Monday, 11 May 2020

2019 Uzbekistan

10.6.19 Tashkent

Sitting in the airport at Nur-Sultan.  Modern, clean, efficient.  You buy stuff in euros…  Six-hour flight from London Heathrow.  Plane half empty, which meant I managed to lie down.  Slept quite well.  During the flight, the sun behind us, refusing to set.  Then suddenly rising in a great bloody ball. What little I could see of Kazakhstan looked flat, flat, flat.  Astana/Nur-Sultan shimmering like a crazy mirage, an impossible 21st-century city in the middle of nowhere.

A few Westerners milling around, but most central Asians.  The women all look quite similar.  Air stewardesses quite pretty.  Flying down to Tashkent.  I have never seen so much nothing: no towns, no villages, no roads.  Just flat steppe, a few rivers, low hills.  A tiny track leading to some fields, a house(?).  What looks like a rail track – going to Almaty, I presume.  It's a moonscape down there: dried-out lakes, weird forms etched into the flat surface.  Occasional line of a road, like a last spider's thread.  Below, straight roads meeting at a perfect right angle, like some cosmic geometry lesson.  This is the most terrifying landscape I have ever beheld.

I've just realised why these roads are so weird: I've not seen a single vehicle on any of them.  It's like they are relicts of an extinguished civilisation.  A tiny patch of bright green around a river.  Everywhere else scorched brown, the colour of no colour.  As we move into Uzbekistan, the landscape changes.  Below, folded and creased with gentle contours.  Tinged with green, but mainly browns.  Occasional settlements, still few roads.  Now lots of thin rectangular fields – cultivation, surrounding a large-ish town.  We begin our descent.  

A weird day.  Very tired because of travel and time difference.  Also the heat – hard like Turkey.  Slept at various times, since I have to rise at 5am tomorrow (body time 1am) to get an early train to Bokhara.  Decided to eat in the hotel to avoid going out in midday heat.  Very limited selection – no plov – but it filled a hole.  86,000 som – and they wouldn't take Visa, euros or dollars.  So I had to find somewhere that would give me som using a credit card.  Found one, took out a million (about £100).

More sleeping, then out to find milk: I will be too early for hotel breakfast, but I've brought the electric caffettiera we used in Hong Kong (amazing that was less than a year ago).  Will brew some Lavazza, eating Pret bars before taxi to central station, which is near, but not near enough to walk.  Even finding a supermarket hard.  Located a small one, paid 75p for litre (at Nur-Sultan airport, they were selling mare's milk - for 60 euros a can….).  Now sitting in Anor, waiting for manti and lagman.  Very busy, very good selection.  Nicely buzzing.  Noticeable lots of all-female groups in the city – and very few headscarves.  Islam doesn't seem strong here in Tashkent, at least.

11.6.19 Tashkent

Up early – 5am local time – to go to Tashkent Central railway station, gleaming in the early morning sunlight.  I'm the first there, of course, but that meant easy passage through security – not super rigorous, but frequent – to get into station area, then into station, finally onto train.  Flash Spanish model, new and sleek.

Lots of passengers, very few Westerners.  Pair of Chinese behind me.  Mostly locals, loaded with bags.  As with the plane, the stewardesses pretty – young and petite.  When they greet, they kiss each other three times – right, left, right.  So, despite booking early, and asking for a seat on the left-hand side, I get one on the right-hand side.  <sigh/>  Still, nice and cool, zipping along at 160km/h.  Bit bumpy…  Outskirts of Tashkent, houses all have metal corrugated roofs.  A few cows grazing.  Tashkent very spread out, quite green here.  Amazing to think I am hurtling on the Road to Samarkand.

Halfway there, going through a narrow valley.  Low hills with sparse vegetation.  Breakfast rather thin: two buns, packet of coffee.  Luckily, I bought peach tea and madeleines in the station shop.  Quite a few Ladas on the road.  But in Tashkent, top model is Chrysler.  Weird.  Also, Anor last night only took Mastercard, not Visa…

Just stopped in Samarkand.  What a magical name.  I wonder where I first heard it...James Elroy Flecker, perhaps?  There must have been a reason why I went there in 1982, the year Brezhnev died, and I was stuck in Tashkent, funeral music all day on the radio and TV.

Bokhara busy when I arrived, but happily a pre-booked driver was waiting for me.  20 minute ride to my hotel, Amelia Boutique, down a tiny alleyway.  Pretty much lives up to its reputation.  Magical rooms, courtyards that take you back in time.  Big room (#6), with over-the-top wall paintings.  Out to Chayxana Chinar for lunch.  Rice soup and Bokharan plov.  Nice view onto road.  Uploaded 58 pix – first to tablet, then to cloud.  Managed to share link.  Works well as backup and is a way to let everyone see pix.  Now about to take a first stroll out.  Hope the heat has dropped a little.

It hasn't.  At 4 o'clock, still baking, but not humid, and a nice breeze.  Out along to Lyab-i Hauz.  Even better than I hoped.  The presence of so many old trees makes such a difference.  Old Islamic buildings around its edges.  Sitting on the bench on the west side, in hard shadow.  Breeze lovely.  A few Western tourists, but not oppressive.  In a few years' time I predict this place will be mobbed.  It's too beautiful for people not to come once it's known and easy to get to.

Uzbeks uniformly friendly people.  Makes me hate Thubron's Lost heart of central asia even more.  It's not at all fair, certainly not now.  As well as ducks on the pool, people fishing too.  Glorious.  Noisy birds in the trees.  Around the pool, near me, mulberry trees, the fruits blood-red on the ground.  Nearby, a mulberry that dates back 600 years, they say… Well, 1477.

At the station this morning, the old women throwing water to wash down the paths.  All wearing headscarves, as they did in Moldova, also by the station.  Looking at Uzbek, seems fairly easy if you know Turkish – even the few words I know.  Since I won't ever need to speak Uzbek – I can probably use Russian – seems like learning Turkish would be good for all the turkic nations in central Asia.  It's hard to know which of the four – Uzbek, Kirghiz, Kazakh and Turkmen – to learn.  Must learn one soon (maybe after Georgian…)

20 minutes later, still sitting on my bench, the evening breeze cooling me.  This is the luxury of independent travelling: not just doing, but simply being here.  A coach has just disgorged a dozen tourists, who are being shown around here.  They can see, but they cannot stop.  Only fleeting glimpses, tantalising but leaving you hungry for more.  Swifts flying surprisingly low: perhaps they do things differently here.  In Tashkent, there were some very strange (to me) birds, but common as sparrows.  

Sitting in the Minzifa Restaurant, the sun setting in front of me, the hammam domes to my left reminiscent of Tbilisi's baths.  Drinking red wine – Uzbek wine.  Food limited, but location amazing.  The sky a wonderful apricot colour.  All Westerners here, but that's to be expected for an upmarket place.  I'm lucky I managed to book a table.  Uzbek wine quite resiny – very like Greek "μαύρο", strong, nice.  One of the great things about Uzbekistan is that Islam occupies the same place as Catholicism in Italy: respected, but not oppressive.  I've only seen one young woman with all her body covered, just her face visible.  Most dress like Westerners.  Long may it continue.

Swifts swooping in the sky, diving low for the flies.  

Quite a few (small) groups of Westerners.  Two black blokes – unusual to see here.  An amazing first day.  Almost all spent near Lyab-i Hauz.  So much to see and experience there.  Mostly old Westerners visiting, I suppose because it's expensive to get here.  Certainly cheap to eat – lunch cost 35,000 som – about £3.50.  My room is 80 euros a night.  Great value.  Looks like they are renovating the hammam – surrounding area rubble and ruins.  You can see that they are developing/renovating/repairing all the old monuments.  Very wise.  Already evident in some areas.  Quite a few French around, I heard Spanish earlier today.  

I'm impressed – and pleased – that I haven't looked at Twitter or Feedly once.  And have no intention of doing so.

I remember when I first stepped out from Santa Lucia station in Venice, and thought: I am in Venice.  It seemed impossible, but it was true.  And, I am thinking: I am in Bokhara.  Even more impossible, but still true.  What a privilege.  Food good, service slow – but a function of its popularity.  And then I am sitting with the best view, so who cares?  Lining up the  Minzifa special – loadsa fruits.  Uzbek wine really good, but best to go easy…

12.6.19  Bokhara

Sitting in the old Kalon mosque.  In fact, here for the second time – I got here very early, avoiding tour groups.  Lovely courtyard with ancient tree in the middle.  Blues and turquoises everywhere.  Well preserved/restored.  Outside, the amazing Kalon minaret, sadly still closed.  Must have incredible view.  The last thing many saw before being thrown off the top. The Mir-i-Arab Madrasa opposite full of people - especially muftis.  Tables set, music playing.  A festival, perhaps?  

Breakfast this morning amazing in an amazing room.  Coffee dubious.  Slept moderately well, but at least no problems with food yet.  Swifts flying low in the sky again.  Clear blue sky matching the tiles.  Swifts screeching inside the courtyard, in a small flock.  Sitting here in the mosque, I feel close to the Registan in Samarkand, even though it was 37 years ago.  How much has happened since then… Lovely to see the swifts swooping in and out of the arches at high speed.  A flock of birds wheeling around the main part of the mosque.  Most are white, and catch the sun as they turn.  Doves/pigeons perhaps?  

Back to the pool for coffee, which I need - 10.30am and the sun is already searing… Back to the room to transfer 50 pix from mobile to tablet.  Still no Internet.  Then out to Budreddin Restaurant, but it looks very hot.  So moved on to Lyab-i Hauz restaurant.  Lovely setting with the sprays all around the pool.  But: when the wind changes, you – and your food – get sprayed.  Not sure how healthy this is, but hey.  On the plus side, lots of locals here, so food seems to be reckoned.  Had hugely greasy lagman which I tried to mop up with non. Now having black tea, as all the locals do…

Back to the hotel, still no Net.  Transferred files to tablet.  Then out and finally found a SIM – cost £2.90 for 2G…  Went to two madrasas that are now full of craft stalls – Ulan Beg and the other, opposite.  The latter amazing for its picturesque ruins.  This is Uzbekistan in transition – soon will all be tidied up.  But great to see.  Then back to the hotel, where the Net is back.  Started uploading 100s of pix to cloud – slow.  Then back to here, by the Kalon masterpieces in the Chashmai Mirab restaurant.  Fab views, slight spoilt by a man cutting paving stones, noise and dust everywhere.  More signs of change.  Meal not spectacular, even though the view is.  The stone grinder still at it, at 8pm… Kalon buildings turning rose-coloured.  Swifts diving and screeching.  For dessert I took a mixed plate of local sweets – like Greek/Turkish ones.  But harder and sweeter.  As darkness falls, the minaret is illuminated more brightly, and seems preparing for lift-off…

13.6.19 Bokhara

Inside Ismail Samanis mausoleum.  Lovely structure.  Reminds me of San Biagio, strangely.  Walked along road to Ark.  Dusty, low dwellings, lots of building, rubble.  Ark smaller than I expected.  Walls impressive, but not much to see.  Lots of maps and pix of emirs.  Astonishing to think that Bokhara was independent a century ago.  Went up the Soviet water tank structure.  Nice re-use – you can see the cut metal.  Then to the nearby mosque, still functioning, so shoes off.  Thin columns holding up the porch.  Reminded me of Egypt, but more delicate. Endless walk through the park to here.  In general, distances much further than they seem on the map.  Rather bizarrely, I am in the German café, eating apfel strudel. Ismail Samanis mausoleum was lovely because so different.

Forgot to mention, yesterday after lunch I went to Chor Minor.  Hard to find in the backstreets, which reminded me of Georgia.  Not much to see: the weird little Chor Minor was closed.  But opposite, the Russian memorabilia market was pretty interesting, especially the badges and old photos.  Who were those people, what were their lives…?

Back to the hotel, where the Net is fast – uploaded all this morning's pix.  Back to Lyab-i Hauz restaurant – packed with locals, and they should know.  Sun pouring down, but low humidity.  After walking in the finally bearable heat, taking pix of Ark, back to room, then out to Minzifa restaurant – the best food I've had here.  Drinking white Uzbek wine – dry.  Very nice.  Mostly Westerners here – clearly group bookings.  Good job I've reserved.  Out into the glorious night, cooling breezes blowing quite strongly.  Everyone out walking, children and babies too.

I sit with my back to Ulan Beg's madrasa, facing the one of Abdulaziz Khan, which I prefer.  Eavesdropped on a pair of Chinese young women trying to work out where they were.  I expect more Chinese will come soon.  Otherwise, French, Germans, Italians, Spanish and Brits.  Few Yanks or Russians.

14.6.19 Bokhara

Zindan, by the Bug Pit.  Extraordinary to think two Brits suffered this for years.  Unimaginable.  Earlier, I walked through the maze of the old town.  Smell of concrete dust everywhere.  Second time I've needed to use GPS in my life (first time was when driving in Tbilisi).  To the merchant's house.  Very fine.  To a photography exhibition, where I bought three postcards.  Then to here.  Sweating profusely.  One thought: Bug Pit full of litter.  It's money notes…

Back to the hotel, packed and left.  Went along to nearby Chayxana Chinar.  Ordered plov, but not ready for 40 minutes.  The central part of Bokhara is more or less pedestrians only.  What few vehicles allowed there are electric – clever move.  Clean, quiet.  Adds to general peace of the place.  The Uzbeks in general seem very calm and happy.  Generally smiling, lots of children around.  About to start reading Sikunder Barnes – looks fun.

On the train to Tashkent, full by the looks of it.  On the right-hand side, so I can see the mountain spine.  Just outside Samarkand, some quite high peaks with snow.  But lacking the majesty of Ararat.  Land fertile on either side of tracks, but mountains gaunt.  Some clouds over the mountains – cumulus here, they were cirrus in Bokhara. A group of Hungarians joined the train at Samarkand.  Hungarians now playing lousy trashy music from a mobile, deafening everyone else.  I'm fast growing to dislike Hungarian.

Ripped off by the taxi driver, who took the long way around.  Still only £3.50… Smaller room at Gloria Hotel this time, but fine.  Nightmare on the Tashkent Express… The Hungarians utterly insufferable.  Still, the valley pass was fine, very narrow, rather like Georgia.  Tashkent feels familiar, which is good. 

15.6.19 Tashkent

Sitting with Hotel Uzbekistan behind me.  Did I stay here in 1982?  Seems likely, but sadly I have no memories of it (if only I'd kept a travel diary…).  Took metro here.  Had intended to walk but it started raining… Metro as I expected: marble smelling of disinfectant.  Not many around.  Cost per jeton: 12p (1200 som).  Journey here from my station – Oybek – took several minutes, reminding me that Tashkent is big.  (I can feel the metro under me as I sit in Amir Timur maydoni).  Metro slightly disconcerting because not a word of Russian anywhere.  You can see how hard they are – rightly - pushing Uzbek, and that Russian will fade away…

Need to go back to hotel to book plane seats, if I can, on my tablet.  Fortunately, metro is cheap and fast, and I am intentionally near an important interchange. Spent ages looking for monument to cosmonauts, after finding the main Art Museum closed for repairs.  Was overcast, but sun out now, alas… To Chorsu Bazaar.  Incredible.  Is it the biggest in the world?  Looks it.  Hundreds of stalls selling the same goods, all beautifully presented – the fruit piled in pyramids.  The stench of meat and blood, thousands of people milling around, looking, tasting, buying…

Afterwards, in the debilitating heat, I staggered to the old part of the city.  It was just like the corresponding part of Bokhara – only much bigger, and much more of a labyrinth – in fact, it reminded me of Venice – without the canals. I still have a vague memory of being brought here when I came in 1982.  Because of Brezhnev's death, we were trapped in Tashkent, and were given a guide to the place.  I remember the metro, and being shown these incredibly poor dwellings.  At the time, I couldn't understand why there were taking us there, but now I do: it was the real, old Tashkent.  It's taken me 35 years to get it.

Went looking for a new restaurant – doesn't exist, apparently, so back to Anor.  Trying an amazing meat doughnut – obviously fried, but rather tasty.  The food is generally good, but I am so sick of eating meat… One thing I noticed when looking for the other restaurant is the number of Korean places here.  I keep forgetting that Tashkent is probably nearer to Korea than it is to Europe…  also a couple of Chinese shops – supermarket and travel bureau.  Just the start…

16.6.19  Tashkent

After a night of rather fitful sleep – if I missed my flight to Nur-Sultan, I'd miss my flight home – a decent breakfast – with Uzbek cherries and sweet rice soup – then to the airport.  Sun already hot.  The security here is insane: they check you at the perimeter.  Then they scan luggage and you at the entrance to the terminal building, and then again after check-in – including taking your shoes off, and putting plastic covers on your feet.  Well, I suppose it's a pretty good deterrent.  I notice in Uzbekistan a number of families with three children, and a fair few pregnant young women.  I expect its population is growing quite fast…

It certainly seems a hive of economic activity.  Not just tourism, which is obviously bouncing along.  In Tashkent and Bokhara I saw thousands of new homes being built – many unfinished shells.  I wonder if they will ever sell them all?  The roads here are insanely big.  The main road near my hotel – Rustaveli St (sic) - had four lanes on each carriageway, more than most motorways in the UK.  Since everything is new, it is being built with huge spaces.  I found it (literally) exhausting from place to place not just in Tashkent, but Bokhara too.  Makes London and Paris seem so cramped...

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Saturday, 9 May 2020

1995 Stockholm

20.10.95  Stockholm

Kulturhuset, in the second floor café – just 28 Kr (about £2.60) for two coffees.  The view down onto the sunken plaza is very Pompidou.  Outrageously blue sky overhead, sun as bright as a knife; wind keen too.  And the winner of the city most likely to...look like Sweden's capital: yes, Ljubljana.  Water glorious here, especially in this weather.  Despite best efforts of the world to stop us getting here, we booked on Wednesday, left 8.30am Thursday.  To Hotel Reisen, in Gamla Stan.  Roadworks outside, but actually we have fallen on our feet.  And by my favourite magic, I find myself instantly transported to that very place.  Our room is unusual, (#402) in that it lies along the building; this implies we have four windows, and the room is very light.  It has various pieces of oldish furniture – and marvel of marvels – its own sauna (non-functioning when we arrived).

We arrived yesterday, flying in with BA.  Stockholm airport like Amsterdam in feel (but much smaller).  The journey in (in a huge Dodge vehicle) a symphony of light greens.  The buildings everywhere modular and clean.   Hitting Stockholm, ditto (the cleanliness at least).  And then we see the water, driving alongside it, the sun hitting the choppy waves.  The architecture familiar from Finland, Amsterdam, Prague even – northern Baroque.  The colours slightly Scottish – greys, pinks, browns.  All neat, tidy, clean to the nth degree.

Fine sweeping view across to the Gamla Stan where our hotel is (and so with rather finer views than the Grand, where we tried to stay, and only found out late that we could not).  Had to wait at the hotel, found they had no non-smoking room, but oddly enough it all worked out.  We tried to order from room service (failed, and received the food free), and then went for a quick walk around "our" island.

Gamla Stan is certainly touristic, but retains atmosphere through its largely unspoilt architecture – tall and gaunt, and authentic everywhere here.  We walked along the main Västerlånggatan, bought some provisions (including still mineral water – which barely anyone seems to use or know about), and then returned to the hotel.  We use the sauna – roaring hot – probably overdo it, and end up knackered.  For dinner, we eat cheese and bread.  With some rather fine and characteristic crisps – thick, dipped in cream cheese and dill – several different brands were on sale in the supermarket (we had also imbibed a goodly quantity of gin and tonic bought on the plane).

Yet another thing in our caravanserai was the Gateway Handbook, DX2/50, with PCMCIA 14.4K modem and newly-acquired Swedish adaptor telephone plug.  Amazingly, it all works – even logging into CompuServe here in Stockholm, and then telnetting to CIX (although Zmodem was pathetic – must be the windows clashing).  In the end, I just go straight to Blighty and get 2400 cps – not bad – my new and vexed Sportster 28.8 modem manages about 5800 cps on a good line – makes me terribly wasteful in downloading huge files.  To make a point, I emailed my fax number here for the Getting Wired page in Computer Weekly – sadly likely to end soon.  So we are gradually evolving a complete mobile Moody household.

We sleep well – fairly quiet here.  Down to breakfast.  Huge spread – cereals, fruit salad, yoghurts, smoked meats, cakes, waffles, cooked food etc.  Glorious views over the lake (the sun rising to the east, bright and young).  Because of the prices of food we stuff ourselves for the day.

Then out for a long, slow walk north (hi, Bashō).  8.30am – everything shut, everything quiet except the wind that is strong and whipping around us.  A very clean, ordered city whose buildings and style and overall plan remind me very much of New York – even down to the "diners" offering breakfast near raised roadways (a strange double tower framing one). 

We are on a quest: the music of Martin Kraus, Sweden's greatest unknown adopted composer.  We had past the concert hall – a typically stern, Nordic pile.  Nearby, a record shop that sells scores – but no Kraus.  We continue south, towards the Kulturhuset.  Impressive array of shops in the underground precinct in front of it.  But first we enter and go to the library there.  Poor selection of books – but it has an Internet connection.  And helpful staff who make various suggestions for finding the music (and using the Swedish Royal Academy).  We have some addresses to follow up.

Then over to the Mega CD Store.  Where I lose control and spend £100 on obscure Swedish music (Roman, Drottningholm stuff – since the castle and theatre are closed until May now), first volume of Baltic collection (whose second volume I bought in London).  From there, we return on foot, the sun still glorious, warm even.  We wander around Gamla Stan, and find the Queen Cristina – surprisingly good (and good-value) food.  Seafood soup plus baked potato stuffed with lobster.  £7.50 the lot, with salads and excellent bread.

We rest in the hotel, faced by Stockholm's biggest problem: opening hours. Everything opens late – 10am for shops, 11am for museums – and closes early – 4pm.  This makes the windows of opportunity narrow.  Luckily, just being here is the main thing.  We go out at 4pm, as dusk is falling.   A lovely hour here, especially with the stunning sunset we had tonight (I foolishly try to capture it on film).  The lights on the other side of the water, and the last rays of the sun there (very Venetian) fine.

Back to the hotel, the lights on the ships and buildings particularly beautiful.  We take a sauna, rest, and prepare to eat in the restaurant here (pricey, but it has to be done).  Now we dress to the nines to prove we are not proles…

21.10.95 Stockholm

Well, yesterday's rather expensive menu (£60) was good, if excessively rich: I had Swedish cold delicacies (gravadlax, salmon, roe, very intense bread), then for main course grilled pike (better pressed, I think). Today, if anything, the weather is even better – totally blue sky, hard light.  After breakfast, out to the Gallerien – huge complex, very successful example of its kind.  Out again to Museum of Mediterranean Civilisation, hoping to eat in the café.  But there we find just a few cakes.  Then around the museum.  The Egyptian thinnish, but the Cypriot collection (the best outside Cyprus) stunning.  The proud warriors with their self-important beards… The great group looking menacing like some crowded Ensor canvas.  The museum as a whole reminded me of Bologna's archaeological museum – to the latter's advantage.

Then out around the shops again, ending up in Åhléns (pronounced "orleans" to me by one of the staff here).  Across the westernmost bridge to the Gamla Stan, through canyons of heavy architecture (men fishing with huge circular nets in the waters).  To a café, where we have a fine apple cake.

The Swedes variably courteous: in the shops, surly, in the museums helpful.  Very noticeable how many brunettes there are – unlike in Norway, which seems stocked only with stunning, leggy blondes.  Also noticeable the number of immigrants here – I heard Arabic spoken by two families today.  I find I can read a surprising amount of Swedish – and intend to buy a book or two in the language.  Kraus still amazingly elusive – do we know more about him than the Swedes?  The weather really too good to be true – cold, with a piercing wind, but wonderful sun and sky.

22.10.95 Stockholm

In the National Gallery – nice café.  Fine stairway leading to second floor ('orrible Rubens after it).  Strange de Witte – bird market in Amsterdam.  Very fine series of Rembrandts – self-portrait, old man, old woman, Simeon, and the very surreal "Batavian Conspiracy" (also known as "The Conspiracy of Claudius Civilis") – seems like Ensor (again). Transcendent St Anastasius – the priest seems to hover in light.  Beautiful Nattier of Duchesse of Orleans, doe-like eyes in the over-heated face.  Alexander Roslin (Swedish 1718-1793, died in Paris), Hugo Simberg, "The Wounded Angel".  Wonderful series in Iceland by Þórarinn B. Þorláksson – moody, pregnant landscapes.

23.10.95 Stockholm

A very pleasant day, yesterday.  After a long stroll around the two islands Skeppsholmen and Kastellholmen (in bitterly cold winds, but very bracing – reminding us of Pest, Venice and a few other places), we go back to the National Gallery.  Eating in the café, where there was a lively buzz (the place to be on a Sunday lunchtime), we then went around the galleries.

For us, the discovery was of Roslin, but alas there was no book on him.  However, I did find a rather fine book on Swedish music, 1720-1810, which includes Roman and Kraus; a snip at £45…  Amazingly, I can read a fair amount of it.  Beautifully produced, and it radiates a sense of discovery, of new things (the Novel…).  Now we are off to see the ship – at Vasamuseet.  Just missing the ferry at 10am, we catch that of 10.20am.  Fast skim across the water past the cruise ships that seem frighteningly top-heavy (the centre of gravity looks about 30 metres above the water).  A short walk to the Vasa Museum (past the worryingly small submarine – you wouldn't get me down one of them).  

Lovely ramshackle building – all odd angles, with three masts peeking out inside.  Inside, dark, damp, with a wet, woody smell.  Here to see the ship - that is all there is to see.  But it is an impressive sight – the sheer impact of this bloody great lump of wood (not something you see these days when lumps tend to be stone at best, or concrete and steel).  Nice the idea that this great expense sank a few hundred metres out from the dry dock (near the museum, too), through poor design, over-ambitious scale, and a bit of wind.  How their hearts must have sunk, too…  Beautiful (really) the café – elegant, light, stylish, expensive…  Fine view over the harbours and the U-boot.

24.10.95  Stockholm

In the airport, waiting.  Weakly, I have bought another Svensk book – part of a national history currently being written (this one about Sweden as a major power).  The most notable thing here is the little scooters used by staff to propel themselves around the large airport.  Very drole.

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Moody's Black Notebook Travels

Friday, 8 May 2020

2017 Bucharest

24.6.17 Bucharest

Well, it has been a long time since I last scribbled here, but I'm determined to travel more now.  I chose Bucharest partly because I'd never been here, and partly to give Wizz Air a whirl – it had a crazy good offer: I paid £100 return including exit seat, priority boarding etc.  Turns out pretty good.  From Luton, but the Overground route via West Hampstead was easy, and I'm flying back to Gatwick.  Main reason I knew about Wizz Air is that they fly to Kutaisi (and also to Astana via Budapest), so I wanted to see how they were.  Flight was good, check-in not picky like Ryanair.

At Bucharest airport, had fun with the taxi – you have to get a ticket with taxi number to be safe – drivers here famous for ripping you off.  Paid 30 euros to the hotel, which is the going rate.  Staying in three-star Hotel Tempo, east of the university.  Pretty cheap, room small but decent – aircon works, wifi quite fast, even with VPN.

Got up at 7am – 5am body time – today for rather exiguous breakfast.  Then off around the old town.  Which is pretty nice.  Reminds me of Tbilisi, Fethiye, Crete etc. - something exotic and slightly forlorn.  Bought ten metro tickets for £4 – metro system not hugely useful, but good to eat up the big distances, which are Bucharest's main problem: everything very spread out, built on an insane Ceaușescu scale.

End up in Pukka Tukka for food – good, if rather too healthy – big salad.  Nice salmon.  [Local folk band just started here – very out of tune.]   After lunch, I went to the main National Art Museum, which is huge and the main cultural attraction here.  Only saw two bits – ancient Romanian art and modern pix.  Really exhausting, but some interesting stuff – for example, early Romanian religious books in Cyrillic.  Some nice pix, but I was really tired and flagging so took metro back to National Theatre, University stop, and 40 minutes sleep in my room.

One big change travelling in places like this is that mobile calls and data are cheap, often free.  Currently in Caru' cu bere, which is very full, especially of tourists, but nicely atmospheric (pity about the folk band…).  With its stained glass ceiling, it reminds me of the fancy tea room in Rio de Janeiro.  Interestingly, Romanian is easier than it looks.  Listening to the TV last night, I could understand big chunks – sounds like Italian/French, with a few odd words thrown in.  The conjugation of nouns plus definite article, also verbs, a bit of a bore.  Certainly, I want to come back here to see the mountains etc.  At least seems easy to get here quite cheaply.  

One problem is that practically everything closes on Monday, so I need to see stuff today and tomorrow.  Luckily,  Bucharest is not over-endowed with must-sees… will leave Ceaușescu's monster palace for Monday.

25.6.17 Bucharest

What a morning.  Got up later, went for a walk through the centre to the Palace of Parliament.  Will leave that to tomorrow.  Wanted to go to the Modern Art Gallery it also houses.  Walked and walked around the grounds, looking for the entrance to the gallery – for about an hour.  Uphill, hot, not sign of an end.  I recognised this kind of desperation as a quintessential part of travel – as its name indicates.  When I finally found the entrance – almost back to where I started, the guard told me it open at 12noon – even though outside it said 10am. Sigh.

Still, on the way, saw an amazing construction – the new cathedral, which is enormous.  Reminded me of Tbilisi's Holy Trinity Cathedral, but far less inspired.  Back to the Modern Art Gallery… which is bizarre.  Huge rooms with classical elements stacked with canvases, sculpture...all looking rather forlorn.  Certainly not great art, but atmospheric.  Up to the fourth floor, where there's a small bar and a terrace with views over the cathedral and the huge garden.  Reminds me of the Pompidou Centre, but again, rather random and sad.  

Along to Hanu' Berarilor Casa Oprea Soare – very busy, but plenty of room.  Inside in the cool, eating vine leaves stuffed with minced goose.  Finished off with Romanian doughnuts, with syrup and jam.  Freshly-cooked, heavy but very nice…

26.6.17  Bucharest

Got up early – in fact, woke up at 6am local – to go to the Parliamentary Palace.  Rush-hour metro pretty busy, but efficient.  Also there is 3G for much of the metro network.  Got to the Palace, was told first ticket 11.30am – damn tourists.  Now sitting in the main boulevard, Bulevardul Unirii, waiting for a while.  Striking: there are few dogs here.  Lots of people with moles.  Everyone has a mobile.  Back in  Hanu' Berarilor...it was close, and good.

The Big Building was amazing, sad of course.  You can't make a cathedral by blowing up the scale of a church, and you can't make a great palace just by making a small one bigger.  Inside, everything looked rather dismal, whereas outside it has a certain grandeur.  For the first time that I've seen, there was a big group of Indian tourists – men only.  I suppose greater disposable income, but not sure why here.

27.6.17 Bucharest

Last day here – about right.  Main National Museum still closed… Metro up to Victory Place – those huge pseudo-classical buildings.  Walked down Calea Victoriei – long, long, way.  Back in French café of first day here.  Need decent coffee.  Then back to the hotel, need to leave at 12noon.  Alas, couldn't pay for half day…

So the heavens have now opened… Took refuge in the nearest restaurant, Izvorul Rece – one I saw last night, but didn't feel like trying.  Reviews online quite good, quite traditional.  Seems nice...

More destinations:

1996 Torino

23.2.96 Torino

Waiting outside the hall where the rehearsal for Monteverdi's "Orfeo" is taking place.  Surrounded by singers – half-loving, half-hating each other.  Bitching, gossiping, trying to gain the advantage.  Torino, a city I've been to once – a press trip for 36 hours, staying up to 2am, and rising at 5am to walk through the silent city.  Typically, I can't remember the company that took me, but I presume it was Olivetti. Torino, the rectilinear city (I have memories of a de Chirico vista of facades).  To Gozzano's Café - Caffè Baratti & Milano for obscene cakes (and fine pizzette).  

To the La Capannina – excellent food, atrocious people – well, not really.  Very atmospheric – saxophones on the wall, clocks in the cabinets, walkie-talkies.  What looks like a group with three Indonesians to our left.

24.2.96 Torino

Museo Egizio.  Like an abandoned film set the entrance – parts closed off, drapes – leading to an apology of a museum.  For the first time, I feel the injustice of exposing mummies to the gawping eyes of the world.  Typically Italian, alas, the neglect of these resonant objects.  Most worryingly, the collections from the intact tombs – perfectly preserved objects – are surely rotting even as we speak.  So little explanation, so little grandeur coming through.  A parody of a dusty dull museum.  

Scappiamo, and walk through the freezing backstreets, under the galleries (like Bologna), to the Mole Antonelliana – what is perhaps the most ridiculous building I know.  It looks simply as if five or six constructions have been piled on top of each other, with no thought to harmony (including two Greek temples).  But I like it, for some reason.

More destinations:

Thursday, 7 May 2020

1990 Egypt III: Asyut, Kharga, El Amarna

28.2.90  Aswan

Up to the high dam.  Looking south, water is impressive – they must have been pleased when it filled up.  Even the Soviet-Egyptian monument is simple and effective.  Lake Nasser looks like the sea – huge, dark-blue expanse.  Again, I find it hard to remember I am deep into Africa.  To the Unfinished Obelisk.  A madness of groups (the collective noun).  Even the ancient Egyptians screwed up – but what an impressive attempt.  People seem obsessed with walking on the obelisk – defying gravity and the usual rules, too.  I do not know how they got 1000 tonnes onto a boat…

At the Cataract Hotel, E£10 for the swimming pool – seems reasonable enough – great view of the Nile, Elephantine, the hotel, the sun…. Came here by horse carriage – never again: the poor thin horse with open sores, beaten again and again.  But who am I to criticise?  The driver probably led a miserable existence.  But I still felt my double complicity in all this.  

Well, there are worse ways of spending the mid-point of my trip.  Can that really be?  As much to come again?  Hardly: there can be no other Karnak, Giza, Valley of the Kings…  I sit now under the awning next to the clay oven, waiting for a pizza Vesuvio (well, I had spaghetti bolognese last night…).  Again, I have the Nile before me, felucca sails passing occasionally, the Aga Khan's Mausoleum visible high on the hill.  I am increasingly tempted to visit El Kharga – the secular equivalent of Wadi El Natrun; we shall see.  I have fairly basted myself today – sensibly, I hope.  It really is just rather pleasant – and given that I won't be doing any more pure, animal sunbathing, it seems allowed.

It occurs to me that, as I half expected, part of the problem with the ancient Egyptian stuff I've seen is that there is so – almost too – much of it.  We expect exiguous remains: from the Alfred Jewel we reconstruct a civilisation.  Compare, too, Winckelmann's imperialising appropriation of Laocoön.  We need fragments just as we need "inferior" races to colonise.  If the civilisation is too complete – or the race too superior – we are in trouble.  This over-generosity applies in particular to the religious inscriptions: we have zillions of Amun being worshipped by this or that one.  We know pretty much exactly what is going on.  There is no mystery.

Lots of feluccas zooming around the south of Elephantine.  Tomorrow for me, I hope.  I sit on the Cataract's end terrace.  Below me the "gaily painted" feluccas: white with touches of orange, green and blue.  The Nile is full of them.  Watching, I am amazed by the adeptness of the sailors, the ease with which they push and pull them when holding on to land.  So little friction.  In front of me, the sun shatters on the water, the old shook foil routine.  The dunes beyond have turned into huge velvety humps.  There is a blessed breeze blowing.  Selig.

1.3.90 Aswan

On Kitchener's Isle as was – though there is no reference to him.  Out the hard way – by felucca, but me rowing all the way.  Now I know how galley slaves feel.  Conned by choosing a boat of an old man – asthmatic too, keeps sucking on his inhaler, and coughing his guts up on his arm.  All this because I can't do much now: I have to be back at the hotel at around 10am to see if there are any vacancies.

The garden very lush, very attractive.  Up by the tombs, in the bare sloping face of the sand, one of Those Messages, this time picked out in stones, letters ten feet high: "Oh aged Jamaica" it seems to say; and that says it all.  To the new Philae – having obtained a (slightly mankier) room at Ramsis.  Hiring motorised felucca – expensive for just one person – arrive out here.  Sun scorching.  

Hathor-headed columns in the Kiosk of Nectanebo – again.  Nice to see a colonnade for a change – it shows how conditioned I have become to "classical" ruins.  Also I feel strangely distanced from hieroglyphs – as if I had passed beyond this stage.  Good job there are few more to come.  Good also to see Imhotep – of Saqqarah – deified.

At the north end of the eastern colonnade – amazing capitals – really wacky variety.  Lots of Greek graffiti everywhere.  From the north end of the colonnade, nice rearing up of grey rocks – variety you don't get on west bank at Luxor – all too flat.  Also attractive glimpse of Trajan's Kiosk.  Great first courtyard – the asymmetry really appealing.  All the hieroglyphs here remind me of the eighteenth-century craze for Pompeian designs – that false, rather twee appearance, the superficiality.  Nice hypostyle hall – apart from the black and white bird droppings everywhere – it looks like a scagliola effect.  I scoot through the interiors – all such inferior, repetitious work.  The situation is the only thing that counts.

The ruins to the north of the island form a nice ensemble with the water and surrounding islands/land.  Trajan's Kiosk is definitely the best thing here.  Surprisingly graceful yet powerful, compact yet impressive, it opens out well to the sky and water.  In the small temple of Hathor, pix of musicians – flute player, harpist – larger than previously, also another double-flute.  One on each side.  I suppose Trajan appeals in part because he is manifestly part of my Western tradition.  Round to old Philae – but no romantic columns in the water – just a few pillars on land, a few houses, plus the tin dam that had been built up around the threatened buildings.  No cathédrale engloutie, but romantic enough to think of the submerged land.

And no bloody taxi when I got back.  Kicking my heels for 15 minutes.  Then to the Cataract where I sit waiting another pizza.  The day spent in luxurious, blissful torpor.  The heat unbelievable – as is the efficacy of the old No.4 suntan lotion.  Long slow walk back to my hotel, having consumed some fresh-pressed orange juice and turkish coffee – made in a small pot, boiled on a stove.  At the hotel, commenced my orange orgy with some bought at the local souk; disappointing – not navel oranges, and stuffed with pips.

Shower – how one appreciates water amidst the desert and in the heat – then out for a final stroll along the corniche.  The horizon to the west a sublime peach colour.  Moon high overhead, its crescent horizontal – as in the Red Crescent.  I spent some time last night trying to work out the relation of this angle to latitude – and failed.

After dinner, back to my room – to bed early since I must rise at 3.40am for my 5am train.  The band is playing again.  A local group, apparently for a wedding.  I notice that even here, the men and women are not only separated but cordoned off.  I hope I sleep through it as I did last night.  It occurs to me that the end of empires – all empires – is tourism.  History – and empires – become simply a reason to gawp, to find the world special.  Tourism is the final empire, and will inherit the world. A propos of the music: several times people have clapped in a curious (to me) flat-handed way, producing far more high frequencies.  Even clapping seems culturally determined.  

The cost for four nights here was £30.  

2.3.90 Asyut

Up very early – 3.40am.  No brekkie, but given a take-away.  To the station, conveniently near.  Practically no one on the train; it will be interesting to see if it really fills up at Luxor.  Restaurant car, needless to say, well-nigh non-existent.  I ask for coffee, but when I notice the attendant is looking for a vaguely clean glass amongst those already used, I make my apologies then flee.  Toilet pretty disgusting (and just what is that metal spout-thing sticking up?).

Glorious scenery outside, the Nile to my left.  Essentially we keep pace with the cruise boats – which fairly move it.  I notice that there are few villages: where does everyone live?  At Edfu, all the names in Arabic – only one, whitewashed, showed English.  

An old man by the tracks, as poor as anything, reading a thumbed paperback on cheap paper.  I wonder what the literacy rate here is.  The High Dam has meant an end of 10,000 years of history of living with and working with the annual inundations.  In our lifetimes.  Because of the Nile, it is noticeable how prodigal the Egyptians are with water.  For example, at Luxor station, where I am now, a man is hosing down the dust on one of the side platforms.  It looks good: "Luxor" on the sign… Pity I am only passing through – but it was definitely the right way to visit here and beyond.

Ancient Egyptian religion has no known initial foundation; it is apparently an outgrowth of a natural polytheism, especially based on nature.   The whole business of proselytism – extending the empire of religion – is to do with bolstering your own faith, as empire is to do with self-confidence.

There is something delicious in the traveller's roulette: going into a hotel and asking for accommodation – some frisson – that is quite lost by pre-booking, however convenient. 

What a game.  The train is two hours late – another apricot sunset.  Very unsure which station I am at – I ask several people, finally arrive in Asyut.  Outside, pandemonium; this is real Egypt.  Nobody speaks English.  My muttered "Hotel Badr" produces only the response "Cleopatra?".  Eventually I make it.  Only one night currently free, but I'm too tired to argue.  A group of 25 Swedes is bunging the place up.  I am currently in the restaurant, trying to negotiate the implausible menu.

I must confess it is at moments like that that I wonder what the hell I am doing; however, a part of me – a distant, rational part – knows that places and experiences like this lie at the heart of foreign places – not the Cairos and Aswans…  After the exhaustion has passed away, I think that the abiding impression of my travel down the Nile will be of its amazing, unexpected and unreasonable fecundity: it was as green as England or Ireland – proverbially verdant places.  This generosity must have amazed the ancient Egyptians – and partly explains their precocity.  

One of the nicest things about Egyptian TV is the real 1001 Nights-type music – all augmented seconds.

3.3.90 Asyut

A tiring day already.  At least I am staying here one more night – I think.  Out to try to find a bank and book my train ticket – both difficult.  After finding a bank, only Bank of Alexandria seems able to cope with travellers' cheques.  Amazing place: looked more like Bank of Beirut – plaster torn off every wall.  Ticket to Alexandria non c'è – Cairo instead.  After people pushing in, finally booked 6.30am train – rather more civilised.  Then back to hotel to find I can't pay with a credit card.  So back to the bleedin' bank again, hotter and dustier.

Now I'm in my cab for Kharga – I think I'm insane; the hotel certainly does.  Rip-off price of E£200 – what the hell, half price of Covent Garden seat – how my values are twisted.  Note: both here and in previous hotel, there a very interesting type of bath tile – it looks like water has dropped on it – effective – and apparently unique to each one – I can find no repetition.  Nice idea.

Asyut is certainly real Egypt: the horns are noisier, the dust worse, the crowds crazier.  Apparently, it is now the largest city of Upper Egypt.  O Thebes…

A Peugeot 504 – a traditional African car – I hope: the thought of being stuck in the desert is not the most appealing.  On the road to Kharga.  The greenery dies out – then nothing but desert.  I have been idly calculating the number of particles of sand in Egypt: ~10^21, which doesn't sound that big, but only goes to show how little I understand exponents.  Even in the world, there is probably only 10^24 grains...Only.  Aren't there 10^80 atoms in the universe?  That is, each grain of sand on our planet would have 10^24 grains of sand, each with 10^24 grains, each with a hundred million grains...

The road is straight – the telephone lines are hypnotic.  We pass barely anything.  An army squad out training, camped in the desert.  Yellow lines on the road: no waiting??  The occasional ridge – but basically flat.  At 160km, the sand has turned muddy.  Road generally good – we are passing a road building team.  

Halfway, a rest house.  Not an animal sighted for the last hour or so.  About 90 minutes to here.  Road now broken but not too bad.  Surprisingly, perhaps, there is a nice breeze in the shade.  But the sun is savage.  This was part of the 40-day camel route.  What 40 days they must have been. Interesting landscape: some rocks, then flat, then up over a hill, down – with huge plain before us, two big step-ups miles away.  Pylons have appeared from the south.  All looks like something out of Lawrence of Arabia.  Amazing: every so often there seem to be houses out here – about four or five so far, in the middle of nowhere.  First, a few tufts of grass, then suddenly greenery…

What a game. I am now at the Kharga Hotel – the only person there, apparently, waiting for an omelette and whatever.  Fun before: at one of the many police checkpoints, they wanted my passport.  I didn't have it, of course. So we had a little discussion – and then the head of local security came out, sized me up, and finally decided I probably wasn't a spy.  Further in, the greenery gave out again.  The sand a glorious colour – like Cornish ice cream (ah, what wouldn't I give for a Kelly's…), so neat and clean and tidy.  There seems to be a piano trio playing in the background.  This place feels like a school refectory.  On the whole, the drive was not too bad – the view down on to the plain made it particularly worthwhile.  It will be interesting to see how it holds up on the way back.  Down to the souk – Kharga is very spread out, dusty and undistinguished.  Souk rather quiet.  [Meal E£4, rooms about $20 a night.]

Temple of Amun, Hibis.  Persian – unusual.  Still a fair amount of painting in the inner gateway.  The main building is in a gloriously stippled sandstone, used for restoration – great whorls of the stuff – held up by wooden scaffolding.  Cartouches of Nectanebo II in first hypostyle; rest closed off.  Basically late – nothing special.

To El Bagawat – looks like a museum of mud churches – all arches and pillars, set on a horseshoe of hills on the edge of oasis, brilliant view of the rocky outcrops.  2nd to 7th century AD, there are 263 chapels.  Coptic church architecture and early painting.  Looks very Roman.  Deep black shadows.  Tomb of seven martyrs – 30 foot deep tomb, two chapels, one man, one woman.  Adam and Eve and snake.  Abraham, Isaac, Sarah, Gabriel, the ankh symbol.  Thousands of Greek graffiti.  Chapel of peace.  A basilica, all in mud bricks.  Exodus: first half of 4th century – one of the earliest.  There are more ankh symbols.  The pharaoh, soldiers, the Israelites in the sea – crudely painted – like kids' paintings.  

Stunning views of the escarpment down which I came – a huge slab of striated rock.  Amazing to see these small-scale churches/chapels, all in mud – even the columns – rounded arches – small semi-cupolas, painted, with geometric patterns.  And a hole in the roof – a great patch of blue.  And then, the final show – the mummies.  I crawl down into the ossuaries: two men, one woman and child; the guide prods them.  The man still has black hair.  Mummy wrappings lie everywhere – outside too.

Back across the desert, the sun boiling.  Fantastic view again of the depression.  Now (5.15pm) the rays are low, casting long shadows across the ribbed and ridged sand.  The light seems almost benevolent.  

Back to the madness of Asyut, horns honking, cyclists riding on the wrong side of the road, everyone walking everywhere regardless.  Good to be back – bath et al.  I tried to find out what the taxi driver was being paid – to establish the extent of my being rooked – to no avail.  Still, rooking or no, it was worth it.  [They say pecunia non olet: not Egyptian money, it really stinks of use.]

Once again, I'm not certain whether I'll be here tomorrow.  The hotel is overpriced, but has a faded charm – apart from the bathroom tiles, the smoked mirrors everywhere – half of them cracked; and I have just noticed a wonderful padded "leather" door leading to the kitchens – it looks as if it has melted, or is something out of "Alien": bizarre, sad and squelched.

4.2.90 Asyut

Down to the Nile – larger than it looks on the the old Lonely Planet map – as ever.  Cool breeze at 7am.  At least they have a room for me: this "don't know" business is getting ridiculous. [Some little solider boy has just shooed me off a pier I was admiring the river from.  Well, he did have a gun…]  Opposite is an island, looking very romantic in the early morning mist.  Pity about the car horns though: they seem tuned treble loud – they really hurt my ears.  Occasionally you get a symphony of them: sounds like Janáček's Sinfonietta gone mad.

I can't get "Peter Grimes" out of my head – the "Sea in the Morning" interlude.  That old nostalgia…

The willingness of the population to adopt an invader's tongue is paralleled in the inroads of English as the tongue of tourism.  One of the interesting things about the Coptic necropolis yesterday was that this (in part) was how the ancient Egyptian cities would have looked: that is, built out of mud, not stone.  

Getting to El Amarna's proving fun.  So far I am on the west bank, hoping for a ferry…  Waiting on the ferry – in the taxi – the driver has decided to come with me.  OK – but our language problems get worse.  The Nile flows by swiftly, the odd branch/frond of lilies being carried past, the odd leap of fins.  

A long wait – eventually there – mayhem on the other side – everyone jumping on before we landed.  Then a water-tanker blocked the way – finally out into the open – and lost.  We find the village policeman,who for some baksheesh shows us to the northern tombs – locked.  Across a huge plain – barren, beaten by the heat, the middle of nowhere.  High cirrus clouds, a haze to the north.  The ferry goes about once an hour – if you're lucky.  No other tourists, just the three of us.  Utterly empty and god/Aten-forsaken.

In to tomb 25 – that famous image of Aten worshipped by Akhnaten.  The hymn on both sides – beautiful limestone.  Inside left – dancers.  Down to the tomb – helped like an old woman, held by my elbows down each step.  

Finally to Akhetaten itself.  A pile of mud bricks, a heap of stones and sand – nothing.  That this 3000 years ago was the centre of heresy – no trace remains.  On three sides, the distant mountains, striated.  These are the ruins we expect, that we can extrapolate from.  This is what 3000 years ago should look like.  But it was a city.  In fact, the only one left from this time (?) – and now its inhabitants are hardly aware of it.  Palms to the west, facing the river, desert to the east.  One huge archaeological dig.  What a failure.  But his name lives on, as few others do… And the heterodoxy strikes again: the small explanatory plaques – at the gate – in the main courtyard – have both been smashed beyond usefulness – just a few words – "Akhet-aten…"  His power to provoke lives on.  

There are worse things to be than stuck outside Akhetaten, waiting for the ferry, watching the Nile stream by, the sun hot at 1pm, the wispy clouds overhead.  A tough life.  Money talks, they say: when even Glanglish fails, money always works.  It is the link between language and imperialism.  By the quayside, great fat fish.  Two men sit by the Nile, fishing like any other Sunday angler.  The Nile really is roaring past, with it, even more lilies than ever.

The quay is at the end of a large mud-brick wall, connected by a road.  Behind, a large lake; greenery everywhere.  In the palace, I saw wood planks set in the mud courses; I wonder if they too are 3000 years old – not impossible in this amazing climate.  A curious fact: Egyptians love to put a German (D) sticker on their cars; an old sign of cachet?  Below me, women beat clothes against the stones in timeless fashion.

The ferry arrives; amongst the crowd, three boys carrying fern-like plants in plastic pots.  Amazing the ubiquity of tape players in cars – no matter how beat up, or how old the car.  Mostly Japanese, like the trucks too.  Only the Peugeot 504s reign supreme still.  Back on the bank of the dead.  Stuck at a level crossing – which all pedestrians ignore.  This always worries me at Asyut too: walking across even when the bells ring.  It's interesting how Western/"civilised" societies are more authoritarian in this respect.  A product of our schools, perhaps?

To Hermopolis – not exactly easy to find – 30 minutes from Mallawi through back roads, poorly signposted.  My poor driver thinks I'm nuts.  I asked him if he enjoyed Amarna – nope.  Thoth's baboons are huge 15 feet high.  But rather sad to behold.  Enormous testicles.  On to the "basilica" – just Corinthian columns.  Surrounded by fallen columns, mud bricks – not much, but all quite romantic amidst the scrubby heath – again, looking like "classical" ruins.  Lovely afternoon heat; it feels like autumn.  Moon half out.  Palm trees very affecting in their occasional clumps.  To the catacombs – Ibis, baboons, both mummified and statues, with blue eyes.  Trapezoidal coffin for the ibis. 

To the tomb of Petosiris – a kind of mini Dendera, with a pointy-topped altar out front.  All Ptolemaic stuff.  Can see Greek clothing.  Amazingly deep tomb shaft – good colouring on the walls.  Finally, to the stela – that image again, so haunting in its aspiration and the inscription – saying all this land is Aten's – some boast.  Now just barren desert (blowing in my eyes with the evening wind).  Distant, the Nile.  Beyond the irrigation, desert.

For some civilisations – Roman, Greek – it is mainly texts that we have, rather than buildings, say.  Ancient Egyptian is unusual: we have the texts because we have the buildings.  Back to the hotel, - a proper orange orgy.  A binful of Swedes – more/different – and pandemonium: not enough rooms.  I have visions of being turfed out, and prepared to defend myself; no need.  But a knock-on consequence: the restaurant is full of the buggers.  I'm hungry and must be at the station at 4.30am tomorrow…

5.2.90 Asyut

Which I am – but not thanks to my watch, which I manage to unset.  Wake-up call OK.  To breakfast, where I notice Queen "Ty" tea.  Last night at 8pm on Channel 2, I came across the Televised News – the English equivalent of the Journal Télévisé.  One female presenter had excellent English and accent.  Noteworthy the final, almost unintelligible piece at the end about Mrs Thatcher (another "Ty"), even more unpopular.  Otherwise TV seems to be football, learned disquisitions on the Quran, chemistry/maths lessons and televised proceedings from parliament.  It is worth noting that once again it is tourism that has saved many of the ancient Egyptian ruins – Egyptians more concerned with using them for fertiliser – and why not?  

To the station – cold, as I expected.  Mackerel clouds, tinged by red.  They said the weather was turning.  The sky now amazing – huge rucks of cloud fired with pinks and orange.  Meanwhile, the muezzin continues his melancholy chanting, and the three neon signs of Badr Hotel (plus one in Arabic) flicker in the most wonderfully random way.  Is there a little man whose job it is to carry out this art all day?

Train one hour late.  Freezing wind.

It is interesting how much in Egypt comes from what was the Eastern bloc: for example, this carriage comes from GDR; the telephone from Hungary; a light bulb in Badr's bathroom, Poland.  All cheap, I suppose.  The difference between then and now: the past's rubbish – stone, wood, mud, metal – ages gracefully; ours does not: the paper, plastic, rusting scrap.  This is a fact that is most clearly exposed in Egypt: its past is perfectly aged, its present prodigiously ugly and sordid.  It is also why the passeggiata is unsatisfactory in so many Egyptian cities: you never know what you will tread in…

On the train to Alexandria – or Al Iskandariyah as it has been depersonalised.  Only 15 minutes late so far.  Nice train – a big red one.  

On the platform in Cairo, waiting for my connection to Alexandria: I sit next to two ladies – one rather large.  I get up to ask the station guards if this train at the platform is for Alexandria.  He says no, and so do the ladies - who then proceed to mother me in the most charming fashion.  Both are fluent in English, the younger – the daughter of the other whose hair is dyed deceptively well - with an excellent accent and command of idioms, and it turns out she is an English teacher.  We talk about nothing in particular – though I am recommended to see "Fifi" – a famous belly dancer at the Ramses Hilton – and to eat the green soup.  Both of which I shall try.  Pleasant people.

Very civilised this train – they are offering lunch – with airline-type trays.  Alas, I am not eating – but the very attractive lady stewardess – the first female maître d' I've seen in Western dress here – almost made me change my mind.  The delta looked rather dull – less lush and green, no enlivening hills in the distance.  Also no sun: it has been overcast since Asyut this morning.  In a way, this fits my mood perfectly.  Ever one for neatness, this distinguishes things well from Upper Egypt, from all the wonders I've seen there.  From my reading it is clear that Alexandria has little to do with Egypt.

It is also apt because I have been re-reading the "Alexandria Quartet".  I am amazed at how much is familiar – people, situations, phrases, words even – "banausic" – though I am ashamed to admit I've forgotten what it means.  Such typically young writing – bursting with words and ideas – which is why I must write as much as I can now, even if it is no good – I will be grateful in years to come.  His style dated too; its flowery language, its infinitely-detailed descriptions of love and relationships.  And a different Alexandria, I'm sure, perhaps one that never really existed except for Durrell.  And who needs more?

And so to the hotel.  Quite a way (again, again) from the station to the sea front.  The first taxi tries to rook me mercilessly, the second is only half as bad.  To the Cecil (as the Egyptian ladies suggested), looking like something from Brighton.  Full, inevitably.  It is now the Pullman Cecil – they of the Cataract.  Next stop, the Metropole (Brighton again).  Much seedier – a cross between a youth hostel and the hotel in Bellagio I stayed in many years ago.  At once, for all its crumbling plaster and faltering waterworks, I knew this was the place.  Immensely high rooms, aspidistras (dusty), on each floor, an open cage lift moving ponderously and uncertainly – its lights going out when you exit – the hopeless air of the staff – perfect after Durrell's "Justine".  Old Pullman Cecil (I console myself) would doubtless have been too smart, too new.  This – at £20 a night, too – is not.  I feel in some obscure way this is bound up with my novel…

My first room was on the east, with a balcony from which the sea was visible – stormy and rucked.  The hot water failed to function, so I moved to the west – better view of the sea, better room (just) – 482 (Mozart's E flat piano concerto, since you asked).  They say they will move me to a sea-facing room tomorrow; we shall see…

Alexandria is freezing.  I hope it doesn't bucket, or I am stuffed…

In the bar, downstairs, drinking turkish coffee (what else?).  A fine view of the people along one of the main thoroughfares.  The whole hotel is delicately sprung: my room shakes in the most delightful way if anyone walks past. [NB: what happened to Rimbaud?  He went to Luxor...where else?  Where did he die? In Egypt, what lies after words?]  I sit here, looking at an old man in a cap tottering across the road, hand held out apotropaically lest the traffic move.  The high room is lit by an absurdly rococo chandelier, its gilt turned treacle colour.  A sense of all that I have seen, a sense of all the culture and heritage I bear, a sense of all that might do, meets at this point.  And foolishly, childishly, gratefully, I feel pure happiness well up within me, a kind of internal bubbling.  I know this feeling so well, I am so privileged.  I have to sigh with absurd happiness. [6.47pm.]

To hear Egyptians speaking English/French/German etc., you get the impression that for them it is all one language, different dialects; which it is.  Perhaps Arabic seems the same after Coptic…

To the restaurant for dinner, past the TV room – full of Egyptians.  A beautiful room – bright white, very high ceiling, wonderful pea-green frieze around the top – with classical (NB) Greek figures in relief.  The same chandeliers as downstairs.  Only one other table occupied – Germans.  My first Egyptian wine – Gianaclis Village from the Egyptian Wine Company: ultra-dry white – almost sherry.  In an unwanted access of bravery/courtesy, I offer some to the Germans.  A meal without distinction – except that of its circumstances.  Ridiculously cheap – E£12 for four courses – a magic ambience, a world that barely exists in England or Europe.

Before dinner, a brief walk along the corniche – dodging the spray of the rampant waves.  The wind strong and northerly.  Back along the main street – very bustling – to the Metropole.  Outside, the Egyptian crowd periodically goes bananas in response to the TV – football, or a game show?  Strange how I am unmoved by such things – in which I find the triumph of banality. 

In the middle of the dining room, a wonderful piece of furniture: a large pillbox in dark wood; circumscribed by metal bands – for cutlery, tableware, perhaps.  Marble-topped and rather fine.  I donate the remainder of my wine to a young(ish) lady on her own reading Woolf's "To the Lighthouse" – which, by one of those drole coincidences, is the only other Brit book apart from the "Alexandria Quartet" that I have brought.  

1990 Egypt I: Cairo, Saqqarah, Giza
1990 Egypt II: Luxor, Aswan, Abu Simbel
1990 Egypt IV: Alexandria, Wadi El Natrun, Suez

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