Monday, 24 October 2022

1994 Rome

 6.9.94  On the Pendolino

From Piacenza to RomaLovely train – red and sleek like a long stickleback.  In the Rome guidebook (one of the new visual ones from DK – excellently executed), page 87 – there is a patron saint of drivers: Santa Francesca Romana.  Rome.  Good to be back.  Driving through the streets I'd forgotten how beautiful – no, grand – it is.  The churches, the striated golden stone.  And motorini dappertutto.  Fine weather.  To Il Miraggio restaurant – fine spaghetti with a sprinkling of fish.  Bad news: I have seen the Mémoires of Saint-Simon in a second-hand bookshop…  To our room – number 106 – tremendous view of Trevi Fountain – tremendous noise too.

I sit outside San Pietro – refused entry because of my shorts - don't you just love the church's mercy? (Ironically, too, they are letting in others with shorts…)  A walk to the Spanish Steps.  Erroneously, I have to say, since I thought I was heading due west.  The sun moves to the west early here it seems.  Sun very strong – almost Yogyakartan at times – but there is a good breeze.

Down to the Tiber – very French, with trees (unheard of in Italy) along its banks.  Pass a square with bookstalls (but no prices).  So to here, driving up past the restaurant where I remember distinctly (why, I know not) eating Fegato alla Veneziana.  It's amusing (ish) watching everyone with shorts stride purposefully up to the cerberi, only to be refused (mostly).  To the Villa Sciarra (Trastevere after the Gianicolo (fine view).  Melancholy beauty of the ochre house.  Lots of kids, lovely evening.  Cats everywhere – Egyptian cats…

Now in Piazza della Santa Maria in Trastevere – a "characteristic quarter…" waiting for our Negroni.  Which turns out to be about four times stronger than any Negroni I've ever drunk.  Return to the hotel smashed.  Eat pizza (50 metres from the hotel), then gawp at the fountain.

Bella….

7.9.94 Hotel Fontana

The view from the third floor breakfast room (light with black grand piano) stunning down to the fountain (the coins visible).  The sun catching the papal stemma.  Last night very strange: smashed out of my head (I've never had such a strange single drink in my life), there were various loud noise – the police, cleaning lorries, who knows what.  But bed hard and comfortable.

The Pantheon - much bigger that I remember – really such a palpable demonstration of Roman power and ingenuity. M.AGRIPPA.L.F.COS.TERTIUM.FECIT in huge letters.  Behind me the restaurant/café where Mr Greenaway made The Belly.  On the way the strange wall of colours from the Temple of Adriano – now part of the Stock Exchange.  Motorini – lots of superb romane on them too, charging around.  Bikes less common. Inside the Pantheon – stupendo – such power and lightness – and that massive hole punched heavenwards.  The porch reminds me of Dendera – and perhaps has a similar function in a way.  

Sant'Ignazio – fine, powerful church, and even finer building outside – rare movement in the Piazza.  Wonderful ceiling in the church – extreme perspective.  Chiesa del Gesù – little to see because of restauri – but OTT.  Church of St. Louis of the French – three marvellous Caravaggios – especially the Calling of St. Matthew – those fingers: pointing à moi? - and à toi?  To the Piazza Navona – surely one of the most beautiful and dramatic of all – the church of Sant'Agnese in Agone, pure baroque, pure Borromini – I must learn more of him.  The manhole covers here have SPQR.

By Marcus Aurelius column, at the end of Via Tritone/Largo Chigi a wonderful pedestrian subway that is a bookshop. To Tazza d'Oro – wunnerful – near the Pantheon, too – my centre of Rome, my omphalos.  Bus ride (hot and crowded, Lire 1,200) to Stazione Termini, then to Santa Maria Maggiore.  Big, very big – I was able to see thanks to my long trousers over my short ones, carried all day.  Fine march of columns.  

Now at Da Giggetto – near the sinagoga, and the Portico of Octavia (by taxi – about 7,000 Lire for three people – very reasonable, and the taxisti always polite with their Roman drawl – one, yesterday, reading "Greek philosophy"…).  We sit near four free-standing columns from who knows when, and the remains of a portico.  The synagogue heavily guarded…  On the way here, the Vittorio Emanuele monument, a hideous pink…

Typical sounds – bad rock from a window high above us, a ball being bounced by bimbi, motorini (many), car alarm going off.  We try: artichokes a la juive, baccala' spinati (cod, fried), and – da-da – suppli al telefono (is there a wire?).  And then we'll see…  The Romans with their eternal telefonini (I went into SIP today to ask about modems and telefonini – they knew nothing even though they had some ads in their window.)  Opposite us, the old women out on their chairs in the street…

8.9.94

Basilica of Constantine – a bit impressive. Lovely in the early morning, cool shade, the deep green – especially the pines – which we can smell sometimes.  Truly romantic mixture of churches, trees and awesome ruins.  The fused bronze coins in the marble floor…  To the Capitoline Museum.  The Roman statues remind me of Musée Rodin – except that here there's a crowd.  Fine views of Campidoglio and Sindaco's place.

For no very good reason, down to E.U.R. on the metro – full, smelling like Jakarta.  On Linea B, a mad accordionist – earning around 10,000 Lire for five minutes…  Metro dull – functional, no ads.  Very sparse coverage of the city.  Just not part of Italian culture (even in Milan, very half-hearted).  cf. London and Paris – almost defines the city.

To the Colosseo Quadrato, the strange Palazzo della Civiltà Italiana – pure arches in the famous building (also called Palazzo della Civiltà del Lavoro, closed off), elsewhere columns reduced to rods.  The metro long and dull back.  The image better in films in this, cross between La Défense and Crystal Palace.

The wind is rising: a storm is on its way…

9.9.94

Café Greco – rather impressive, like a gallery – wonderful green conservatory before us.  Elsewhere plush scarlet velvet.  Some of the pix really very good.  The waiters in smart black tie and tails.  Marble table tops.  Fine.  Unlike the weather, which is turning.  To Piazza del Popolo – the double churches, but not as I remember them from winter.  

Motorini di Roma – along with the fountains, and pines, and ruins – Respighi – Rome is mopeds – the motors of the city – for a population too lazy to move – "Jump on me/Leap on me, O desire to work…".  Motto of the city – mopeds – they jump on their mopeds instead – fountains of youth, of history, La Dolce Vita.  Carbon monoxide or Cinquecento – renaissance/Fiat.  So be it: Roman Holidays...

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1991 Paris

29.6.91 Pyramid, Musée du Louvre

Well, I finally made it here.  Humbling, totally humbling.  The French really do have the arts sorted out.  London is an embarrassment in comparison.  This entrance hall is inspired.  So light, so logical.  A pyramid of sky and clouds.  Almost a refutation of an Egyptian pyramid – which heavy and dark: this is nothing but light.  And we are inside: it is pure volume.  John would not like it.  Nor the display of Egyptian antiquities amidst all the gilt Rococo splendour.  In fact, generally, the Louvre itself has too strong a personality, whereas the pyramid is suitably neutral.  Even the design of the Louvre is too French – long, long galleries.  Light, shining marble here.  Even with the increasing crowds, there's a feeling of space and air – they tend to stay around the outside.  A brilliant device for prams/wheelchairs: a cylinder rising and falling – an open lift.

Another gob-smacking experience: Jeu de Paume.  Transfigured.  Satie tinkles in the background; the walls a fierce white, the floors a lovely warm, bleached wood parquetry.  On the walls explosions of energy and colour: Jean Dubuffet at the west end, top floor, north wall, 36 pix – a riot of gore, jagged edges, slashes.  Mon dieu, paris est fait pour moi. Je commence à penser en français tout le temps... Je me sens presque français...

Thereafter, a long(-ish) walk to the Grand Palais, and the Seurat exhibition.  Disappointing – in that most of the "big" pix weren't there.  But once again, Seurat's mastery as a draughtsman is very clear – right from the first academic studies.  Lunch there, cheap, unspecial.  I walk to Musée Rodin in another first.  Not as I imagine: more like the Belvedere in Vienna than the dark town house I expected.  But very impressive.  You can see how this terrible old git loved the human form.  Roomful and roomful of it.  And anybody who can produce hands – especially "Le Secret" – as he can, has got to be good.  Lovely studies for the Balzac.  I sit in the garden, the sun beating down.  At the entrance to the Musée was a beautiful young woman – a model – being photographed.  

To the Musée d'Orsay.  Once again, the immediate impact is one of shame: why can't we rise to challenges like this?  Imagine Battersea Power Station turned into a huge gallery…  This place is so cool – in both senses.  Such a brilliant conceit to have a museum inside the railway hall.  Ah well, voyons.

The ground floor is a rather endearing hodge-podge of nineteenth-century stuff.  The first floor is rather tiresome second team, and at the top, under the natural light, the Impressionists.  [One thing on the ground floor: a model of the streets around Opéra Garnier – with glass over it which you could walk on.  Even though others did – and I did – I felt strangely unsafe as if tip-toeing across frozen ice.] Rather nice wicker-work chairs for viewing the pix – strangely civilised.  Typically French: by the toilets, above the café, there is a computerised system – a touch keyboard, million-pixel screen with (all/most of) the works…

By the RER to Gare d'Austerlitz.  Through the Jardin des Plantes – very French, very formal.  Glorious sunshine.  To the greenhouse – that magic smell, hotter than outside, damper.  Then to the mosque, where I sit now in a polygonal central courtyard, trees providing shade.  I have just acquired a steaming hot mint tea – sweet, needless to say.  But nice.  What can I say about this place – Paris – except that I must live here…

Well, what larks: 2.45am, Boulevard St Michel, just by the bridge, tobacco smoke wafting over me, but strangely I don't care.  It seems right for Paris, the land of the eternal Gauloise.  Anyway, to recap first.  After the Musée d'O (comme on dit), by RER to [café crème here is 40 Francs – is this a record…?  But what did I expect…?] Place de la Bastille, to gawp at the new opera.  'Orrible, no sensitivity at all – and already graffiti on its stone facing.  Then by Métro to Les Halles, where after long wanderings, a descend into the depths to FNAC.  Where, after more wanderings, I find [moon gibbous tonight – this place is La Périgourdine – live music, bluesy guitar, voice and piano stuff] I find one Racine play (Andromaque) – which has a certain resonance as I remember – the Gainsbourg pour Gainsbourg plus some Yves Montand with, ludicrously enough, "La Bicyclette", which I heard on France Inter, and was gob-smacked thereby.  Back to the hotel, utterly knackered.

Where I meet the others from work, and feel, partly out of duty, but also, je l'admets, a desire to be with a group on a Saturday night, the archetypal time of being out, of "socialising".  We discuss ad infinitum what to do, but by some miracle find a good restaurant – part of the Flo chain, directly opposite the Gare du Nord, part of the Hôtel du Nord.  We share a Fruits du Mer – well, as it happens, I end up with 20 (sic) oysters – I hope they were OK – then have capitaine – a type of white fish.  Bright, smoky, bustling, very French.

Yet more discussions.  Unable to find a taxi, some of us begin walking to the Seine, others hang about at the hotel. I lead the walkers.  Time around 1am, Paris bustling.  We find ourselves in the Rue Saint-Denis – with the ladies of the night, some quite young and attractive, many black, some none of these – sad, even – especially – on a beautiful night like this, around 19°
C.  One thing in Paris is the blatant porn everywhere – even in ads for yoghurt, I mean… ["Take 5" being played – a versatile band with sax and drums too now…]

I write now (at around 4.30am) with barely any light, sitting opposite the east end of Notre-Dame – which looks like some huge monster or a complex life-support system.  Dawn is definitely coming, with the north-east sky lightening.  Below me, two people sit on the quai; two tiny red fireflies in their hands…. The mood has definitely changed from night to morning, that most magical moment of the diurnal round, that invisible pivot.  Worth waiting up for.  Below me, too, the water like glass, the bridges reflected to perfection.  The first dog starts barking with a racking smoker's cough.

30.6.91

I decide two hours' sleep are better than none, waking at 8.30am.  Not feeling too bad – at Gambetta station: after Père Lachaise Cemetery.  Must be great in winter with mists and everything.  It looked very Greek to me.  Found Proust's tomb, very simple black polished stone.  Today is going to be rather unsatisfactory, I fear, with various deadlines – getting out of room, and to airport etc.

To Jeu de Paume again, for a pleasant lunch of taramasalata, then round the show after reading the intro.  I am just so gobsmacked by all this.  The more I look and learn about this geezer, the more I'm impressed.  Gave up business at 41 to be an artist.  Remained outside the establishment.  What works.  They look so energetic, so full of life – like coiled springs of DNA.  And yet there is a unity of form, and even a humanity amidst this matter.  Really, it is unique in 20th century art.

Upstairs, with the late works – which are suitably Beethovenian in their paring down, in their "spirituality".  Even more so in the very last room of all – on a black ground, like space, the universe, these last deep calligrammes, inspired doodles of noumena (yeah, well...)


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Saturday, 22 October 2022

1992 Northern England, Scotland, Orkney

20.9.92 Ampleforth

The White Horse – typical British pub with three or four rooms upstairs.  The bar full tonight, stinking of smoke.  Just eaten in the Fauconberg Arms, Coxwold – in a sense where I had meant to stay, but through my misreading of a poorly-written guide – "Drives around York" – reduced to 50p – I thought Sterne had lived here, rather than at Coxwold.

But we saw Shandy Hall – nothing much to write home about.  Nice church with octagonal tower – a mini Ely.  Meal good, filling, the pub slightly artificial.  Though, it has to be said, rather neater than ours.  The old clash: authenticity versus artefact.

Today we drove up from Leicester, to Leeds, hoping to revisit the rather nice Art Gallery there.  Hopelessly wrong-footed in Leeds – there seems no centre, no real direction.  Eventually park – and find the gallery closed.  Leeds utterly dead – utterly depressing.  How do people live here?  Ate in a typical greasy spoon – high ceilings, cardboard white sarnies.  Then on to outside York, Beningbrough Hall (National Trust).  Simple but attractive country house, rolling fields, avenue leading up.  Full of fine portraits, mostly from the National Portrait Gallery.  Exhibitions on the second floor, then down tiny (servants?) spiral staircase, out and to cream tea where I (non-Jainistly) kill three wasps in various unkind ways.

Then driving north to visit some of the villages to find a hotel.  Glorious weather – very autumnal, strong sun, leaves turning golden.  Strange sensation: looking for a turning to Coxwold, found it on the left, but expecting it on the right – I had taken a parallel road which had folded back – hence the reverse.

From Coxwold to Byland Abbey – which I remember well.  Pass hotel, on to Ampleforth – looking for Shandy Hall – wrongly.  Then finally to Helmsley – pretty, but too pretty – rather touristy.  So we decide to retrace our steps, searching for some B&B.  We found one – and a snooty woman who said she wasn't "taking in".  Another – no response.  To the White Horse – a little basic, but seems suitable – and cheap: £15 each.  Money matters now – especially if, as I dream, we go to Orkney…

21.9.92 
Bamburgh

Strange to be here again, the rain falling down outside on the B&B window. Saw the castle this time, its gewgaws – mostly in dodgy taste, but the setting excuses all.  So unexpected from the road, driving down from the A1.  A walk on the magnificent beach – such fine, clean sand, to the grey blue sea.  Then the statutory cream tea (ginger cake, actually) – well, tourism is about various consumption -  then through the Trinity-like hall and the keep.  Nothing special, but the hall in particular was very visibly articulated as space. Down to the village, asking about rooms – this cost £18 each, including en suite bathroom.  Nicely appointed.

We left Ampleforth early and cut across to the A1 through Thirsk – a pleasant, natural-looking town, reminded me of Keswick greatly.  Up soon to Durham – superb in the distance.  Parked under the cathedral.  A statutory coffee break in a typical Brit coffee shop – rather spartan.  To the cathedral, where we see that there are B&Bs in the castle.  Also a special service in the cathedral – the bishop's, as we find.  To the Cellars (?), for an excellent meal: cauliflower and cardamom soup (tasted of Persia…), and prawns and curry (not so brill).  Lovely atmosphere – and the newspapers to read.

Then up the A1, through a blissfully invisible Newcastle, up to here.  I realise that the best thing about going somewhere (or one of them) is going back: that strange double focus, the past and the present (for some reason Jaisalmer comes into my mind).  Tomorrow, Edinburgh and beyond…

22.9.92  Pitlochry

Edinburgh and beyond, indeed.  We left Bamburgh in thick fog – having got up far too early for brekkers.  One problem with B&B – generally breakfast is late – 8.30am.  But yesterday's accommodation was very good – as was the breakfast, a real English breakfast, perhaps as a last gesture before Scotland, only a few miles away.
So across country to the A697, leaving behind an invisible Bamburgh.  Roads flooded in places.  But we got through, though progress was slower than I hoped.  Amazing how dour Scotland is compared to England, almost instantly, this Calvinism in stone.

In Edinburgh: I'd not realised before the paucity of long-term parking.  We stopped behind Princes Street – but only for an hour – despite having put more money in.  then to Fruitmarket Gallery, one of my favourites.  Good food, but nearly deserted.  Excellent exhibition of a woman called Laurence.  Then to National Gallery.  We are very taken with Poussin's "Seven sacraments" and, rather strangely, "The death of Patroclus".  Then, of all places, to the Castle (by taxi!).  Hi St. Columba's....  Not much to see at the Castle, except a Tower of London-like jewel room and fine view.  Down into innumerable clothes shops.  Walk back to the car in the shopping centre by John  Lewis.

Then after petrol and the rather wonderful Forth bridge,along the M90/A9 to here.  Good road, lovely views now.  As the rain and cloud cleared, stunning scenes.  Pitlochry surprisingly busy, many B&Bs full – hence our coming here to a one-star hotel.  Food in the Windmill pub – frozen but edible.  Bought bottle of mead (ha! - Aldeburgh), which I'm drinking now.

23.9.92 Inverness

In a repository – all the chairs and sofas facing forwards like some ghostly theatre.  And the show? - the saddest kind of bric-a-brac – garden gnomes, cheap porcelain, cut glass.  At the back, boxes piled high, beds, fridges.  At the front, TVs, hifi…

Now on Thurso beach – and one of the most beautiful vistas I have ever seen.   Two islands of Orkney in the distance, so clear you feel you could reach out and touch them.  The cliffs like the rocks above Hatshepsut's temple – flaky and velvety.  But spread before it all the sea – black, ruddy – and there is only one word for it: wine-red.  Over in Scrabster our ferry boat of tomorrow (yeeha) is about to depart.  Scrabster rather rough, not pretty.  Thurso – so far as we have seen, a lively, bustling little town ("Thor's River" – Thors-a) Brilliant B&B - £17 each, but en-suite, everything, charming old lady.

To the top of Britain again: that coming back… The smell of seaweed, stacks of it on the beach.  Huge blue sky overhead (Grecian). The sun low in the sky (5.50pm), casting huge cracked shadows across the sands.  After dinner – in a typically atmospheric restaurant - £26.  More mead.

This morning out along the A9 – a good read, and one that I have decided is surely among the most beautiful in Britain.  Typical lakeland scenery: shimmering browns and purples on the hills, the dark masses of distant peaks, cloud fraying on hilltops.  To Inverness, where we book the ferry.  A pleasant town, with helpful people.  Lunch in a nothing place.  Then more A9 – even better over the bridge along the coast.  Very like Western Ireland, Man

We cut inland along a single track road.  Very like the road to Hardknott Pass – but 40 miles long.  Glorious, especially the first half.  Then along the northern coast – Orkney plainly visible, as is the Dounreay nuclear power station (complete with airstrip).  I love these extremities of lands, the sense of boundless water for hundreds of miles.  So to Thurso, which, except for distinct lack of restaurants, is glorious.

24.9.92 On the ferry to Orkney

Yo! On the deck, with Hoy facing us, the car loaded below.  How I love these ferries.  A bright day, though clouds over most of the sky – some promise of better weather.

Huge breakfast at Mrs Chadwick's this morning.  Her house obsessively filled with objects – every surface covered with knick-knacks.  But a beautiful bathroom.  Round the town after breakfast – still pretty dead, but came across nice temporary gallery showing Finnish photos – suitably dark and brooding.  Apparently the local arts festival opened here last night – could have fooled me… 

Thence to Scrabster.  £81 for three-day special – RORO ferry, one hour before leaving, St. Ola (the "island" was the headland to the east: the real Orkney is further back).  Wind bracing but not freezing – sea very calm.  Inside for food in Hoy View Grill.

St Ola – 3039 tonnes, 500 passengers. The first view of Hoy's south coast sheer ruddy cliffs, split by deep fissures (steel-grey sea).  A valley down to the sea (on Hoy), a few dots of habitation.  The Old Man of Hoy – like some petrified tree stump.  Row of statues along the top – like one of Michelangelo's unfinished sculptures with figures emerging.  The striated wall of red and green.  Hoy looks much ruggeder than Orkney.  Few birds here.  From here looks like a rabbit, Aztec statue – constantly changing.  A chess piece.  No caves so far – too hard the rock?  No – one cave as we turn towards Stromness.  

The bay was Rackwick, where Peter Maxwell Davies lives.  Rounds towards Graemsay – the north coast of Hoy more beneficent, with rounded fells.  Low island with sheep and cows.  Curious effect of water here – like the back of huge whales – no waves, but scarred with marks.

St Magnus cathedral – stunning, beautiful church – thick pink pillars – really feel hemmed in by them – even though small, feels huge.  Simple windows at the end (seven pillars).  In the aisles, at the springers, two grotesque heads – tens of them.  To the coffee shop Trenabies in Albert Street, past the Customs House (nineteenth century).

25.9.92  Orphir

Orphir – Earl's Bu and the round church – both mentioned in Orkneyinga Saga.  Bu – just foundations but for the round church there is a segment, and hundreds of gravestones – fine view of Scapa Flow.  Two tombstones of women – Freeth, born in Wimbledon.  Brilliant sunshine, blue sky to the circumscribing horizon.  Mackerel clouds above us.  

The Ring of Brodgar.  Passed the Stones of Stenness, the isolated fingers, then these 40 or so left of 60.  Stunning location between the waters with graceful swans.  One stone struck by lightning 9/6/80 – heated up and shattered.  Strange clouds to the south – very dark clouds with a bank of very white ones caught by the sun.  The only people here – us.  Huge mackerel sky flowing over us.

Maes Howe – when Ragnvald was away on a crusade, rivals went for Orkney.  One was Harald, son of the Earl of Atholl – caught in a storm, he took shelter in Maes Howe.  Two men went mad there… A low crawl inside – reminds me of the pyramids.  What is impressive about the runes is not just the quantity but the quality: incised very firmly – and unweathered, unlike most.  Showed round by guide with her young (<2) son.  Repeating by rote, reading runes.  Amazing from 5000 BC – around same time as pyramids, which are rather more impressive.  But the density of monuments here.

The Broch of Gurness along a potholed unmetalled road.  Village with lovely view across to islands.  Strange orange square of stones on the beach.  Lovely smell of seaweed.  In the distance, on the hill, great wind turbines – strange contrast with the broch.

To lunch at The Northdyke – stunning position with views over Skara Brae, the out to Hoy.  Brilliant sunshine.  We are alone here too – the owner seemed surprised to see us – food?!?  Strangely there is bouzouki music in the background (with repeating grooves).  Have ordered the home-made soup, Orkney salmon, and "Stone Age Ploughman": bere bannocks (prehistoric barley loaves) and three local cheeses plus chutney.  Mulled wine and o.j.  Five tables, with a view through the glass.  Harry Carter – the proprietor – not Scots, and looking to sell.  Also there are watercolours by him.

Now New Age sub-Laurie Anderson stuff – all synths and subdominants – very trivial but very appropriate for this chilly, empty crazy restaurant – complete with "Part of Old Boat", stained glass mini-windows.  Overall, an incredible melancholy hung there.
On the beach by Skara Brae, looking out to 3000 miles of Atlantic.  I remember Ireland.  Restaurant reminded me of one at the end of Ireland.

Skara Brae almost too good – looks too well preserved.  The lady custodian clearing out the rooms – "spring cleaning".  Packed out in July and August; for us, no one.  Beautiful turf, the surf's thunder ("surf and turf" with a new meaning).  The cry of a gull.

Highland Park Distillery outside Kirkwall.  Every half hour, free tour.  To the Italian Chapel – two Nissen huts end to end. 1944.  1960, Domenico Chiocchetti returned to restore it.  Station on island Lamb Holm, painted walls.  The sun enters from the west end, long image on the carpet.  Very still, silent.  Real trompe l'oeil at the back, the west end. 

"Otters crossing for next 600 yards" – sign outside Kirkwall.  
Dinner – not in Albert Hotel, whose bar was awful – but in Kirkwall Hotel by the harbour.  Overbright bar restaurant, but simple, good food.

26.9.92 The Gloup

Out east, stunning sun, past the airport – a twin-engine prop coming in to land.  Badly signposted but so little traffic you just stop and look at the map.  To The Gloup - a huge ravine – collapsed cave with massive arch at the end by the sea.  Strange "glooping" sound of waves in confined area.  Down to the cliff's edge – the cave is long – 50 feet – flat slabs of granite rather than a beach here.  Beautiful. Birdlife sanctuary here – called Mull Head Nature reserve.  Best cliff scenery so far.

Brilliant morning.  The Churchill Barriers the best place to see Scapa Flow, and Hoy in the distance.  The sunken ships – glorious and eerie – rusted to purple-brown, one especially, its metal mast high above the water.  Melancholy.  The thought of 70 plus German ships in the Flow – history sunken and hidden.  East coast best.

Tomb of the Eagles. "Personally, I think he's a lazy-bones" – Mrs Simison ("syme-son") – of her 4000 year-old male skull – perfect teeth.  Whereas of the two females – one had worn-down teeth, probably from chewing barley to ferment it.  Also the other had a groove in the skull and overdeveloped neck muscles from carrying straps with weights.  Eagle claws – the eagle clan? (there are other burials with dog's bones, others with deer).  Seal's head later – perhaps the seal clan took over?  Her husband discovered the tomb putting in poles.  Now he shows how they heated food with stones – two hours plus two hours plus two hours (for the stones, water, cooking).  Lent wellies for a two mile trek through the fields.  Then out to the mound by the sea, crawling in on hands and knees – special pads or trolley. Stunning location with shattered rocks in front.  

Back along the coast, looking for seals, but they are pupping on the outer islands.  This is the end of the end of Orkney, the end of our three days.  

To the Kirkwall Museum, good information on the island.  Bere – pronounced "bear" – a rare and ancient barley – and there is beer made from it.  To the cathedral.  A memorial to the 833 men who died on HMS Royal Oak, sunk on 14/10/39.  St Ragnvald on the left-hand side, at the back of the choir.  To the Bishop's and Earl's palace – atmospheric ruins and good audiovisual with its history.  The smell of coal smoke everywhere.

In the Pier Art Gallery, Stromness – nice light space in the main street.  Leads out back to flagged pier and sandy harbour.  Very apt collections – Hepworth, marine and Celtic – albeit mostly Cornish not Gaelic/Norse.  Stromness even more of a one-street town, but harbour is more varied and lively.  (Gloup = gloop = gjulfr, Norse for "chasm" – found in "Orkney Wordbook" from the excellent bookshop here.)  To the "Khyber Pass" – a narrow passage... Good fish and scampi in The Cafe by the gallery and harbour.  

Waiting in the car for the ferry to arrive, Sweelinck, Byrd and Bull on Radio 3, the light fading, Hoy darkening, the lighthouse more visible.  Birds everywhere (see exhibition at Pier Art Gallery).  For example, rooks and crows, and now in the evening clouds of birds in fluid flocks wheeling, fragmenting and reforming into new shifting forms.  About seven cars, seven people on the ferry – almost just for us. Smooth crossing again.  To Mrs Chadwick and warmth. 

29.9.92 
Port Sunlight 

Out of sync again.  Yesterday a glorious peaceful day.  First a little shopping in Keswick, then out past Bassenthwaite, across to Crummock Water – perfect Lake District weather, the hills shimmering in browns and purples, the air slightly hazy.  Then a walk from Buttermere village through the woods to the shore.  Then back to Buttermere.  To Seatoller House; we have the outhouse.  Then along to Seathwaite for a gentle walk to Sour Milk Gill.  Perfect (hot) weather.  Back to Seatoller House for wine and the usual communal dinner – a typical bunch of Lake District-loving Brits, mostly fairly old – older than us, anyway.  Port and then so to bed…

Stopping off in Port Sunlight – that crazy, mock Tudor housing estate – now eating in the Lady Lever Art Gallery
Although few great works, lots of beautiful ones.  Good for the soul and all that.  Nice tea room downstairs (and that's what matters, eh…?)

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Tuesday, 18 October 2022

2022 Stavanger

Over the North Sea 14.10.22

The good news: I'm flying to Norway.  The bad news: judging by the safety leaflet, it might be in the B737 MAX – the one that is so unstable if fell out of the sky twice. [Actually, Flightradar24 tells me later that it was the older, safer B737-800.]

On the way to Stavanger.  Why?  It seems very small – not even Norway's second city – shops seem to close almost as soon as they open, and the weather forecast for the next four days is rain, rain, heavy rain, rain, thunderstorms, and then showers when we leave.  But in all those respects, it's interesting.

Truth to tell, I was going to fly to Georgia – I've not been for three years thanks to Covid.  But as I was just about to book hotels and buy flights, that nice Mr Putin began his "partial" mobilisation, and tens of thousands of young Russians fled the country – strangely unwilling to get killed to salve Putin's pride.  In particular, flights to Tbilisi went up from $300 to $600, and hotels were sold out as Russians piled in.  So Georgia not the happiest of places – and probably a little too close to Russia in the circumstances [turbulence…].  
Admittedly, Norway also has a border with Russia, but a long way from Stavanger.  Also, I don't think Putin would attack NATO country.  Little, helpless Georgia (population three million, two great chunks already missing thanks to Russia) on the other hand…

So, Stavanger is a kind of anti-Georgia.  Very expensive, very clean, very orderly.  Interesting for those reasons, although not much else to do.  It would have been nice to climb to the Preikestolen – the main image I have of Stavanger – but the torrential rain that is threatened is not really ideal for this.  Even fjord cruises are likely to be compromised somewhat.  But hej – at least we have the Oil Museum… 
In fact, since everything else in terms of museums and art galleries seems closed on Monday, the Oil Museum may be our only hope of getting out of the rain…

Flying Norwegian for the first time – I've often seen their planes.  Efficient Web site, expensive (around 500 euros for two), pity about the Boeings those chose [they do have some B737 MAX, and are buying more, it seems…].  
Turns out that UK school half-term is upon us: result – Gatwick South Terminal awash with young families.  Not a problem, but made everything feel rather crowded, which I had not expected.  

Sitting in Fisketorget – pretty expensive, but then everything is here.  Fab view of the harbour, a big powered catamaran berthed nearby – seems the only one offering tours of the fjords.  

An easy trip from the airport on the bus to hour hotel, Darby's Inn, greeted by Mr Darby, I think.  A fine Victorian-era building.  Out into the rain, through the backstreets with their characteristic white houses, all similar, but all different.  The electric cars swish by, the only sound the wheels cutting through the rainy road.  The house number have a very pleasing typeface.

Down to the harbour, where a huge tug (?) looms.  Around the harbour, along to the old town.  Everything so far has been very restrained – reminds me of the Outer Hebrides, Cornwall, Iceland.  The gently sloping lanes remind me of the similar but completely different hill streets of Tbilisi.  The old part of the town an explosion of colour after the uniform white.  Rather gaudy and excessive – looks like something created with a digital painting program.  A bit more lively.  Reminds me again of Tbilisi, but also of Bucharest.  We take coffee in the Bacchus café – decent coffee, tea and apple cake.  This reminds me of a restaurant I visited in Copenhagen – relaxed, nice atmosphere.  Then through the streets full of female navy ratings (Stavanger is a NATO centre – our hotel has people from it staying) out on the town.  Then to here, lucky to find a table, especially by the window overlooking the harbour and sea.

Back in Darby's.  Harbour very attractive by night, especially after rain (lots of it), with the lights reflected on the wet pavement.  
As well as the electric cars – and the absence of places to park, for example in hotels – there are electric scooters everywhere – being used, or left all over the shop.

Still raining…

Stavanger 15.10.22

A famously good breakfast at Darby's in the splendid dining room upstairs.  A mirrored ceiling, lots of chinoiserie.  Turns out Mr Darby was in the oil industry – Singapore, Houston, London, Paris, Stavanger.  Awkward.  His Norwegian wife extolled the virtues of the Oil Museum, understandably, perhaps.

To the city, absolutely devoid of people – looked like a film set for some post-apocalyptic movie.  Around the old part, bought some lunch – having failed to do in the nearby Extra supermarket – seems Norwegians don't eat sandwiches…

Bought tickets for the only cruise to the fjords at this time of year – 650 Kr, reasonably, unlike the £100 Booking.com site was quoting for exactly the same trip.  Reminder to self: don't use Booking.com for offers… 
Now on the super-modern boat (catamaran).  Fair number of people, but far fewer than the 297 the boat can hold.  Rather fresh this morning, so sitting inside, not on the open top.  Views would be better there, but I think we'd freeze.  Strangely, not raining, even a hint of sun.  But rain promised later, and for all Sunday.

The endless parade of hills and mountains woven together, reminds me – perversely – of the train ride from Samarkand to Tashkent.  That sense of consonance among opposites. Almost impossible to stay outside – wind so strong, you'd lose a camera so easily.  The neat houses and cabins perched on patches of grass remind me this time of the buildings high in the Alps as we drove from Italy to France.  So many clearly expensive places owned by so many rich people, about which most of us know nothing…  The walls of the fjord vertical, with lines that make them look like perpendicular style architecture – truly natural cathedrals.

Half way into the fjord, to the waterfall, a majestic force of nature.  In close, with water spraying everywhere (not me, though – I stayed inside).  The boat turns, stops at Preikestolen.  I realise I have misjudged the height of these walls: on the Preikestolen itself I can just make out tiny, tiny dots – people.  The top is gobsmackingly high.  Then we stop at the Vagabond's Cave – basically a huge cleft in the cliff.  Beautiful rock formations, sculptural.

The bridge at the entrance to Lysefjord reminds me of the multiple bridges and viaducts on the road leading to the Mont Blanc tunnel – an amazing drive.  There, the mood was refulgent summer; here, mellow autumn.  Sailing back the way we came, but with a different feeling.  You depart full of expectations, energy.  You return full of experience, tired but content.  The rain held off for this, and we are grateful.

Another echo, but a distant one: when I went down other fjords, as far from here as possible, in New Zealand.  Slight smaller and tamer, as I recall, but beautiful nonetheless.

Another contrast.  Norway is confirmed for me as an efficient, functioning society, as I saw in Oslo all those years ago.  Its huge North Sea oil fund means that it is well placed for whatever the future holds.  The UK, of course, is the complete contrast to that, especially now.  A government so dysfunctional that is already a global byword; chaos politically, financially, economically, ecologically.  
I love it.  "May you live in interesting times" may be meant as a curse, but for me is a blessing.  I love wondering what new disaster will unfold each day, hanging on Twitter so as to be among the first to know.  I love it – the buzz, the madness, the sense of living on the edge.  It's so exciting.  Stavanger, by contrast, opens at 10am and closes at 4pm.  Restaurants shut early, museums are closed on Mondays.  It's efficient, smooth – and rather dull.  Give me bonkers mayhem every time.

After the boat trip, a walk around the town, which is finally a little lively.  Then along to the bus station, which is also next to the train station.  The latter small, as might be expected.  We're here to buy buy tickets for tomorrow's visit to a slightly distant museum.  I buy a 24-hour ticket, not realising it is for the next 24 hours.  Ah, well, at least we can take the bus back.  Both stations sit next to the Byparken, Stavanger's main city park.  Seagulls and swans dominate its lake, which is striking pastoral given the presence of archetypal urban features such as bus and train stations.  Back to the room.  It starts raining heavily, but at least we had no rain during the fjord trip.

Out for supper to the nearby Matsmagasinet.  No room in the restaurant – it's Saturday evening after all – so we sit in the bar, and choose from its small but inventive menu.  Tables full of young women laughing raucously and explosively set the tone.  Just one man there, sitting on his own, absolutely immobile for minutes on end.  We eat, pay and leave to avoid any acts of mass murder he may be about to commit…

A day that went far better than feared, with most of it rainless.  Tomorrow still threatens to be thoroughly wet.  We shall see – the weather system here seems to be even more unstable and less predictable than London's…

16.10.22

In the café of the Archaeological Museum.  Bright and modern, very few people.  Exhibits well displayed, with explanations in Norwegian and English.  After a while, Norwegian becomes vaguely comprehensible, close enough to German.

Raining mostly today, but odd spells of dry weather – enough for us to take the bus to the Kunstmuseum by the park.  Typical small city art gallery: modern building, very clean and tidy, with a couple of temporary exhibitions, plus a few older Norwegian paintings – some very good landscapes.  
Park largely empty, as everywhere.  Then on the bus to the Archaeological Museum.  Again, the space very modern, the exhibits well laid out.  Lots of gold and other jewellery, posts, a huge cauldron, broken swords, a section meditating on the universality of Yggdrasil, the tree of life.

But for me, the highlight without doubt was the pair of lurs – ancient Germanic horns.  These were found in a bog, and were intact.  Not only were there two of them, they were a matching pair: tuned to the same note, and each forming a serpentine coil with different chiralities.  Amazing sophistication, and also shows how important music was to ancient tribes.

After lunch in the museum, it was still early, so we walked along to the Stavanger Museum.  Full of kids, and kid-suitable exhibits, with one notable and striking exception.  A propos of nothing, one room contained an installation called "Cranium Music".  It consisted of a dozen or so suspended animal skulls onto which were projected the faces of singers such that the animal jaws coincided with the singers' mouths.  In the background, the music that the singers – and thus the skulls – were performing.  Pretty disconcerting, and hardly consonant with the rest of the museum.

There was still a little while before every museum in the city shut, so we decided to fit in one more – the Maritime Museum down by the harbour.  A nice old building, ceilings showing lovely beams, perilously low for me.  An eclectic mix of exhibitions, plus recreations of merchants' rooms.  Nothing spectacular, but interesting enough.

Just as museums close at 4pm, so are many restaurants shut on Sunday.  Even supermarkets are closed.  We managed to find one, Bunnpris, which a few bits and pieces we will eat tonight, since the forecasts are awful – not the weather for wanderings.

17.10.22

As the saying has it: "as quiet as Stavanger on a Monday" – well, almost.  All the museums are shut, bar one – the Oil Museum.  Pretty much the last thing I'd want to visit, but needs must when the devil drives.  And there is a certain timeliness in the topic, when a European war is being fought over, and waged with, oil.  The museum itself is rather splendid, architecturally speaking.  It looks as if made out of leftover oil pipes and rigs.  As usual, very clean and neat inside, with jolly exhibits about the origin of oil, the history of drilling.  One thing I already knew but still find amazing is that the modern oil industry is so young: it more or less began in Azerbaijan at the end of the nineteenth century, when people noticed that his black stuff bubbling out of the ground burnt rather well.  (Reminds me, I really want to go to Baku – I do wish Armenia and Azerbaijan would sort out a peace deal…). 

The exhibits have a certain abstract charm: the rigs looked like enormous metal artworks.  My favourite bit was the, er, bits – various kinds displayed in a row.  A photo showed them arranged like exotic sea animals, or viruses.  Also interesting was a control room of some kind, an ecstasy of analogue dials and switches.  But overall, like all museums in Stavanger, rather small – not worth the £25 it cost us to get in…  
Then out around the barely stirring town, people going quietly about their quiet business, mostly in quiet electric vehicles, which seems appropriate as well as laudable.

Stavanger airport.  Like the museums here, modern, clean, efficient – and quite small.  
Just three days ago, this city was completely unknown to me.  Now, I've seen the main sights and walked its streets in myriad ways.  Certainly, I don't claim to know the place, but I have an mental image and a plan of it.

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Saturday, 25 June 2022

2022 Uzbekistan: Samarkand, Khiva, Bokhara, Tashkent

Samarkand 13.6.22

In Samarkand – amazing to be able to write these words.  Sitting in the Ulugh Beg Madrasa, on the left of the Registan Square.  Glorious blue sky overhead, matching the dominant tone of the tiles.  Swifts swoop and chirrup.  Sun already beating down at 10.30am.

This is the third time I've been in Samarkand – well, second, really – once was only passing through the station on my way to Bokhara.  But the first time was for real, back in 1982 – the year Brezhnev died.  It was during Soviet times, and I travelled as part of a small Intourist group.  It was autumn, the weather was cold and grey – raining, I think I remember going out on my own to gawp at the most beautiful square in the world.  Back then, I was the only one there.  Today, there are hundreds of tourists – but few Westerners.  Travel is hard after Covid.  Quite a few Russians, fleeing the hardships of the war against Ukraine.

I've been speaking in Russian, mostly, since people generally understand it here.  

In the Madrasa garden, thick mulberry trees with their fruit stains on the ground.  Only 50,000 Som to enter – about £3. I just took out 1.3 million Som from an ATM next to our hotel.  We are staying at the Bibi-Khanym hotel, which has the most amazing position next to the eponymous mosque.  Its dining room has one of the most spectacular views in the world, with the mosque and domes looming up in front of you through high windows.

We arrived last night at 5.30am.  Our plane from Istanbul arrived at 4am, but it took an hour for the luggage to arrive.  We are grateful, nonetheless, since we checked it in at Gatwick, to be sent through directly.  And not only for that efficiency.  As we were sitting in the departure lounge, waiting to board, I noticed a member of the ground staff pushing a case.  "Hey", I thought.  That looks like our case.  And it was. As the man moved away from the gate, I leapt after him, with visions of our case being left behind.  It turned out that the sticker was changed for some reason, and so I needed a new one.  But I was shaken.  I was not convinced it would come with us to Samarkand, and when it did, I was relieved.

Back in the hotel.  In fact, we shouldn't be here at all.  Originally, I planned to fly to Tajikistan – the route is almost identical – four hours to Istanbul, then four to Dushanbe.  But Tajikistan requires a visa.  It has – or seemed to have – an e-visa system.  I applied two weeks before I was due to go, and it worked well.  Then silence.  I waited a week, and then sent two messages asking if there was a problem.  No reply.  Finally, on the Friday afternoon, just 36 hours before I was due to fly, the 
e-visa came through.  But not before I had changed my ticket – to Istanbul then Samarkand, not Dushanbe.  The process was easier than I expected, and meant that I did not lose all my money, but merely had to pay for the difference.  Pity, I was really looking forward to spending today, Monday, in Dushanbe – the Tajiki word for "Monday", named after the day of the market in that place.  One day – maybe next year.

Anyway, back to the Registan.  After the Ulugh Beg Madrasa, to the Tilya-Kori Madrasah, which is the most majestic, with its huge 75 metre facade, the extra space used for students' rooms.  Inside, to the left, a mosque, now resplendent with its gilt interior restored.

Then to Sher-Dor Madrasah, with its crazy sun-lions on the facade.  Reminds me of the similarly forbidden birds on the face of the madrassa in Bokhara, where we will go shortly.  Today, we "only" saw the Registan.  But considering we arrived at 5.30am, that's not bad.  And we walked a lot – I had always thought Samarkand was small.  Not at all.  Tomorrow is likely to prove that most painfully….

14.6.22

After a surprisingly deep sleep, given that my body clock is re-setting itself by four hours, out in the already strong sun.  Past the great 
Bibi-Khanym mosque, which we will see tomorrow, and heading towards the the "old" city, to Shah-i Zinda, the street of the mausoleums.

As we pass over the footbridge spanning the major road below – like many in Samarkand, recently renovated, its tarmac smooth and devoid of markings – we turn right by the Hazrat Khizr mosque, apparently one of the oldest Muslim buildings in Samarkand.  

As usual, lots of Uzbeks visiting the Shah-i Zinda site, which is great, particularly school groups.  The brilliant blues glisten in the morning sunlight, with the different shades varying the basic tonality.  Impossible for a non-expert to do justice to the use of Arabic calligraphy as ornamentation.  Inside, some tombs are plain, but many are gloriously complex with geometric patterns and even the odd plant.  The scooped-out cornices look like negative space, defining a shape that is not there.

I have vague memories of visiting here back in 1982, of ascending and descending the hill.  But then, everything was in a state of disrepair.  Now it gleams with its original glory.  The site culminates in a little group of mausoleums that are particularly fine.  But the path continues through the large Muslim graveyard.  Rather disconcerting to see the faces of the deceased etched on the tombstones, a mournful army of the dead.  Far better to just turn to ashes and be scattered.

We followed the main path, which led to a dead end, retraced our steps, took the small path down to the main road, and then began walking.  And walking.  Samarkand is like India in this respect, hugely spread out.  Not  only was the road long, it was empty – a car every few minutes.  Combined with the heat it was a rather depressing journey.  But we arrived eventually, at the Afrosiab Museum.

It was quite new, and totally bereft of other visitors.  It held the findings from excavations conducted on the nearby archaeological site, the "old" Samarkand – the city of the Sogdians.  An interesting, forgotten people, who dominated the Silk road trade in this part of the world for centuries.  Most of the stuff in the museum was the usual pots, but also some striking wall paintings.  They showed emissaries from China and Tibet, another showed the Dragon Boat festival.  Cosmopolitan people.  One of the reasons for wanting to visit Tajikistan was to see the ruins of the Sogdian palaces near Panjakent, which is itself very near Samarkand, across the border.  Another reason to visit.

After the museum, back on the road, to the Ulugh Beg observatory.  Not much to see there – just the existing huge stone quadrant.  To the museum, which would have been nice except for the geezer who sneezed wetly without restraining it at all.  Hope it wasn't Covid.  

Then a taxi back – too far to walk in the near midday heat.  But before we found an official taxi, a bloke asked if wanted a taxi, even though his car was private.  He asked where, I said 
Bibi-Khanym, he said 200,000 Som – about $20.  Nope.  We walked off.  Then he said $2.  Nope.  We carried on walking.  Finally, he said $1 – that is, one twentieth of his first rip-off price.  That was fine, we got in, he drove off, not very calmly (no seat belts in the back, of course…), but we arrived safely….

15.6.22

A strange day ahead of us: we are taking the ten-hour train to Khiva – which leaves at 1am.  So we have taken our room for an extra night so that we are comfortable as we wait.  This also means a relatively easy day compared to the strenuous exertions of yesterday.

First, to 
Bibi-Khanym Mosque, next to our hotel.  The gate huge and stunning.  Even though everything here is mostly reconstructions – the place fell into ruins soon after being built – the impression justifies the work.  Through the courtyard, full of trees and a book – a huge one-metre square Koran, encased in glass.  Not clear if this is original or a copy – the latter presumably – it was taken to St Petersburg in the nineteenth century, then brought back.

The blue-domed mosque is closed off, ruined inside, but magnificent.  The Koranic text along the top has letters that rise high up to the edge; they look like the dripping letters in the Matrix, but reversed.  Still lots of restoration work going on, one side looking very perilous.  The great thing is you get a sense of the scale of Timur's vision.  Apparently, the mosque was funded by plunder brought back from Delhi – a reminder of how close we are to India, and how pivotal Samarkand was to the ancient world.

After the mighty glories of 
Bibi-Khanym Mosque, across the road to the Bibi-Khanym mausoleum.  A modest building with an unusual feature: a crypt below the main chamber, reached through a simple brick passageway and stairs.  More religion – to the Hazrat Khizr Mosque – which we passed yesterday.  Not much to see, but great views over Bibi-Khanym Mosque towards the "new" city.

Finally, down Ulitsa Tashkentskaya to the gardens alongside the Registan, but turning the other way into the old city.  Which is just like the backstreets of Bokhara, and the old part of Tashkent.  That is, narrow streets, no pavements, gutters either side, lost of building going on, weird architecture, blind walls, children running around.
We were in search of the Abu Mansur al-Maturidi Mausoleum.  We found it fairly easily, and it turns out to be another cubical edifice, like the one I saw in Bokhara – but nowhere as beautiful.  For the first time, we have to take off our shoes to walk on the soft carpet within.

Since our train leaves at 1.01am, and the taxi is coming an hour before, we needed to fill the evening, so back to the Registan, where half the city is watching the illuminations.  These add a real 3D element to the facades.  Great – until the light show begins, all purple and puces – yuk.  But the atmosphere good, very relaxed, very safe.  Unlike the road back, where small children are allowed to drive electric bikes and vehicles fast.  There are also bigger caddies for conveying people, as in Bokhara.  All electric, very quiet, but slightly dangerous.  Finally down to 
Bibi-Khanym Mosque, majestically illuminated, looming out of the Samarkand sky.

16.6.22 Somewhere between Bokhara and Khiva

On the splendid, Soviet-style train, whose idea of "luxe" is two bags of tea and hot water in the corridor.  Outside, near desert under the blistering sun.  No settlements, no animals, just a powerline or two.

Last night the hotel called a taxi for us, which as is so often the case here, was just a bloke and his car.  A bloke how managed to get lost even just going to the station.  Which is a surprisingly long way out.  Luckily, I could spot signs to "vokzal" every so often, so I had hopes we were going in the right direction.  Samarkand station splendid – its facade lit up in electric blues, the dominant colour of Uzbek Railways (which are incredibly efficient, and have a great smartphone app that I used to book all our tickets from the UK in about five minutes…).  Once past the external security checks, we saw a fine Soviet design that would not have been out of place in a nuclear power station.

Weirdly, the departures board was ordered by train number, and included all trains.  I asked one of the station staff which platform the train from Tashkent would arrive on, and he said he didn't know yet – probably why the board had no info about platforms.

The train turned up on platform 1, on time, and was a huge three-eyed monster.  It only stopped for a few minutes, so there was the usual anxious rush by everyone to find their berths and seats.  Ours was in wagon 7.  Not exactly luxurious, but we had it to ourselves, and there was clean bed linen to put on the seats.  I slept pretty well for four hours (the journey lasts ten hours), disturbed only when some crazy French people tried to get into our (locked ) compartment.

Woke at seven o'clock, went along to the restaurant car, where a man was frying pirozhkis.  Probably not the best for our delicate guts.  Good job we brought some Italian biscuits – all the food we will get until Khiva.

Stopped in Urgench – another 40 minutes or so.  The countryside now very green – amazing the contrast.  Looks almost like Italy.  Urgench looks pretty grim.  Met at Khiva station by taxi, then to Arkanchi Hotel.  Which is inside the ancient city walls and fantastic: luxurious, cheap – and was have a view of the main minarets from our room.  Just one flaw: restaurant only serves breakfast.  So out into the 34 degree heat to find one of the few restaurants here.  In Teahouse Farrukh – nice ambience, Uzbek music, limited menu.  Plov generous, dry, with rather fatty meta.  Non, flat and hard, unlike the soft fluffy kind in Samarkand.  But all edible, and in a nice, shady location.  Not just temperature rising, but humidity too – in Samarkand, the air was pleasantly dry.

After a snooze, out for a quick recce.  Starting from the west gate – Ata Darvoza – where a turnstile ensures people pay to enter if they are tourists.  The main road east from there is the Grand Canal of Khiva – a central artery, with architectural masterpieces on either side.  In fact, Khiva feels like Venice – without the water – the same narrow alleys, old brickwork, washing out to dry.  It also feels like Italy in general, medieval cities like San Gimignano, with high walls baking under the sun.  Out to the east gate with its triple doors.  Lots of beautiful old carved doors here, as in Bokhara.  Again, Khiva like that city, except compressed, squeezed to its Silk Road essence.  Bokhara is more expansive, less concentrated, more relaxed.

We went north, then west, then south to the great Islam Khoja minaret.  And at this point, as I was taking all the obvious but necessary photos, my phone shut down – from the heat.  It was clearly time for us to take refuge in the hotel again.

Khiva 17.6.22

Glorious day here, of which more anon.  First, the obligatory catch-up with yesterday, which was a strange day for obvious reasons.  So, after letting my phone cool down – and recovering from the heat myself, out into the still exhausting evening heat.  Across to the east gate, to try a recommended restaurant, Khorezm Art, which was opposite the Kutlug-Murad Inaka Madrassa, and with views southwest to the Islam Khoja minaret.

Great location, with the swifts swirling and screeching around and around overhead, darting under canopies, effortlessly avoiding the pillars there.  Alas, the restaurant was a bit of a disaster.  It had a promising menu, but half the dishes were "off" ("the cat had it", presumably).  We accepted the proffered substitutes, and waited.

A bowl of soup came.  We had ordered two.  It went back, and returned with another – tepid.  We found out the owner was French, and broke out into remonstrations in that language.  Two other uninspired dishes followed.  We paid and left.  Great location, though…

Then a slow walk back to the hotel as the minarets gradually loomed out of the increasing darkness – just as the Kalon minaret did in Bokhara.  To the hotel, which among its many virtues is a roof terrace that overlooks the town.  Atmospheric now, aided by Uzbek music wafting over from a nearby restaurant.  Sounded amazingly like Western medieval music – which is no wonder, since the Crusaders brought back the influence of this region's music.

And so to today, which began early so we could avoid the fiercest sun.  After a disappointing breakfast – food is this hotel's only weakness – up to the terrace to see the town in early morning light.  Then out through the west gate to buy the special ticket that give admittance to almost everything in Khiva, and for two days – great idea – and only 120,000 Som – about $12 each.  It doesn't cover extras like climbing the minarets, but sadly, the ticket lady told me the minarets were closed.  But she helpfully recommended visiting  the Kurya Ark, which lets you climb up to the battlements.  So we did.

Up a steep staircase, views of the walls, bricks made of mud and straw.  Down to beautiful courtyards, one with a roof supported by two slender pillars, very common here in Khiva, and also found in Bokhara, in the mosque opposite the Ark; the other roof held up by six of them.  Both with beautiful, complex tiles.  Then into the throne room, rather gaudy, but attractive in small quantities.

Out, past a few minor buildings, to one of Khiva's main attractions: the Juma mosque, with its origins in the tenth century.  Inside, an amazing geometrical forest of slender elm pillars – some 213 of them.  Each is carved, and unique, supported on stone blocks.  The ceiling is very low, making the dark space very intimate.  Reminds me of the mosque/church in Cordoba, which I saw 40 years ago, even if very different in detail.  A curious aspect: two tiny gardens growing amidst the forest of dead trees.

To the nearby Tash Khauli palace.  The only part that can be visited is the harem, but that is splendid.  The ornamental design is very particular: it is based around rectangles and right angles, and so has a distinctly Mesopotamian feel to it.  There are four open sections, one for each wife of the khan.  Each section has an ornate ceiling in very different colours.  There is the khan's bed chamber, complete with the khan-sized bed.

Along to the Pahlavi Mahmud Mausoleum – a local wrestler and poet, who somehow became a saint.  Impressive burial chamber, with a high dome – and chandelier.  Final stop before lunch, the Museum of Applied Arts, located in the Islam Khoja madrassa.  Nice enough collection of ceramics, textiles, metalwork etc, though hardly exciting.

Among the many amazing aspects of this trip is that everything – flights, hotels, trains – were booked just a week ago.  If nothing else, this shows how the Internet has made this kind of last-minute expedition possible.  

Lunch under the trees at the restaurant opposite the music museum.  Nothing special, but atmospheric setting that made me think of Greece.  The trees, the heat, the souvlaki being roast…

After lunch, a rest, then a sauna, since the hotel has one.  The out to support, to the Zarafshon Cafe right by the Islam Khoja minaret.  Our table was right next to a statue showing a group of boys playing musical instruments – one of the many statues around the town.  Although rather tacky to my eyes, the young musicians were popular with the locals, who came to have their pix taken with them.

The meal was the best we have had in Khiva, culminating in perhaps the best watermelon and melon I've had – sweet but not sickly.  All accompanies by two teapots of green tea, which is a life-save here: drinking a full pot each hydrates you for the night perfectly.  And then back here, along the streets as the vendors finally pack up their stalls, of which there are many here, all selling the same furry hates, scarves, T-shirts, break stamps (a characteristic of Khivan non is the geometric shapes made on them with sharp stamps; it's also much thinner and crispier than the fluffy non in Samarkand.)  Air cooling delightfully.  A good end to a great day.

18.6.22

Up early again, to avoid the 35+ degrees coming.  We walk around the walls – which are amazingly intact for almost the entire town.  The mud and straw always visible.  At one point, towards the south, there was a graveyard with the characteristic Muslim tombs, built on a slope running up to the wall.  The houses around here quite poor and basic, but also a lot of B&Bs – for Uzbeks, I presume.  On one house, we could see the brick construction covered by a coating of mud and straw – making them look traditional, but built using modern materials.

Following the circumvallating street, we rose northwards to the east gate, where the fort and caravanserai seemed closed, then back to the Tosh Khauli palace, where a second entrance gives access to the Khan's state courts, not accessible from the harem.  Both deeply impressive – the first with a yurt, as was used at the time, the second with a large circular platform, but no yurt.  Both had a canopy with a high roof supported by a single, stunning carved wooden column.  Being so early, we had the place to ourselves.

The Tosh Khauli was the high point of Khiva, complemented by the equally impressive but very different 
Juma mosque.  But the Tosh Khauli was a place of such suffering – of slaves and concubines, the latter forced to abort if they became pregnant, since only the khan's four queens could bear heirs.

Afterwards, back along the wall, moving north.  To the north gate, wider than the others, with two domes overhead.  Steps led up to the battlements – a d good ten metres off the ground, and zero safety measures.  Great view of the city.  To the Ark along the battlements, but no way down.  Then back through the slightly richer northern part of the city, to the hotel.

Since we take the 4pm train to Bokhara, arriving at midnight, we need to buy food.  There are no corner shops in Khiva it seems, but there is a baker very close to our hotel.  We went in, asked for two of the big circular non – and the lady baker cooked them on the spot, in her big, gas-fired clay oven, slapping the dough on the walls, as in other countries such as Georgia.

On the train to Bokhara.  Outside the endless scrub rolls by.  The road – the only one – follows the rail track.  The train appears to be the one we came out on – even some of the staff are the same.  However, we left in the afternoon heat, and arrive at 00:15, so the first part, with an hour-long stop in Urgench, no aircon, was pretty hellish.  Interesting how you begin listening for the slightest external sound that indicates the train starting to move.  Your entire, sweaty being focuses on that one hope.  Now it's cool, with the aircon working, the sun no visible.  We've eaten our Khivan bread – like hard tack – as well as some indescribably flavoured crisps, sold by a little man with two buckets of such snacks and water.  We paid him far too much, but were too hot and hungry to care.

Bokhara 19.6.22

Back in the most perfect building in Bokhara – the Samanid Mausoleum in the park.  It's a stormy day, overcast, pleasantly cool, and the wind is whispering through the mausoleum's brick lattice work.

Back in Kulkaldosh Hotel – nice design, poor service.  This morning was spent doing the classic Bokharan trek: past Lyab-i Hauz, then the various domes, and along to the great Kalon minaret.  In to the mosque, which has changed little since I was here three years ago.  Then on to Registan Square, now full of bicycles and a horrible temporary music venue.  No camel.  Into the Ark, mostly fully of Uzbeks.  In the museum, noted something I'd missed before: a few plates made in Russia, an indescribable red/scarlet/maroon colour I've never seen before.  To the Zindan, as a reminder of how awful things were here not so long ago.

To the Bolo Haouz Mosque, sadly closed.  But its charms slight diminished after the incomparably better carved columns of Khiva.  Then through the park to 
the Samanid Mausoleum.  On the way back, passed the Mavlono Assiri Madrassa, and then Qo'sh Madrassa – open, but nothing special.  Lunch in Lyab-i Hauz restaurant; good food, slow service.

It is strange to be back here so soon.  After three years, most of my memories are fresh.  But as an "exotic" location, I never expected to return here so soon – though I'm glad I did.  It all feels very familiar.

As did Khiva, which as not only completely new to me, but did not match my expectation at all, at least in terms of how I visualised it.  I imagine something much more crowded, but is (now) a spacious town.  Also clean and well looked after.  In this, it contrasts with another isolated desert trading post – Jaisalmer, which was more authentic, but possessed fewer great buildings than Khiva.  They also share the same geographical isolation: I remember it took me 11 hours of train along a single track to get to Jaisalmer from Jodhpur; it took ten hours of train to get to Khiva from Samarkand, eight to return to Bokhara.

This afternoon, the clouds were blown away by a strong wind, leaving a scorching sun.  We walked to two of my favourite madrassas, that of Abdulaziz Khan, and of Ulugh Beg.  The facade of the latter is glorious, while the former's inverted 3D beehive (ghanch) is unusual in its colouring.  Inside both the usual hard-sell ladies, plus the never-ending restoration works.

The wind and sun very dehydrating, so along to the Silk Road Teahouse.  Despite its cheesy name, the setting was atmospheric – beautiful carpets hung around the high walls – and the menu original: things like ginger tea, saffron tea, with typical central Asian sweets.  The tea a little overwhelming, but it was an interesting experience.

Bokhara 20.6.22

Sitting in the Lyab-i Hauz restaurant by the pool – but not that kind of pool.  Excellent plov – good and greasy, which I now rather like.  Green tea, of course.  Quieter today.  Leaving on the 15.30 train to Samarkand.

This morning, out along the backstreets to the crazy Chor Mina.  As ludicrous as ever, but this time open.  We enter the shop occupying the entrance, pay the 5000 Som, and ascend a very low staircase to the main chamber.  Interesting carving by each window.  Up gain to the roof, clambering over the domes.  Views not anything special, but nice to be among the four towers, looking like big stubby pencils with huge blue rubbers.

Last night, along to the Mirzina restaurant.  I booked a table earlier, and was get with curious stares.  Three years ago, booking was indispensable.  Now, not so much.  When we arrived at 7.30pm, it was practically deserted, with only one waiter, and him with an injured hand.  The menu much reduced, nothing special.  We took the Uzbek white wine, sharp but refreshing.  The food disappointing, as was perhaps inevitable given the good memories of 2019.  Even Bokhara suffers a little from this: going back to a place where your experiences were so good is dangerous.  As Heraclitus almost said: "It is not possible to step in the same River Oxus twice…"

One of the interesting side-effects of being a Westerner here among only a few other Westerners, is that you begin to recognise people from previous sights and meals.  It feels as if you are gaining a Sherlockian superpower.

One thing I don't remember from last time is all the Myna birds – the sparrows/blackbirds/starlings of the place.

On the Afrosiab – using this horrible biro because my main pen fell out in the station's X-ray machine.  Fab train as ever, even better in the business class – bigger seats and fewer people.  Short trip to Samarkand – only one hour 30 minutes.

Good news: the station changed pounds – most places don't (thanks, Brexit…).  Interestingly, they refused three of my £10 notes, because of tiny marks.  So I only received 6,420,000 Som.  Feeling poor…  I need cash because our final hotel won't accept cards.  

Landscape outside quite scrubby, though more green than on the way to Khiva.

Tashkent 21.6.22

In the waiting room of the station, about to return to Samarkand at 6.30pm, whence we came with a hideously early 6.11am train.  A day trip to Tashkent seemed like a good idea – and so it proved.

Weather fresh when we drove in a taxi to the station, then on to the wonderful Afrosiab fast train (two hours 15 minutes) to Tashkent.  Dozed on the way here, reasonably refreshed.  Then out into the warming air, across to the metro station to buy a jeton.  Except they don't use them any more – just a flimsy bit of paper with a QR code (1,400 Som, up from 1000 three years ago) – these things are everywhere in Uzbekistan. 

To Ozbek – "my" stop from 2019, then east towards the Museum of Fine Arts. This was closed for renovations last time I was here, and the Bradt guide (admittedly an older version) said it was closed on Tuesdays.  So we arrived with little hope of seeing its holdings, but...miracle, it was open, and we were practically the only people there.  Most were art students, copyright old masters in time-honoured tradition – and rather well.

The interior of the museum was typical austere but effective Soviet style.  The collections were a little random in their organisation, but contained amazing treasures.  For example, the ground floor had a section devoted to paintings of all the main sites – Samarkand, Khiva, Bokhara.  But they showed them as they were, 50, 100 years ago.  Thus, before the major but respectful reconstructions that have been carried out recently.  Especially of 
Bibi-Khanym, a ruin before being re-built.  The pix very atmospheric, not just because they show a lost world, but also because of the art employed.

Elsewhere, lots of carpets, carvings, furniture, metalware etc.  But also hundreds of local and European paintings, including big names – Canaletto, Kandinsky etc.  And a beautiful sculpture by Canova.  Very strong in Russian paintings and icons, but not only.  Really a jewel of a collection, even if rather higgledy-piggledy in its arrangement.  So glad it was open this time.

A short walk to Amir Timur Square.  As well as the Hotel Uzbekistan, where I was trapped the day Brezhnev died, there are two huge new buildings going up.  True in every place we've visited: Uzbekistan is booming.  Evident too in the flash phones that many have, the smart watches and the Airpod-type earphones.  Also evident in the number of pregnant women, many very young.  Also, families with three kids seem common.  Really is a self-confident country surging forward.  I predict it will become a leader in the region.

For lunch, to the outrageously expensive Khiva Restaurant part of the Hyatt Hotel.  Great food - I had the Murgh Afghani – two interesting Uzbek red wines (but nowhere near as good as Georgian).  We couldn't eat it all, and suffered somewhat thereafter.  No wifi available – the connection was there, but no Inter net.  In general, Internet is good here, fast even – another sign of progress.

To the gaudy but rather good State Museum of The Temurids.  A good run through of Central Asian history: the more I learn about Timur, the more impressed I am about his achievements.  Very well done, wide, spacious, well explained.

After half and hour of failing to hail a taxi, we took the metro to Chorsu bazaar.  The metro very crowded, still very clean and very fast.  Great way of getting around.  And Chorsu as amazing as ever: huge, bustling, full of wonderful wares – especially the brilliantly coloured fruits, the nuts, the piles of spices.  Busy even at 3pm.
Then straight down the number 2 metro line to the station.  Early, very early, for the 6.45pm train back to Samarkand, but we were exhausted – up since 4am – and needed aircon.  Station busy, trains arriving and leaving promptly – another feature of Uzbekistan.  And the people so good-natured – even the sales people urge you very mildly.  It's another aspect that I love about this place.

Samarkand 22.6.22

Back in 
Bibi-Khanym Hotel's restaurant Zarafshon, with its incomparable view of Bibi-Khanym.  Yes, I know it's reconstructed – even more so after seeing the paintings in Tashkent of how it looked.  But the reconstructions are tasteful and work, and are justified – you a sense of the majesty of what was, albeit briefly.  Strange to see the birds skimming high over the opalescent dome.  I wonder how they see it.  The other two domes glistening in the sun, more complicated in their designs.

Late rise this morning after yesterday's exertions.  Good, peaceful breakfast in Hotel L'Argamak's courtyard, filled with fig trees and vines.  A strange but welcome oasis of calm, in contrast to the rather squalid road outside – the open gutter running down the middle of the road.

From the hotel, to the great Amir Temur mausoleum.  To get there, we decided to turn right, not left, and ended up in a warren of tiny backstreets, full of Uzbeks rather curious why Westerners were wandering here.  Eventually we hit the main road, too far along to the Registan, but easy to turn back.

Had some Uzbek red win with meal – a little acetic – now about to try Uzbek cognac on the grounds that I probably won't get another chance to do so for a while…  Cognac more or less indistinguishable from Armenian cognac – or, indeed, French cognac.  Pretty good.  Goes well with apple cake, which is rather fine – all the cakes we have had here have been rather tasty.  The Great Uzbek Bake-off…

When we eventually reach the Amir Temur mausoleum it was clear what a fine piece of architecture it was.  However, inside was even better – not just glistering gold everywhere, but amazing 3D encrustations, cleverly picked out by the intelligent uplighting.  Once more, large parts reconstructed, but validly so.  Afterwards, across to the simple Rukhobod mausoleum – plain on the outside, plainer insider.

Samarkand airport 23.6.22

Up at a hideously early 2am, taxi at 3am, to the new airport – only opened three months ago, and rather dramatic in its open book-like design.  Check-in line quite long, Uzbeks with no sense of personal space. 

Yesterday evening, we concluded our trip by re-visiting the Registan.  It was an obvious way to end an amazing time – and a good way to spend some of the surplus Som we still have.  Inside, much quieter, more peaceful.  In Ulug Beg's madrassa we went up two pairs of stairs to the first floor – wonderful new perspectives of the minarets and domes.

Then back to Bibikhanum Teahouse, dodging the constant high-speed stream of electric scooters, electric trikes and caddies – weirdly modern aspect of ancient Samarkand (also striking: all government officers have their blood group displayed on their uniforms – great idea).  There for a final, symbolic plov in one of our favourite venues.  But they had run out.  So next door to the  Zarafshon at our first hotel – and they had run out too… Sigh.

When we rose this morning, there was a crescent moon hovering over Amir Temur's mausoleum…

Back in the insanely large Istanbul airport, sitting at the same Sinit Sarayi cafe we were in just 11 days ago.

I can imagine coming through here quite a lot: it is already the key hub for flights to Central Asia, with more being added – for example, to Bokhara.  And I happened to notice on the departure board a flight to Ulaanbaatar

This airport is a manifestation of Erdogan's megalomania, but it also reflects the growing economic and geopolitical might of Turkey – aka Turkiye.  Given this, and the similarity of most Central Asian languages (not Tajiki, which is Persian), to Turkish, I think I shall start learning the latter in earnest.  I've already dabbled, and find I remember quite a lot of the vocab.  The problem as ever, is the verbs.  Although agglutinating languages are nowhere near the level of Georgian, which I must get back into now that my digital copyright book "Walled Culture" is more or less done...


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