different choral sonorities.

25.9.93

Raining. Hard.  Feet soaked, arm too.  But slept well, good Frühstück.  Found good bookshop in Neumarkt Platz.  The Dom full now – well, it’s dry.  Visited St Aposteln – ho-hum, clearly re-bult – and St Gereon – much better.  Very surprising form.  The Decagon reminded me of one of the most moving churches I’ve seen, in Mont St Michel – that sense that a thousand years ago, somebody worshipped here.

To the splendidly-named Römisch-Germanisches Museum, but stunning, and the mosaic not bad.  Still bucketing.  The guide book says there are a million piece to the mosaic: an interesting way to grasp the concept.  Upstairs, a strange room full of clay lamps – including a wall full of obscene ones.  In the basement, I read that the mosaic is now where it was discovered/built.  A good 20 feet from the current ground level.

Unbelievably, Köln shuts at 2pm on a Saturday – 95% of the shops.  To the Käthe Kollewitz Museum – if only because it’s open.  Unusual form – and rather relentless images.  Her women look like monkeys, and bring out well the sense of vulnerability in the world.  Also of women’s relationship to their children.  A Sonderausstellung even more depressing.  What are these artists thinking of?


Sunday, 20 November 2022

2022 Bratislava

12.11.22

Sitting in the Františkánske námestie next to the main square, with the Jesuit Church to my right.  Still early, few people around – but not quite as dead as Stavanger.  Arrived 11pm last night, on 11/11, in room 11 of Beigli Hotel, very central.  Car picked me up at the airport after a full flight (Ryanair) from an incomprehensibly busy Stansted… Driving in, the roads looked modern and immaculate: the EU has been good to Slovakia.

My hotel in Baštová ulica, the narrowest street here.  Going west, towards the castle, surprising number of derelict buildings.  Very typically middle European – baroque buildings, paved squares, no grass.  Sun shining, showing the city to best effect.

Down to the Hviezdoslavovo námestie, by the national theatre.  A red tram rumbles by – Bratislava is a city wise enough to have trams.  Both this and the other main square rather spoilt by the tacky little kiosks that are being installed for the Xmas fairs here soon.  Golden leaves everywhere on the ground – autumn in full swing.  Seems to suit Bratislava…

By the DanubeThe. Danube.  To my left the Old Bridge, and the Apollo Bridge, to my right the UFO tower where I hope to go.  Being here makes me think of other Danubes – in Vienna, in Budapest – and other rivers such as the one in Riga - the Daugava
.  Sun is reflected on the waters, blindingly – and inevitably makes me think of Luxor, Karnak, and Ra

The wind whipping along the Danube's banks.  Leaves piled up against the stone balustrade.  A few runners out.  And who can blame them? - a morning run along the Danube – what's not to like…?  

Up on the observation platform of the UFO tower by the Danube.  Best views of Bratislava, especially on a sunny day like today.  A band of fog/smoke rolls down behind the castle.  On the horizon to the north, the radio tower – reminds me of Tbilisi.  To my right, the new skyscraper of Eurovea – not too intrusive.  The Apollo Bridge clearly visible.  Out to the east, huge chimneys belching smoke/steam, surrounded by the miasma of their own making.  South, a forest of Soviet-style flats – looks like Hong Kong, but without the insane density or ambition.

Disturbingly, the tower shakes slightly from time to time.  As did that crazy youth hostel I stayed in – Vienna, I think – which was located in a church bell tower.  Smog is beginning to form – Bratislava has this problem like bigger cities.  Although from up here, the city is bigger than I expected, and clearly growing, not least in the business area to the east.  I have to say the castle looks sad: it has lost its lustre and gleam, and needs re-painting…  The odd, long barge plies the Danube. 

Back across the vaguely shaking bridge, then east along the Danube, searching for Moyzes Hall, where there is a concert tonight at 7pm of contemporary music.  Took me ridiculously long time to find it, just before the old bridge.  Then up Štúrová to the Hummel Museum.  Not to see the museum, but to buy a ticket for the concert (10 euros).  To Hlavné námestie, also spoilt by Xmas booths (empty).  More people around – at least 30. Noticeable how many smoke here…

In the Koliba Kamzik restaurant.  Ironically, this is part of the Hotel Perugia, which I nearly chose to stay in.  More central, but Hotel Beigli looked better overall.  Very heavy pork menu – and I really don't want to eat such intelligent creatures.  So after 
(less intelligent) rooster soup, I chose (less intelligent) duck pierogies, with a glass of Slovenian red – Frankovka modrá.  Vaguely rustic ambience in the restaurant, came recommended by the Bradt Travel guide, another excellent tome in this series.

For dessert, a conventional strudel, but accompanied by the infamous Tatratea – actually a highly alcoholic liqueur – but only the weak one – 44%, not the "outlaw" version, which is 72%.  Pretty much like other strong liqueurs of this kind.

Time for some culture.  To the Central European House of Photography – 5 euros.  Interesting photos of old Slovakia – 1930s – 1990s – by Milos Dohnanyi.  Black and white, evocative.  Striking portraits by Antonín Kratochvíl – of the famous and not so famous.  Blurred, superposed, craggy, indistinct.  Always interesting to see famous faces – and faces famous for being famous – in this new light.  For example Bob Dylan, Keith Richards, John le Carré, David Bowie, Ray Liotta.  I love these photography galleries – they are always so minimalist – white walls, polished floors – to highlight the concentrated images.

Past the palace where Liszt played – Leopold de Pauli Palace.  Just a plaque on the wall now… Nearby another palace, the Pálffy Palace, where the 6-year-old Mozart played.  Plaque on the wall of a "juice shop".  Looking for Zoya Gallery – and failing to find it.  To St Martin's Cathedral – gothic, with a choir that looks quite English.  Spiky, over the top pulpit in dark wood.  Otherwise clean, light stone, whitewashed walls, modern organ.

Finally found Zoya – you just have to head towards the Armenian consulate…  Nice pix by Erik Johansson – Swedish – trompe l'oeil.  Obvious – like people installing the moon, a watermill on the edge of a waterfall made of fields, a Meteora/Avatar-like town in the sky, its supports scraped away by diggers.  Not deep, but entertaining.  Clever photography.  More direct is "Man and Winter" of Ragnar Axelsson.  Icelandic, and it shows.  Lots of huskies, and amazing pic of Inuit hunter with his harpoon.  

A roomful of curious bird photos – Sanna Kannisto, Finnish, but working at Lake Baikal.  The birds look dead or posed – and are the latter, in a portable studio, before being released again after being caught. Weird, but pretty in a way.  Another Finn – Pentti Sammallahti – pure photography – images, black and white, that are complete in themselves.  All of them have one animal or more.

To the Johann Pálffy Palace.  Downstairs to Celtic minting in a dark cube, with underfloor exhibits.  More modern stuff – short videos, disturbing pix, installations.  Then upstairs to a display of gothic panel painting.  Then, unexpectedly, to the famous book-lined walkway of death: clever use of mirrors makes it look like a narrow pathway between infinite rows of books – clever and run.  Up again to some absurdist pix – legs sticking out of houses heads in walls.  Erwin Wurm – another floor of his stuff right at the top of the palace.  A little of it goes a long way…  Great gallery, though.

Since I am going to the concert at 7pm, I need to eat early, on the way.  I find myself in Urban House, down with the cool kids, waiting for my Beyond Burger.  Be interesting to compare it with the Impossible Burger I had in Hong Kong a few years back…  Walking here, I found the main streets buzzing – people out on the pavements, eating, drinking, smoking.  Has a good feel to the city, very liveable.  Obviously very similar to Prague, but not nearly so touristic.  Also more walkable – much more compact – quite like Yerevan in that respect.

Now in the Moyzes Hall, after a brisk walk from the restaurant.  Beautiful Art Deco hall, all gilt, garlands and geometrics.  Small chamber orchestra, nearly outnumbering the audience, currently at about 50.  I saw a TV/radio van outside, so I presume this is either being broadcast live, or recorded.  I'm sitting just behind the sound desk.

First piece by Peter Zagar (2022), quite melodious, uses full orchestra well.  Very tonal now. Reminds me of Gavin Bryars.  Second piece by Marek Piaček – three songs, amplified voice.  Bit
Nymanish melodically, also sounds influenced by musicals – in the best way.  Rhythmically quite varied.  Overall, though it meanders, musically at least – since I can't understand a word, it's hard to say how well the music serves the texts.  Harmonic changes very reminiscent of some Nyman.  Final piece of first half Ľubomír Burgr – combines some rather crude electronic sounds with Pärt-like arpeggios on the violin.  Doesn't work for me…

13.11.22

To the castle, wreathed in mists.  No one about, except a few dog walkers.  Near the main facade, an incredible, ornate, cast iron gate – with a huge drop the other side.  Equestrian statue of Svatopluk.  Cold, damp morning, but that seems to suit this place.  The castle looks better in this vague, looming form.  My hands freezing – I can barely write… 

Interior courtyard nothing special.  Inside the History Museum of the castle.  Big and – the main thing – warm.  A room about the reconstruction of the castle, which burned down, and was in ruins for many years.  Took lift to the basement, weird feeling of descending who knows where.  In fact, when I got there – nothing.  Nearby, stairs marked "Celts in Slovakia" – I descend – nothing again.

Along to a huge gleaming staircase in white and gold, looks newly restored.  A chapel, with a modern organ, looking very Finnish.  Alongside, a large Assumption of the Virgin Mary by Anton Schmidt (1762-63).  Impressive for its size, if nothing else.  Around the walls, 14 rather murky representations of the stations of the cross.

Up a gleaming white staircase.  Very minimalist – looks almost 30s Italian Fascism in style.  To an exhibition of Martin Benka (1888-1971).  Slovak modernist.  Some nice neo-impressionist landscape à la Sisley.  Early works.  Later pix more pared down, Kandinsky colours, Cézanne 
forms of mountains.  Final phase Soviet realism of strong men and beautiful women, mostly peasants, heart of the nation etc.  His travel pix more varied – good ones of the Adriatic, blue seas, pines and cypresses.  A musician too, who painted – and made – cubist violins.

Opposite, an exhibition about Slovak life in the 20th century – photos, videos, recordings.  Soviet world and its circumventions.  In the cafe – devoid of people, devoid of food bar a rather crusty cake (nope) – risking a cappuccino, which is unlikely to be good, but hey…  Outside, fog still not lifting.  Being inside a castle is a good place to be…  Coffee not too bad – and hot – plus "free" caramel biscuit.

The castle's museums are better than I expected – just as well given the rather miserable weather.  I did the right thing making the most of the fine sunshine yesterday.  In the background, chants of perennially angry Slovak students demanding who knows what – freedom, probably – in a time capsule of captured rebellion.  Judging by contemporary Slovakia, I'd say they got it.  It's a very pleasant, highly functional society now.  Safe, too.  What more could one ask?

To the Romans in Slovakia  - huge exhibition.  Facsimile of an amazing map: Tabula Peutingeriana – itself a copy of a Roman map… One part marked "Colchi".  Excellent exhibition – shows how much Roman stuff has been found this region – and how much we know, in detail – and how much more there must be under the earth.

Now in the castle gardens, which are delightfully autumnal.  St Martin's Cathedral in front, the castle behind.  The morning fog slowly lifting, the sun breaking through occasionally.  Should be nice this afternoon.  St Martin's chimes 12.  Not heard many bells here, so makes a nice change.  There's another church sounding, contrapuntally with the cathedral.  Now a carillon, plus a low bell under it all.  Wonderful: "Mortuos Plango, Vivos Voco…"  Incredible random symphony of bells, lovely cross rhythms.  Now dying away; a lone bell sounds…

Clever public seating here: the backs of the seats form a platform you can sit on standing up.  Doubles the seating capability in a compact way.  More people around now – 100s, out on a Sunday stroll.  Quite a few tourists – Italians, Spaniards, Chinese, Koreans, Japanese, Brits, Irish.  A camera crew recording to my right – such a palaver.

In the Hradná restaurant – convenient, prices not too bad.  Nice modern interior; warm.  Eating beetroot starter, cheese dumplings for the main.  This place starting to bubble – as I've just posted on Mastodon about Mastodon…  One strange thing here and elsewhere – the napkins are almost diaphanous – is there a paper shortage or something?  The sun pours through the windows, illuminating the few remaining leaves on the trees outside.

After lunch, out to understand transport.  First, find a tram stop for #1, which goes to the main station.  A little way away from the hotel, but not too bad.  Road is a typical central European tram road – reminds me of Riga, when I was looking for – and found – that Georgian restaurant, and I also travelled by tram.  Those long, broad streets.  Then to find a ticket machine: done, but they only take coins.  So to the Tourist Office near Hummel's house, who explain where the nearest machine is that takes credit cards.  Then to here, the Primate's Palace – historically important, and also the site of a remarkable discovery: tapestries from the UK (Mortlake).  No pix allowed, alas…

Decent portrait of Maria Teresa; Francis I looking weird in his get up, Bratislava and St Martin's in the distance.  Mozart's mate, Joseph II, quite a characterful face.  Tapestry of Hero and Leander – a putto looks on, and appears in another, smaller tapestry – copy and paste…  A Guercino, Abraham and the angel.  Nice moody pic of Bratislava from the north.  Lots of ignorable pix of peasants, dogs, cows etc.  Amazing view down into the chapel from a glassed-in balcony.  Odd from this perspective.

In the Hummel Museum, where he was born 14/11/1778 – nearly his birthday today.  His piano trios  noodling nicely in the background.  One room with two square pianos, plus a harmonium.  The other room with an Érard grand.
 Reminds me of Pushkin's house in Chișinău... The rooms so small, but cosy.

To the National Gallery, most of which is closed as they prepare their renovated wing.  On the first floor, a wonderful installation that consists of thousands of books on shelves, arranged alphabetically – but all in Slovak, which I can't really read.  A few people sit on comfy sofas, reading.  I wonder where all these books came from.  Oh, yes, at one end, there is also a horse – stuffed, I presume.  Not sure why…  Quite a few books in German, in fact, but no other language that I can see…

Now in an installation about "The Bridge", which is what the newer part of the gallery is apparently called.  Interactive – press a key – currently there is a cow on the screen, with The Bridge's characteristic gantries moving past.  Seems to be a decapitated cow, from which blood is pouring – complete with trickling sound effects.  Hmmm…  Let's try another button.

Moving through a shattered brick wall, darkness broken by a candle.  Gypsy music grows louder...a woman sings in Slovak (I think).  Another candle, on a round table, with a high-heel shoe on it.  That's it.  Now the architecture button.  Moving through The Bridge – blurred, the sound of water dripping, and light reflecting on the surface of a body of water…  We approach a blind wall at the end… Which is the end.  Probably enough for me, even though there are four more buttons…

From the SNG, along the Danube, to the Old Bridge.  Wonderful effect created by the lit girders.  Boats on the river, moored and moving.  Pinkish glow to the west, behind the UFO tower.  To the east, the Apollo Bridge more delicate.  Shoals of fish suddenly rising like a local rainstorm on the water's surface.  A gentle slapping sounds mingles with the thunder of a passing tram on the bridge.

Yesterday I made the mistake of not taking a coffee and bun in the afternoon, and a headache as result.  Today, no such mistake – here I am in Pollito – a cheesecake shop in Laurinská
.  Nice vibe.  Nice cheesecake…

To Nedbalka Gallery.  Fourth floor – late romantic – lovely stuff by Ladislav Mednyansky – great Tatra landscape – amazing view of what looks like fjord with craggy mountains on both sides of a lake (called "The Tarn").  Another painter with the splendid name of Edmund Gwerk.  Down to the third floor – where I see my old mate Martin Benka – quite a few.  Lots of others painting those stern peasants.  Also sub-Picasso Blue period/pneumatic phases.  Second floor – Galanda group.  Mostly derivative stuff – I saw Léger, Braque, Modigliani, Bacon, Hockney…  But overall a good showing of Slovak modern art and great gallery design with the opening on each floor – a bit like the New York Guggenheim.  

To the first floor – again, obvious influences – Rothko, de Kooning, Freud.  One rather disturbing pic: "Proximity of Time" – by Michal Jakabčic.  Shows two figures with big heads and tiny eyes, nose and mouth starting up at the sky while a third head emerges from light green earth, on which there is a triple-headed bird, and two other animals – one in a vase.  Striking.  To the ground floor – brand new stuff, quite a lot of photo realism, or approximations thereto.  I particularly liked "Frozen in Time" by Juraj Duris, which shows some kind of boat/ship on the wet floor of a warehouse.  No explanation, but striking.  Definitely one of the best galleries in Bratislava.

Since the restaurant I was looking for – Wolker on Biela – seems not to exist, I opted for U nás dobre nearby – on Michalská – bit bright inside, but has plenty of Slovak dishes.  I ordered the turkey (chrumkavé morčacie) with sheep's cheese, since they too are less intelligent than pigs, which I really really do not want to eat.  That's awkward, because Slovak cuisine is basically pig…  Also ordered a glass of the white and flowery Müller-Thurgau – bit fruity for me, but I wanted to try it to complement the Frankovka modrá I had (red) yesterday – which was really good.  Finished off with the cherry pierogi – devastatingly sweet, apparently sprinkled with cigarette ash.  But good.

14.11.22

Mondays in Bratislava seem to be like Mondays in Stavanger: practically every museum is closed.  So a morning of walking – and of churches, which are open.  Mostly: I went to look at the Poor Clares church: closed.  Now in the Capuchin Church: lots of baroque paintings and woodwork, architecture uninspired.  

Not having much luck.  The superb Holy Trinity Church: closed.  The Brothers of Mercy church: open – but locked inside with a huge grille.  On the floor, a homeless man snores in the warmth.  Beautiful baroque altar, bubbling and undulating wildly.  The pedestrian street Poštová rather nice.  To the Blue Church, which is...rather shockingly light blue, everything, with Art Nouveau curlicues on the outside and inside.  Closed, alas, but worth seeing from the outside.

Interesting: just seen the tram driver get out and use a big metal stick to change the points – I wondered how that was done…

Sitting by the National Theatre, trams thundering by as usual.  Leaves still falling, but will soon all be gone.  Blue sky, fresh wind.  

Incredible, two restaurants I tried were closed, and another non-existent.  Must be the Stavanger curse.

On tram #1 – very smart and modern – announcements in Slovak and English…  This is one long carriage; the older ones have separate parts.  On bus #61… Despite the fact that driver wouldn't let me on the bus, which said "leaving in 3 minutes"… Turns out it was leaving to move around to the actual stop, where lots of people were waiting.  Interesting ride out here – 20 minutes through the suburbs of Bratislava.  Looking smart and modern, usual shops and shopping centres – little sign of the Soviet world, unlike in Georgia or Armenia, say.

Airport, too, spanking new, big, efficient.  Bought some of the lethal Slovakian liqueur – Tatratea (52% alcohol), an apricot liqueur, and Carpathian brandy...