Tuesday, 10 October 2023

1993 Western Ireland

2.7.93 Dublin

Bewley’s, just by where The Colony used to be, and where some rather tacky joint has appeared.  Multi-floor, £10 for two, full of youth – and typical university youth – good buzz amongst the steamy heat (though it’s fresh outside).  Parked by St. Stephen’s Green, jam-jar picked up at the airport after multiply-delayed flight, almost (well, ish) half caught after driving down from Great Glen, caught in the horrendous M25 roadworks.  But we made it, and found our Anglesey House guesthouse with the quadrant-shaped bath in the bedroom.

3.7.93 Galway

Across the breadth of Ireland to here.  Through a land green, under a dull sky, drizzle falling, roads all but empty, drivers as insane as ever, churches, garden centres, cows, old men on bikes, small, low villages, rolling countryside – to here, one of my favourite cities in Ireland – if partly because it is a city.

Driving around the square trying to find a place to park, a Gay Pride march...brave people here. Then in to the centre for snack lunch.  Of necessity: breakfast was splendid.  Orange juice, yogurt, fresh fruit, stewed fruit, strawberries and cream – not aut/aut, but all.  Then a wonderful home-baked cereal, rather like apple crumble.  Poached fish (plaice?) for one of us, bacon and eggs for the other.  Then toast, fresh bread, and about three types of cakes, tea, marmalade – ye gods.  Great and included in the old Anglesey House price.  Nice to know we’re going back there.

On now to Connemara, my favourite part of Ireland.  So many young people around – reminds of the experiment tagging frogs in Lake Titicaca to count them – brilliant scheme.  To Cleggan, Harbour View House (£25 a night).  Now in Oliver’s Seafood Bar – six oysters dispatched, waiting for salmon.  Fine view of the harbour, the Queen of Aran waiting to leave.  We may take it ourselves to Inishbofin.  Salmon has arrived, along with seafood platter.

4.7.93 Cleggan

It is pouring with rain (hi, Ireland weather), so it is not entirely clear what to do today.  Four Italians (from Genova) to my left at breakfast.

On the Queen of Aran, equipped with fine sweaters, one peacock green, the other royal purple – necessary in this chillsome weather.  Off to Inishbofin – well, it had to be done.  After drizzle to start, the sky lightening, some bit of sun.  Gawd.  Roughish sea (what a surprise).  An hour after departure we arrive at Inishbofin, are dumped on the quay, abandoned.

Strange feeling: being abandoned on an island at the end of the world, with nowhere to go.  Not knowing what is here, where it is, how big the island is etc.  Then we buy a map: immediately things begin to fall into place – the hotel, the pier, the extremities of the island.  As we approach the eastern hotel – Day’s – we have a sense of real arrival.

Sitting now by the dour grey church, silver angels on its gates.  Intermittent sun, warm when it shines.  By us, two cars without number plates, both battered, one literally held together with string.  Is Inishbofin the car’s graveyard?

The bar and hotel lively and elegant respectively.  The bar in particular full of picture book faces – old, gaunt men in cloth caps, young men with monstrous sideburns and glasses of Guinness.  Outside a fine view of the harbour.  A lovely beach opposite, but no quick way to reach it.

It looks like the rest of the island will remain unknown to me this time, but that’s no terrible thing.  Now that I have started re-visiting out-of-the-way places I suppose I need to exercise a little restraint.  Flying over on Friday, it occurred to me that such coming backs will be the next wave of tourism/travel writing.  The second visit gives you the dimension of time (and of photography) while the third visit lets you see whether the second was an aberration.  And the fourth…

[To our right, two flagstaffs without flags have ropes clattering against their metal poles.  I think of Sanur for some reason….]

To Day’s again for scone and tea, the sun quite scorching now (ozone depletion?).  The surrounding hills really emerald (and Lake Hunt begins today….).  Amazing number of BMWs here – for the usual reason.  Still rather incongruous.  The water in the harbour sparkles.

On the ferry, into the strait.  Glorious sun, the Twelve Pins hazy but lordly.  To starboard, clearly etched cliffs of two small islands.  But the Pins…  Totally clear sky above us, slight ring of cloud.  And in a sense today has been right: a day ending in brief sunshine, spent in gentle indolence around the focus of the island’s main bar, Day’s.
  
The end of the day after another fine meal in Oliver’s.  (But no oysters…)  9.30pm, but still so light, and the Twelve Pins still strangely lit up by a light that seems to come from within.  From our front room the view is stunning: the harbour, the inlet, the mountains; how can I not stare at it till the fading of days?

Looking at the Ireland guides, I begin to feel that I am grasping the country.  Connemara is at once like the Lake District, Scotland, the Orkneys, and yet also unique.  The hills huddle like monsters, gathering for an attack, their humps showing behind a rise in the land.  The water silvery blue, high tide.  And still the sun shines.  This is indeed a faery land.  And Inishbofin, another crossing to an isle of youth (so many young people, dressed in t-shirts and jeans, their poverty showing, but irrelevant).

5.7.93 Oughterard

Not, alas, at the flash house in Lough Corrib – only a rather modern twin left there at £80.  Meal £7.50 sounded rather fine, though.  Instead a B&B just outside the town on the same road.  Very modern and clean.  Charming landlady (young, blonde, smiling).

Rose early – too early – and then went riding at Cleggan Stables.  On horses, too, not ponies.  Went along the road to a beach just above the B&B here (thousands of dead jellyfish). Fine curve of beach, where I cantered.  Then straight [I have just noticed a place on the map called Shanaglish] along the N59.  Wonderful scenery, of course, and relatively few buildings to disturb it.  Or to eat in.  Eventually found pub full of unemployed (?), smoking, drinking, playing darts, swearing. Sad.  Then to here, tired and very burnt.  Yesterday, in five hours of sun, we are both very burnt on the face.  Very strange (Ozone hole?)

6.7.93 Athlone

A pleasant city.  Small, with fine grey granite castle matching the cloud for our drive back.  Road empty as ever.  Feels very 18th century here – perhaps this is why I hope to visit Castletown today – I need some Georgian architecture.  And so to Celbridge – to Conolly’s for lunch (alas, café closed in house), and then to Castletown.  The irony: Aztec food being the bonus and bane of Irish life…

Dublin.  Room 14 of 
Anglesey House – grand, at the front, and with a brass bed.  In to the city for a quick walk at 5pm – full of people, lovely sunshine.  Then to Oisin’s.  Door looked shut when we arrive.  We knock and are admitted – even though the place is clearly very Irish – menu in Irish/Irish script.  Green everywhere.  Excellent menu, but £35 for set choices.  We take one and add a starter.

Venison sausages and Dublin coddle; spinach soup; beef soaked in herbs; seaweed cream.  And two glasses of excellent fruity Irish wine.  Pity they cost £4 each.  Meal overall £64 – a lot, but probably the nearest thing to “real” Irish cooking.

7.7.93  Trinity College Dublin

In the Long Room of the library.  Glorious sense of words piled up, of their precariousness and fragility.  Perhaps nowhere else can you grasp the 18th century sense of knowledge.  Kells no longer here: new strong room below.  Harder to see, but more sensible.


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Monday, 25 September 2023

1993 Germany, Austria, Venice

1.9.93 London Victoria

On the train.  That same small fear in the pit of the stomach – I remember sitting on the train at Ewell East, about to set off for a month of Interrail.  Now it’s only two weeks.  And how things have changed since 1979 – the first of three years I did it (March to April, as I recall – but pity I never kept a travel diary then…)  Interesting the young people with their backpacks – these images of spotty youths – as I was, and smelly too – one shirt a week, I fear.  Now I am overloaded with stuff – socks, pants and god knows what.

France visible today… A rather undignified scrabble at Dover: on to the bus then to the boat.  It’s a pity that the Channel Tunnel is such an obviously dangerous way of going – it ought to be much simpler… Very smooth crossing – very few people on board – great, hope it continues.

Belgium.  Ages since I’ve been here.  One of those betwixt and between places – that only really exist theoretically.  But as someone said recently, asking for great Belgians is almost the wrong question: it’s more about the Flemish…  Outside, pure Cuyp: cows grazing in the twilight, rich tones of the sunset – pinks, purples, violets, mauves, oranges etc.  Strange to be pushing into Europe.  Real travel.

2.9.93 Stuttgart

Lots of lights in Germany – you get the impression everyone is working… Trains just the same – pull-down seats for sleeping – and I nearly buggered up the sliding door (as I did in one memorably long and cold journey).  Stuttgart Hauptbahnhof – frighteningly clean and efficient: 5am and everything waking up.  No litter anywhere.  Interesting collection of the usual ne’er do wells at this hour – me included.  If only Italian style could be married to German efficiency.

The train journey was a little more wearying than I recall it – old age.  Lots of PC mags to buy.  Even as I sit here, more people arrive: almost like time-lapse photography.  Since the bloody information office ain’t open until 9.30am, I have dumped my bags – too heavy – and gone for a walk.

Today cold, but crisp.  Sun out in main square, grass being cut.  Behind, by the very vertical church, the first of two flower markets.  The second reminds me of Verona – a kind of clean, updated Verona.  For some reason there are four brass players on top of the church tower, playing… 8.45am.

Well, having weighed up the pros and cons of sleeping a second night on the train, I have taken a room (without WC etc.) in Hotel Mack – 80DM – reasonable, I suppose.  I do feel better after the shower...Now in ‘Fresko’ outside Mr Stirling’s rather wonderful Neue Staatsgalerie – the use of the different marbles is simply joyous – you really feel the Platonic essence of its rockness… Parenthetically, I see that Mr S. is designing a music academy to go next door – certainly a lot of dosh here… and yet walking around this morning I couldn’t help feeling this was some shopping precinct (Milton Keynes?) writ large.  I’d say American except that there’s little evident poverty here.  In fact, in general the place stinks of money.

Very quiet generally, I’m pleased to say – hope it continues.  Lovely – and huge – park here – miles of it.  Splendid fountains.  Interesting exhibition of Hungarian photographers in a pavilion there.  That strange toggle between having somewhere to stay and not.  And yet at least I have the option to move on…

Food required.  Inside the Staatsgalerie – nice Burne-Jones’ Perseus cycle – especially the killing of the dragon – lovely bum of Andromeda.  Room 16 cool David Friedrich landscapes – 20 years ago I first saw them (?).  12: moody Böcklin.  14: fine Rembrandt self-portrait – old, thick impasto…. Not so defeated as in others.  Also very early Rembrandt – Saint Paul in prison – funny little piggy eyes.  As ever, the old German stuff does nothing for me.  Room 29: frightening Chagall in blood scarlet.  Modern collection not bad – but the setting is better. 

Back to Bahnhof – booking seats for tomorrow and changing old DM for new. To the City Gallery, using my Press card, bless its cotton socks.  To the Keith Haring, which the first time I’ve seem them in the flesh – or rather in colour, since it is the dayglo colours that strike.  What’s instantly impressive is that he evolved an iconography – the featureless babies, the cross, the space ships – and a style that is instantly recognisable, striking but not trivial.  Few can do this.  You can also see that the lines are very self assured – no fudging.  The second room even more impactful than the first – explosions of colour, striking images.  The white cross series – lovely texture – and the images are made for it.  Only the more Grosz-type “realistic” drawings do I find forced: the others are magisterial

To the Stiftkirche, inside this time.  Wonderful carvings of princes - they really leap out of the wall. (A yummy Quarktasche eaten).  As well as the extraordinary ties and coloured shirts they wear, the men are also distinguished by their little Schubert glasses.  The women, on the other hand, tend to adopt the Dame Edna approach…  And now...busking Siberians – complete with bass balalaika – not  bad either.  Also, I’ve seen people reading Russian newspapers…

3.9.93  Linz

Stuttgart station.  Typical: the plan shows almost exactly where my wagon should be.  So bloody organised.  Good brekkers this morning – pretty good value overall.  It is raining – will it always rain in Vienna…?  Very impressive the old ICE – makes British Rail look pretty sick.  Very flash, toilets five star.  Raining, but so green and wooded outside.  I find it hard to like Germans, but you have to admire them…

After the Siberians yesterday, I saw a group with a cimbalom.  Hungarian I thought: nope, Czech the name looked.  But it could have been Slovak – the world in flux.  Berge (Oberbayern) – rather fine rolling countryside here...worth returning to.  Amazing feature in Der Spiegel on an autistic man, through a PC has written a book.  He explains – partially – his situation: too much input, overload of stimulation.  As a child (5) he taught himself to read – leafing through books with a photographic memory…

Linz is as I expected: neat, tidy, prosperous – complete with busking Albanian/Rumanian? - and wet.  I’m in Hofmann Backerei, 27 Landstrasse, eating quark (again) and coffee.  Hotel very cheap – 310 Schillings (about £18) including Frühstück.  Goethestrasse, near station.  Very plain.

Too late to see anything, but I’m only really here for the river – and as part of my European update.  Again I noticed amazing variety of East European newspapers.  To the Alte Dom, awash in gilt and rococo curlicues.  But nice, very light and refreshing, partly because white is everywhere.  Outside, the main square feels positively Mozartian (remember K.425?).  In the Hauptplatz, a crazed carillon plays weird harmonics; two men play chess on a ten-foot square board… A tram passes.

I stand in the middle of the Nibelungen Bridge; under me a serious piece of water: the Danube, already as broad as the Thames, but barely begun on its journey… (hi, Claudio).  The earth/bridge moves...huge grey clouds father.  I’m off.

In a local café – having bought Oberösterreichische Nachrichten – largely because it used the honour system – you take it, putting money in.  Says something about the place.  Which I like – it’s very “carina” – bit too nice.  On the bridge again, looking back.

4.9.93 Vienna

Linz station.  Hotel had that youth hostel smell.  Opposite, a train from Skopje (? - which is…?).  Interesting magazine – News – glossy, but so parochial.  You get the impression that everyone knows everyone – and they probably do. 

Vienna.  The station a madhouse, as is outside – I discover later that today is the opening of an important section of the U-bahn.  A woman stamps about 50 tickets – for a competition, I guess.  Hotel “West End” – not over-clean, but I like the attitude of the man on the desk – and it costs just £21 including breakfast.  First place I go – Kunsthistorisches – to the café on the mezzanine.  Rather grand. 

Room VII – amazing series by Bellotto of Wien.  Interesting pic of Gluck: you get the impression he was a bit of a git.  V – unusual Caravaggio – an orgy of hands… Madonna of the Rosary. Nice Bronzino.  I almost walk past the Cellini salt wotsit… Unusual Dosso Dossi: Jupiter painting (sic) butterflies while Mercury shushes… A roomful of Giorgione – the Three Philosophers best…  Stunning painting by Vincenzo Catena (who he?).  TitianGypsy Madonna – lovely delicacy.

It has to be said that there is no room quite like X: full of Breughels.  I don’t know if its true or not, but the room feels exactly as it was 15 years ago…  Paul’s conversion - such a tiny figure amidst the tumult.  And the sea so far away.  Early Spring – what atmosphere – you can almost feel the chill in the air.  The wrecked ship, the icy mountains, the warm tones of the town.  And those distant, distant horizons: what happens there?  Winter: did he see this – or just invent it? The details – like the broken inn sign.  Tower of Babel – amazing sense that Breughel knew what the middle of the tower looked like…  and the way a mountain has been pressed into service – an obviously sensible way to build such a tower.  Even Portakabins – well, equivalents…

Strange man, Arcimboldo: the Four Seasons - Summer, Winter, Fire, Water – all faces… Too many bloody Rubens: but Das Pelzchen, the erotic pic of Frau Helene Rubens is stunning.  The Rembrandts: there is no doubt, he is king – the three self portraits here, blige…  And to end today – cultural overload – the Vermeer Allegory of Painting (hi, P. Greenaway…).

A long, long and delightful aimless walk round the centre (OK, so I was looking for an Apothek – shaving cream, if you must know).  Vienna could well be one of the most successful pedestrianised cities I have ever seen.  Thousands of people milling around, lots of cafes – but none of the artificiality you often find.

In St Stephen’s now – and here too many people – but many seem Viennese.  Sun came out as I walked from Kunsthistorisches Museum to Kärntner Strasse (to buy a ticket for Nozze tomorrow – around £20 – not bad for opera, in Schönbrunn...an allowable luxury.  Even the opera seemed vaguely reasonable: I get the feeling that the Schilling has depreciated greatly against the pound since I was last here.  Or perhaps my terms of reference have changed. 

Amazing number of tall women here: what do they put in the food?
Kärntner reminds me of the main drag in Istanbul – though rather different.  (A man is locking the gates around me: a primitive desire to flee takes hold.)  This sums it up really: eating a Viennese pizza (large but tasteless – cheap at 25 Schillings) listening to the usual Peruvian (?) pan pipes.  Back in Kärntner.

5.9.93

Down in the hotel’s little dining room.  Three serving – Russian? Czech? - East European, anyway.  Coffee surprisingly good.  My room has an outer, padded door: I can sport the oak.  In the U-bahn.  New weather forecasting method: by consensus – I look at what everyone else is wearing.  It is raining (slightly).  

In the Karlskirche.  Wow.  Amazing exterior – quite unlike any other I’ve seen – and glorious interior – huge swirls of marble – even the pews are inlaid.  Mahler and Alma married here.  This has just become one of my favourite churches – it reminds me of San Biagio outside Montepulciano. Beautiful ellipse – and only this morning, I was thinking about a schoolmate’s insight into the moment of inertia of an ellipse about a point on its edge… Happy days.

Wandering looking for a café.  To Josefplatz. Strange day: sun/rain/wind.  Not bad for walking, though I’m getting tired.  Sundays in particular are lonely in these places, when the world seems at home – and you are not.  As ever, being here, I think of Bolivia, Patagonia…

Ethnological Museum.  Good stuff on Americas – including a fabulous Aztec feather headdress – imagine what their civilisation at its height must have looked like… [A stupid git has just photographed it – with flash... "e un fatto scientifico che la luce danneggia I quadri" as someone once said…]  Back in the Kunsthistorisches Museum – bucketing down outside (thank god I went back for brolly.) 

Exhausting – the Völkerkunde Museum – but American stuff good – the sense of loss, the hundreds (thousands) of tribes whose individual wisdom has been lost.  Also an amazing map of south-east Asia showing the linguistic interpenetration.  Nation?  What nation? - and when to go there?  In the Egyptian section – and they have one of the bulls from the Serapeum – enormous.  Wonderful.  I’m really glad I wrote Egyptian Romance; I must read it one day.  Treasure of Nagyszentmiklós, 10 kilos of gold – beautifully worked, eighth century.

Looking at the Rembrandts again: when did self-portraits become common?  Bit cheeky, really, painting yourself…  With the Breughels (Mr and Mrs).  A man wearing two pairs of glasses at once.  Japs the most evident tourists here – the only ones with dosh (and a rising Yen).  Breughel’s winters seem real winters – not the namby-pamby stuff we know.

To the Upper Belvedere – whose entrance and view over the garden I remember vividly.  And the bloody rain (but at least by tram the journey was a doddle).  Wonderful Schiele – that I last saw in Zurich, I believe.  Also the Klimts good, especially Oberösterreichisches Bauernhaus where the wood cabin seems to grow into the landscape.  Schiele shows how evolving your style is crucial.  He had it; others don’t.  Giovanni Segantini did – weird, but his.  The Bad Mothers– very odd, a hellish (=cold) vision of naughty nuns, rows of them into the snowy landscape.  Klimt: Portrait of Sonja Knips – where her pink dress is a waterfall, a flower, a motion.

To the centre, and into a real café (= smoking, full of “young” people): Café Hawelka, Dorotheeergasse.  Free papers to read (some rather old), general aim of “total relax” as the Italians say.  Seat booked to Budapest (almost too early).  Nearby, a man reads a Rumanian newspaper...

Outside Schönbrunn – conkers. Autumn is here.  In the theatre – rather fine – very intimate – probably very much the kind of space Mozart would have known– and probably also the level of playing/singing (we shall see).  Lots of gilt and plush – but hard seats.  Number of Japs here too – including one bloke who got press tickets.  Humph (at least I’ve got into everything free with my press card so far – helps pay for it….). As the orchestra “warms up” I get the impression once more that there is a special warming up music written purely to impress the audience… The entrance to the right of the house, beautiful at night.

Figaro and Susanna – Japs
Cherubino – Agniezka Gertner (very good)
Conte – Kurt Schober (not bad)

For some reason the pierced cupola with the cracked plaster underneath reminds of of Istanbul, the Turkish baths… Lovely acoustic – especially for the winds – bassoons lovingly outlined.  Small string band helps.  Conducting solid – conductor plays cembalo.  Big cuts in recitatives.  Makes Wagner seem so bombastic.  Mozart is just pure lines.  The details, the bassoons.  Set quite lavish, and orchestra much better than expected – only the poor horns broke a couple of times.  The Figaro had a good voice, but lisped…

Wien is pretty clean – not as clean as Stuttgart – no dog poohs – compare Italy.  Also in various places Zettel literature – free bits to tear off and keep.  

6.9.93

The Danube.  Still a very serious piece of water.  But I can’t quite mesh this view (near the U-bahn Donauinsel) with my memories – I seem to recall clambering over railway lines (?) to get to it.  The map shows some, but the landscape looks very different.  Perhaps the flats in front of me are all new – they look less than 15 years.  Fine hills to the north – the map again shows that Vienna is really rather small, and soon passes to countryside.

To the Prater (hi, Arthur).  Interesting watching the Ferris wheel – held up by wires, I note.  The Hauptallee of the Prater – reminds me of a road we saw in Ouarzazate, long and tree lined (?), leading into the desert.

To KunstHausWien – wonderful exterior – uneven floor: “The uneven floor becomes a symphony, a melody for the feet...it is good to walk on uneven floors and regain our human balance.”  Leibovitz show interesting – though the early works indicate that she’s not that great a photographer – shrewdly by choosing famous subjects and then work with/against their grain, she is guaranteed an audience.  Nice one of Laurie A.: NMR brain scan…

Hundertwasser – clearly a loony, but an amiable one (redesigning the Australian and New Zealand flags…).  His ideas are sound, but the result very 60s and flower power.  Yuk.  Reading his biography, which is utterly extraordinary, it sounds like a parody – perhaps of what I wish my life to be.  And yet his art is so wishy-washy, so feel-good…  On the first floor, a tree grows out of the windows, as in Gormenghast.  In the café – which is rather expensive, so I’ve opted for the Tagesmenu – who knows…?  Visited Hundertwasserhaus – amazing – and a real nightmare.  Literally: the kind of thing you’d imagine in a feverish state.  Old Hundertwasser’s style is very reminiscent of Schiele and Klee – small, brightly coloured elements.  But his images are just pretty: compared to Schiele, he has nothing to say – for all his good intentions.

Drorygasse – of course, in my day, it was much tougher… found the old belfry youth hostel – but now there’s the U-bahn.  There were two lines 14 years ago.  In Kardinal-Nagl Platz – full of immigrants – Turks (Kurds?), very ethnic.  Streets as drab as I remember them.  But amazing how little I recall of them – just odd images: no travel diary, the fool…

Prunksaal – very impressive.  Strange that the steps leading up to the library remind me of another – Trinity College Dublin – though this is much more bombastic, but not more moving.  Particularly impressive the double-decker design, and the two pairs of great marble chairs – reminds me of Karlskirche.  Among the otherwise ho-hum manuscripts, amazing crossword – the cross in the centre of a running text that spells the same OROTERAMUSARAM – clever.  Hrabanus Maurus.

On the way out, copy of Mozart’s dedication: “Patience and  Tranquillity of mind contribute more to cure our distempers as the whole are of Medicine” IN ENGLISH.  Why?  Wherefrom?  (Masonic text?) (30.3.1787).  Spooky, too, to see that Ludwig’s handwriting was almost identical to this book’s scrawl…

In another coffee house – OK, but smoky again.  Topfenstrudel – cheesecake to you and me – nice.  Very civilised – foreign newspapers and books and mags to hand.  Walking, walking (Ephesos Museum closed…).  The Graben shows well what Regent Street could be without the traffic [a young man passes with his new toy: an HP calculator; is this a very male thing, gadgets.  A lot of quite attractive women here – often in the Anne-Sophie Mutter variety, with a tendency to girlish puppy fat.  A couple walking down the Graben, the steps completely synchronised, even down to the mid-air rhythm and angle.  Says it all really.

Been here for an hour or so, watching the world go by.  Opposite, an oldish bloke strumming a guitar and singing – but not busking.  Sky almost clear blue, air cold but lovely.  And so along to Trześniewski's – which I couldn’t find before, simply because it was closed.  Polish, obviously – great chopped herring, sardines, gherkins, egg, ham on small bread slices – 8 Schillings each, about 50p.  Now drinking slightly odd red wine.  This is obviously an institution (also in Dorotheergasse).  Wien really is very civilised.  I really like it here (= Trześniewski) and here (= Wien).

7.9.93

Ah well, Venice and Peter Greenaway call.  The Sezession building: yuk.  Lovely day though, cool air, bright sun.  22.22pm to Venice.  Tonight. Going to be a lazy day… Coffee at the Kunsthistorisches Museum – closed, but café open. Read newspapers.  Then sat by Karlskirche.  Then to Stephansplatz – pass Trześniewski – thinking it’s closed, but it ain’t...so here I am, eating this ambrosial stuff.

To Stephansplatz – very strange experience: because of reflected light from Haas Haus, there is sun from two directions – very disconcerting.  Schönbrunn, by the Gloriette – which reminds a lot of the Veronese Feast in the House of Levi, in the Accademia, Venice (hi).  Very peaceful here, despite the tourists.  I don’t remember this steep ramp up and the monument. Schönbrunn is a very good example of what is wrong with many palaces: it’s like a modern block of flats, lacking human scale.  Moreover, you know that most of the room are unnecessary, and merely there for scale.  

As I watch the world go by, I think of the millions of patterns there must be – and have been.  Now sitting nearby the theatre, a eating a rather nice cherry cake (the latter exactly as I imagined it – always a nice sensation).  Ich glaube dass I this cake in East Berlin eaten have – so zu sagen.

Amazing cloud formation: huge waves – not small ripples, but great strokes in high, thin clouds…

8.9.93 Venice

Strange now to be hurtling towards Venice.  Had compartment to myself – slept well, apart from the stream of passport/customs officers.  Going to Venice for the Peter Greenaway exhibition; seems a suitably apt expression of my current madcap life.  Wien Südbahnhof was rather nice – computer controlled lockers – as well as the orange and blue ones and a garderobe – Rosenkavalier restaurant etc. all very well organised.

Just arrived at Pordenone.  About to cross the bridge out to Venice: I remember the first time…  In Vivaldi’s church – the first time.  Palazzo Grassi closed – a bloody technical fault…  Very unspecial here – except for the grille – for the girls?  Vivaldi died near Karlskirche… lived in Riva del Carbon.

In Museo Fortuny – Peter Greenaway up to his usual tricks – water around everywhere – but otherwise Fortuny as it was… Intervals – Peter Greenaway film of 1969 – filmed in Venice – music is Vivaldi.  Drawings – Hangman’s Cricket.  Walk through H type stuff.  Drawing by numbers – “the relentless clicking away…”  Prospero’s books – the preparations make mine look thin – huge collections of background stuff – reference to Tulse Luper (Tulse Luper’s Suitcases – a future film).  The pages – scribbled on, painted over, with collage – remind me of Tom Phillips.  All this Dog/God stuff is very undergraduate.  

Pity the one film I haven’t seen is not working in the first room. A Walk through Prospero’s Library – very strange: uses Glass’s music at the end.  I have to say, that the female nude at the end – stunning.  “Wreck his revenge…”? I think not.  Two wonderful books about Peter Greenaway £40 and £50… I resist.  After all, I probably prefer not to know too much about his thinking – which is pretty weird.  Better to enjoy what I do.  I buy a poster instead (£5.)

23.9.93 Italy

On the train again.  North from Verona, soon amidst stunning mountain scenery and river.  Must come back.  Gray rainy day.  Have just passed Peri (and a church high among the hills).  My (German?) colleague in this compartment (couldn’t reserve anything else) is also writing – perhaps that his colleague is writing, and wondering – as I am – what he is writing.  Autostrada alongside us.  Thickly wooded hills – above Garda I would guess.

24.9.93 
Köln

Ages since I’ve taken a couchette.  I love the paraphernalia, the ordering.  One worrying thing: the guard took my tickets and passport yesterday – gave them back this morning.  Logical, but I felt very naked without the passport.  Slightly broken sleep, but pleasantly so: half awaking to hear “Gleis 1” – or some other  Bahnhof voice.  Awoken fully at 7.30 by the guard.  Outside, the Rhine.  A large but rather dull river – too tame and tamed.  Danube much more impressive.  Outside, black and white houses, stone-faced churches. Very German.  I’ve rather neglected this country – something I’ll have to remedy in the future.

In the Dom – which is certainly big...but it does not take the breath away as so many others do.  It is just big.  Even from the outside it looks rather like a small church blown up.  Spent most of today in the Ludwig Museum.  Good modern stuff – though, boy, are these 20th century Germans depressing. Other stuff more ho-hum.  Sondersusstellung – German photos – dreadful.  You can really see the pernicious effects of there being too much money for art. - 99% is disposable.

Arrived here to find a bloody Messe: obvious, really, but I’d not taken it into account.  Luckily the Tourist Office is very efficient, and found a room for m, DM115, near the station (“6 Domgasse).  Tiny but clean, central, reasonably cheap.  

Raining again.  Ate prepared rolls for dinner – I rather like this exiguous existence – for a while.  To the Westdeutscher Rundfunk concert hall, for a choral concert – and why not.  Programme nothing special.  Hall rather fine: light wood, silver glistening organ.  Quite large.  Choir rather heavy in 17th and 18th century music, better in the later stuff.  Petrassi “Nonsense Poems” rather fine – real use of different choral sonorities.

25.9.93

Raining. Hard.  Feet soaked, arm too.  But slept well, good Frühstück.  Found good bookshop in Neumarkt Platz.  The Dom full now – well, it’s dry.  Visited St Aposteln – ho-hum, clearly re-bult – and St Gereon – much better.  Very surprising form.  The Decagon reminded me of one of the most moving churches I’ve seen, in Mont St Michel – that sense that a thousand years ago, somebody worshipped here.

To the splendidly-named Römisch-Germanisches Museum, but stunning, and the mosaic not bad.  Still bucketing.  The guide book says there are a million piece to the mosaic: an interesting way to grasp the concept.  Upstairs, a strange room full of clay lamps – including a wall full of obscene ones.  In the basement, I read that the mosaic is now where it was discovered/built.  A good 20 feet from the current ground level.

Unbelievably, Köln shuts at 2pm on a Saturday – 95% of the shops.  To the Käthe Kollewitz Museum – if only because it’s open.  Unusual form – and rather relentless images.  Her women look like monkeys, and bring out well the sense of vulnerability in the world.  Also of women’s relationship to their children.  A Sonderausstellung even more depressing.  What are these artists thinking of?


Tuesday, 5 September 2023

1990 Huddersfield

24.11.90

Huddersfield?  Surely shome mishtake?  Well, a logical progression: Toronto, Munich, Huddersfield…

It’s quite nice, actually.  I arrived at around 3.30pm, up for some of the music festival (the first time I’ve caught it – though I was tempted in 1982…) - perhaps the best time.  Huddersfield was cold, wet, descending into the twilight.  Gaudy Xmas lights were here and there; the rest strip lighting, bulbs.  I sit now in Merrie England – an irresistible invitation – amidst mock Black & White, toasted scone and coffee before me.  It’s really rather pleasant.

Walking around, even the shopping centre, long and low (à la Delhi) looks right.  The Town Hall is small, and the Library (closing as I got there) very municipal, ringed by base mercantilism.  The people look very northern: prematurely aged, displaced from 1990 to 1930, plus a fair number of Asians – who seem pretty integrated. I’m staying at the Huddersfield Hotel on Kirkgate – incredibly cheap (£22), nice old Victorian job, the type England excels in.

Thought about my trip down from Skye: 10 hours, the length of the island – why Britain is perfect: graspable by personal journey.  And why the car is such bliss: such a metaphor for freedom, self-actualisation.  I sit now in a smokey, greasy spoon cafe.  So what drew me here?  Well, it is about the only place serving food – and it happens to be called El Greco… I am surrounded by (apart from the tobacco smoke) mewling infants with their hard-pressed mums.  

I have just come out of St Paul’s Hall at 6pm – feels like 11pm.  Concert given by Postnikova and Schnittke (I’ve just realised who she is...).  First piece: four-handed arrangement of Stravinsky’s “Symphony of Psalms” (by Shostakovich).  Very heavy, muddy, poorly coordinated.  Nearly fell asleep.

The, Schnittke’s Piano Sonata.  Utterly gob-smacking, totally compelling, beautiful, varied, sonorous, delicate – yup, I really like it.  Interesting effects: coughs all over the place.  One poor sod had to leave – I know the feeling – and went outside.  Unfortunately, such was the rapt attention this strangulated racking was still audible.  An idea for a film – ideas for such increasingly impinge… Also the music tuner forgot – and Postnikova’s frightening final forearm cluster – with its last wrong note caught by the LH fifth finger.  St Paul’s pretty much full.  Usual anorak and B.O. crowd, plain-faced women.  Schnittke very frail, long, lank hair – like something out of Dickens.  That clash of person and art…

Along to the Town Hall for the 7.30 Schnittke.  Beautifully restored: gleaming white, lime green, strawberry pink, cool light blue, dull guilt.  Unfortunately, the orchestra is raised five feet up on a stage, beneath the splendid organ – topped by a rose-window type splay of trumpet stops.  Could be a good house again.

What can I say?  Simply one of the self-evidently greatest concerts I have ever been to.  As proof of which, I stood at the end – perhaps the first time I have ever condescended to give such a standing ovation.  The first work was Mahler’s Symphonic Prelude of 1876 – that is when he was 16.  As ever, these first works are so revealing.  Wagner very present, but also already Mahlerian footprints – especially the love of the submediant note.  Lots of young brass, very bumptious, plangent oboes etc.

Then Schnittke’s “Ritual for Orchestra” – memorial to the victims of the Second World War.  As soon as it began – on the lowest notes of the tuba – it was obvious this piece had an utter inevitability about it – as the Piano Sonata did too.  It simply – so beautifully simply – worked its way up from the lowest notes, higher and higher, to a huge climax and then fell down in volume, but continued to rise and rise, until it finished on tubular bells.  Gripping, moving, very Part like.  The fourth (fourth!) violin concerto with György Pauk as soloist – looking very like Michael Gambon at times.  Magisterial performance (though what all the silent moving of bows around was, I know not).  The work again so right – except for the last movement, that seemed slightly tacked-on.  Shame.

After the interval, Schnittke’s Faust Cantata for huge forces, including the Huddersfield Choral Society, and its large complement of large ladies, with the largest at the top of a quarter pyramid like a fairy on top of a Xmas tree – all done out in Come Dancing pink taffeta.  Again, just so successful, thrilling, varied – and right.  Particularly interesting in its melding of styles – something present in his other works too – including here a full-blown tango and Berlinesque chanteuse.  A stern, Wotanish John Tomlinson, an ethereal Paul Esswood – the first time I’ve seen him – a vampish Fiona Kimm – the Town Hall full to bursting with singers, players – and us.  And with the applause, Schnittke looks so frail, and his music so powerful.

25.11.90

Now in the Art Gallery, waiting for the musicians to play.  The smell of wax polish everywhere.  A nice, provincial exhibition of local watercolours outside, and a roomful of 20th century greats.

Breakfast – very English, reading the Observer.  Then for a walk round the town.  I love Sunday mornings.  The silence and the peace.  As ever (cf. Delhi Connaught Place) I am slightly disappointed when I see a place with the great black tent of night lifted.  Everything looks too small.  By night, it is like being in a huge, low hall.  Huddersfield, it turns out, is rather small.   Round the Polytechnic: depressing, angular, soulless buildings.

Walking around, I am asked the way – foreigners: not Russians, but Lithuanians.  I would love to travel in Lithuania...Latvia, Estonia, Frisia – a travel around the edge of Europe, the marginalised lands, marginalised people.

Last night: I forgot about the Tristan quotation at the mention of the name “Wagner” in the Faust – obvious, but fun.  Then round the town, the local lads and lasses out in their Yorkshire finery.  On the way up I couldn’t understand what someone in the motorway cafe sad.  Reminds me of the ferry from Euboea, as I asked for coffee.

Now in the Polytechnic Common Room, with a nice view to the hills, sitting in a beautifully carved chair complete with note-taking spatulate right arm (dextrism again).  I forgot to mention (again) last night’s aborted visit to Orkestrion.  Sparsely populated in St Paul’s – and justly so.  Usual nameless impro stuff – and TOO DAMN LOUD.  I fled to preserve my vestigial hearing.  

As ever, I find it hard to imagine what it is like living in somewhere like Huddersfield.  Perhaps everything is relative (yes, probably, mate) – after all, London was at one time small absolutely (and relative to now) – but was still a metropolis.  

Caged bird twitter and churr…

After lunch, a final walk around Huddersfield – now bathed in winter sun, with its inhabitants out and about.  Very pleasant.  Back to St Paul’s for the Lithuanian stuff.  First piece – very varied, but good – others rather too episodic – though some nice use of folk instruments – especially in the third piece – minimalist minimalism – Lithuanian Steve Reich.  Clearly a vibrant scene, though.  

Under me, on the café bridge the cars pass like fireworks.

Saturday, 15 July 2023

1990 Munich

9.11.90

Well, what a surprise.  I find myself in the gloriously appointed Altes Residenztheater, all cream and light Baroque.  I have come (foolishly perhaps) to see Schnitzler’s “Zwischenspiel”.  Inevitably the programme tells me nothing – even going so far as to reprint “Die griechische Tänzerin" – which I have read several times.  His prose is so good, so smooth, so inevitable – I wish mine were.

Despite my tiredness, and my activities of the past days/weeks (more anon), I think I’ll be OK, if only because I kipped from 5 to 6.30pm  Everyone very formal here – glad I didn’t come in trainers… Inside to the theatre.  A glorious riot of gilt, cream and maroon – a very regal feel.  Very High Baroque (Asam brothers etc.).  Real armless chairs – I have a whizzo one, No. 72, DM41.  Royal box amazing: central, with huge drapes et al.   A real find – I tried first for the opera – “Ballo in Maschera” – but sold out.  I just hope Schnitzler’s dramatic prose equals that of his short stories.

In front of me one is confronted with the stage curtain, “Zwischenspiel” written thereon, a wind-up gramophone in front.  Hmm… (NB: there sill soon be kids who have never seen gramophones, or understand their principles…) 

Halftime.  Out with the throng as they rush to their Sekt and various raw meats.  An interesting experience.  I catch perhaps one sentence in 10 – but it is enough, and I shall definitely stay to find out what happens.  The story so far (cf. “A Life for the Tsar” in Moscow and “Le Donne Gelose” in Venice).  The composer Amadeus teeters on the brink of an affair with a singer (Friederike).  He has a long talk with his wife Cäcilie – another singer – and they part (though I dunno why she agrees).  He meets C. again some time later, and they seem to be getting back together… (?)

The German is lovely, though not very well projected, especially from downstage – the acoustics don’t help.  The direction rather static, but this is partly Schnitzler’s fault.  Like me, I fear, he’s a bit of a talker, not a virtue in drama.  Unlike Canada, some attractive bints here – with a characteristically hard look to many of them.  But what a contrast to Toronto… Acting generally feels high quality – and judging by the papers, there’s quite a lot of it – again, cf. Toronto…

10.11.90

I sit in the Hofgarten, under a gentle sun – we are leicht bewolkt – the air cool but pleasant.  Bustling Müncheners everywhere.  1.45pm strikes.  Selig?

I salved my conscience this morning by trolling along to the show for an hour or so.  But never before have I rubbed blisters from a show.  Then back to change, out to try to buy tickets for Vermeer at Herkulessaal (sold out), then along to St. Matthäus for a concert (on the door).  But it’s too pleasant now to do much except walk around.  I have had an odd lunch (ish) – roast chestnuts and dried bananas (à la Lakes).  Then along to the Ägyptische Sammlung – rather disappointing, small, nothing special.  For me the most exciting thing there was the map of Egypt, with all its evocative names.  Ah, "Egyptian Romance"….

Along to the Staatsgalerie for Kaffee and Kuchen.  Then: roomful of Kirchner – some quite nice.  Great Nolde: “Nordermühle” blazing orange and complementary greens and mauves.  Two good Kandinsky: one early, the other (abstract) later, but organically growing out of it.  A Max Beckmann I know well – “Still life with telescope” – but why?

Interesting effect in Dali’s “Apotheosis of Homer”: he put big gobs of paint on, lets them dry, then paints on them.  His ants only have four legs on some of his pix.  Magritte’s “Third dimension” – shows birds perched on the veins of a leaf – fractals…  “Sie können niemals wissen” – eerie pic of half human/half android…  Collection quite good, though upstairs is naff.  Also rather quiet.  The Tate et al. gain from the people.  Perhaps modern art is otherwise rather lonely.

Along afterwards to Die Neue Sammlung – exhibition of newspaper cartoons, happily fairly comprehensible, if only because the images were rather obvious [kids going by, shuffling their feet through the yellowing leaves – something I loved doing up Downs Road – and still love doing here and in Canada][I have been sitting for a while, trying to remember the Greek word for otherwise/altrimenti/autrement/sonst – αλλιώς?  These words – but I’m pleased how quickly my German seems to have come back.  Though last night I failed to grasp the ending of the play – I’ll have to read it when I return].

So now I sit in the Englischer Garten – named after its Capability Brown freeness, I suppose (ich vermute), the sun low and weak, sinking through the light cloud which has threatened all day, but mercifully held off.  People out walking in pairs, people playing with kids (but far fewer than in London), running with dogs, sitting and watching (like me).  

A few notes on this and that.  The river through the park is in some state of spate, roaring through.  Walking across the grass, I saw molehills – and immediately thought of the smell of anti-mole poison as smoked in by my father.  A lovely way to go, I always thought.  Other childhood smells: plasticine (a slightly rude, stinky smell), crayons.  Furs seem far more acceptable here than in the UK.  Half the world seems to be wearing glasses – all the trendy new shapes (that also look very old-fashioned, for obvious reasons).  People playing with frisbees – delighting in its simple grace – and the joy of catching it effortlessly.

Money begets beauty.  Not directly, but a wealthy city has far more attractive men and women than a poor one, if only because they are well-groomed and well-dressed.  Also noticeable is everyone eating out at lunchtime today – another sign of wealth.  On the U-bahn here, a man rubbing his daughter’s cheeks, quite hard, superficially in play, but it went beyond that.  The girl, eight or nine, also reacted to him in a very grown up way – not like a child.

The bells sounds with a quirky, deep-throated old-world clangour.  Only time can do this.  An AC/DC video on the TV: the ultimate Dionysian music for the 20th century.  Also the obligatory “erotic” programmes – even at the Sheraton.  Annoying how sex – of this rather laughably (but dangerously so) soft kind 
 has been normalised.

A lovely day today – and a week ago I was at the Niagara Falls.  Amazing.  The sun reddens to the right of the Dom’s towers (Dom closed for restoration).  Why do the words “tub of lard” keep going through my head?  All around me a few remaining trees with full foliage in various stages of turning.  Lovely smell of sap and leaves.  In the distance, a bloke practises juggling with Indian clubs (what a nice name for an object).

A long walk through the park, the temperature dropping now that the sun has disappeared.  U-bahn back to the hotel, where I put a jumpy on for the evening.  On the TV a programme about Computer Associates, narrated in that ultra-clear German accent – with lovely uvular fricatives – that I know so well from my previous Munich trip.

Which brings me on to something I have omitted to mention: that I recognise barely anything of Munich.  Marienplatz (just), Odeonplatz, the Staatsgalerie – but barely anything else.  It would seem that – like a baby – I had not evolved my full city mapping machinery.  Now when I visit somewhere, I soon lock in and retain its basic outline – as well as details (e.g. Torino rears up in my mind, even though I took just one early morning walk there).  Interesting.  But it also awakens a desire in me to visit München, um sie besser kennen zu lernen (Deutsch really is pulsing through the old Gehirn).  Not to mention Paris, Berlin, etc. – perhaps a weekend every month or two.  I think that "Egyptian Romance" will demand much of my time next year.  Also, I am pretty certain I’ll go to South America – therefore I must brush up my Spanish, therefore I must do Germany first, lest (μήπως) I become confused.

I am eating in a place just down from the Kaufhof at Marienplatz.  Like the Peterhof we ate in on Thursday night, it has a real buzz about it.  The Dirndl-skirted waitresses fit, as does the décor and the music.  Nudeln and ox soup to start (nice), some pork job to follow.  

Pork job was pretty gross (as was to be expected of German food): roast pork, boiled pork, pork sausages, pork dumplings (?) sauerkraut and tatties.  Some of the flavours distinctly odd – but surprisingly pleasant for being so.  I have not drunk beer since I was last in Munich (12 years ago), when I tasted two.  Given this is the centre of beer making, I almost wish I drank the stuff.  Perhaps I should try it?

11.11.90

Up late (I missed my alarm), checked out, on circuitously to the Alte Pinakothek.  I vaguely – but only vaguely – remember this.  Downstairs – lots of old German stuff that does very little for me.  Also an exhibition of early Italians – what a contrast – there seems so little humanity in the German by comparison.

Upstairs to the real stuff.  Mabuse’s beautiful “Danae and her golden shower”. Rogier van der Weyden’s wonderful Madonna painted by Luke, in a big triptych (the faces…).  Dieric BoutsChrist’s faceAltdorfer’s “Battle of Issus” – totally different shape from what I recall.

Of the main Rubens hall I still find his style overblown, if virtuosic.  However, I have a better appreciation of the lusciously endowed women of this period.  Wonderful series of Rembrandts – the tiny early self portrait, and the Biblical series.  I wonder what he saw in the darkness which surrounds the image?

To the cafeteria for a quick cake and coffee – the latter very Italian, tasty.  Once again, I find a Munich gallery good but rather unsatisfactory.  It doesn’t really hang together.  The National Gallery is far better balanced – but then Munich is not London.

Over to the Neue Pinakothek.  It is everything that the Alte Pinakothek isn’t: light, friendly, busy in the right way.  A few comments.  I must just note a masterpiece by a minor painter:  O. Achenbach’s “Italienischer Park” – the effects of light are gob-smacking – a beautiful Tiepolo pink, but so true it emphasises how rarely other pix achieve this justness.  Also “Don Quixote” by Daumier here, and very noticeable how utterly English Constable looks.  Beautiful metaphorical landscapes by Caspar David Friedrich.  Looks daft to see “Strasse in Upper Norwood” by Pissaro… Another pic I remember well: Segantini’s “Das Pflügen” – though before it was upstairs by a stairway (in the Alte Pinakothek?)

Along to the Staatliche Antikensammlungen.  I pass through an open space I have vague memories of: that of the Staatliche Antikensammlungen and the Glyptothek.  I remember things as grander, perhaps raised up more.  It looks more like Downing College

Lovely and light inside.  Greek things now send a certain frisson through me.  The stone facing of the halls reminds me of Khufu’s tomb…  This place is beautiful, partly because it is so well designed.  The floors are black stone, the walls pitted and creamy, the chairs butterscotch – the perfect match and background for the red and white patterns. 

Downstairs, totally mind-blowing gold crown – so delicate and well preserved.  I don’t normally go a bundle on earrings, rings, bracelets, etc., but this lot is gob-smacking: I have never seen such workmanship – and from 700BC sometimes.  In fact, I’ve no idea even how some of it was done, the tiny weaving of gold braids together – these were hardly primitive civilisations.  This is quite simply the best collection – and display – of ancient treasures I have ever seen.

To the Glyptothek – a name that has been floating in my brain for 12 years.  Hall XI: a sea of bobbing Roman heads viewed from the ramp.  Magic.  All of them looking out to the courtyard, as if yearning for Rome…

Great use of the same blistered stone as a partial lintel.  Otherwise lightly whitewashed bricks.  Very cool spaces.  Perfect.  Amazing mosaic: not only does it have a Möbius strip, but also a portrait of Hitler…

Again, this really is the perfect example of how this museum should be done.  I sit now in the lively café – brill coffee and cheesecake, spoilt by the smokers around me.  I sit in a canvas and wood chair.  Selig again.  Very attractive women about – art certainly does it…

The Glyptothek reminds me of something out of Piranesi, of the yellow church by Sangallo outside Montepulciano (when was that…?).  High barrel vaults and Pantheon-like corner rooms – all very appropriate, perfectly classical, perfectly muted.  Collection well-spaced out as it should be.  People sketching, sitting on thoughtfully provided stools (canvas again).  Also a book showing how Eduardo Paolozzi and others exhibited here, stimulated by the works.  Great idea.  Should do in the UK.

Happily, this trip seems to have panned out well..  This is a great ending.  I have got the hang of Munich (only 12 years late), and discovered the Neue Pinakothek, the Antikensammlungen, and – vor allem – the great and glorious Glyptothek.

A fine Weston differential pulley hangs over the eaters, drinkers – and smokers.  Its massive coiled chains look almost alive.  But what is it used for? [The pull of the pulley…]  It is amazing how national characters linger.  A man next to me sports a monocle; elsewhere, I have seen many people in ankle-length leather coats – à la Gestapo. Surely this stuff is still loaded…

Once round as fond farewell, then outside into the gentle drizzle.  Across to the Propylaea, which reminds me of Dendera. To the U-bahn.